My Kid Could Paint That

Amir Bar-Lev:
[when Laura starts crying on camera on being doubted] I'm sorry that I brought this into your house.

Laura Olmstead:
[bitterly] It's documentary gold.

Michael Kimmelman:
All writers, all storytellers, are imposing their own narrative on something. I mean, all art in some ways is a lie. It looks like a picture of something, but it isn't that thing, it's a representation of that thing... Your documentary is itself going to be a lie. It's a construction of things, it's how you wish to represent the truth and how you've decided to tell a particular story. By that I don't mean that certain things don't happen. Of course they do. It's not that there is no such thing as truth. But we come to like and trust a certain story, not because it's necessarily the most absolutely truthful, but because it's a thing that we tell ourselves that makes sense of the world, at least at this moment.