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Etienne Forcier: I have never stolen a thing in my life, okay? I tried to give the money back, but they won't take it.Agent Dylan Rhodes: Okay, let's just say you robbed a bank.Etienne Forcier: I did.Agent Dylan Rhodes: Fine. Fantastic. You did. But since I'm new to this, can you explain to me how you went from Las Vegas to Paris in three seconds?Etienne Forcier: With the teleportation helmet.Agent Dylan Rhodes: Okay, what the hell is going on here?
– Now You See Me
J. Daniel Atlas: First rule of magic: Always be the smartest person in the room.
Gus: Did you ever do drugs with Mr. Boz?Catherine: Sure.Gus: What kind of drugs?Catherine: Cocaine. Have you ever fucked on cocaine, Nick? It's nice.Nick: You like playing games don't you?Catherine: I have a degree in psychology, it goes with the turf. Games are fun.
– Basic Instinct
Nick: Are you a pro? Catherine: No, I'm an amateur.
John Correli: Were you ever engaged in any sadomasochistic activity? Catherine: Exactly what did you have in mind, Mr. Correli?
Nick: What's your new book about? Catherine: A detective. He falls for the wrong woman. Nick: What happens to him? Catherine: She kills him.
Correli: There's no smoking in this building, Miss Tramell. Catherine: What are you gonna do? Charge me with smoking?
Nick: Beating that machine can't be easy. Catherine: If I was guilty and I wanted to beat that machine, it wouldn't be hard. It wouldn't be hard at all. You took a lie detector test after you shot those two people, didn't you? Nick: I passed. Catherine: You see, we're both innocent, Nick. [He gives her a long, hard stare] Nick: You seem to know an awful lot about me. Catherine: You know an awful lot about me. Nick: I don't know anything that's not police business. Cat
Catherine: How does it feel to kill someone? Nick: You tell me. Catherine: I don't know, but you do.
Catherine: What are you researching? Nick: A new ending to your book. Catherine: Oh really? What's the twist? Nick: Well, the detective falls for the wrong girl, but he doesn't die. Catherine: So what happens to them? Nick: They fuck like minks, raise rugrats, and live happily ever after. Catherine: It won't sell. Nick: Why not? Catherine: Somebody has to die. Nick: Why? Catherine: Somebody always does.
Chief Cliff: May I ask you a question?Officer Ronnie Peterson: Sure. Ask away.Chief Cliff: You have been saying that this is all gonna end badly, from the very beginning, over and over. So, what made you so fucking sure of that? How did you know everything in advance?Officer Ronnie Peterson: Do you really want to know?Chief Cliff: Yes! I want to know. I really want to know!Officer Ronnie Peterson: Okay. I know because I've read the script.Chief Cli
– The dead don't die
Hank: Like I said on the phone, Cliff, often Fern gets here early...so I thought I might get some coffee to go, and then...Oh, my god. I saw them, Fern and Lily.[Chief Cliff enters the coffee shop, takes a look inside and comes back out]Hank (continues): What the hell was it? A wild animal? Several wild animals?Chief Cliff: I don't know. But whatever it was, it even smashed the coffee pots.[Officer Ronnie Peterson arrives, enters the coffee shop, takes a look insi
Sherlock Holmes: Please don't feel obliged to tell me that was remarkable or amazing, John's expressed that in every possible variant available to the English language.Irene Adler: I would have you, right here, on this desk, until you begged for mercy twice.[A long silence in which Sherlock and Irene maintain eye contact]Sherlock Holmes: ...John, please can you check those flight schedules, see if I'm right?John Watson: [Looking stunned]...I'm on it, yeah.Sherlock Holmes: ...
– Sherlock, Series 2
Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong. Ilsa: But, Richard, no, I... I... Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie? Captain Renault: I'm a
– Casablanca
Norma Desmond: All right, Mr. DeMille, I'm ready for my close-up.
– Sunset Blvd.
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big. Norma Desmond: I *am* big. It's the *pictures* that got small.
Narrator: Sexual tension is an elusive thing, but Kathy had pretty good radar for it.It was like someone had turned a knob a hair to the right, and the radio station clicked in so loud and clear it almost knocked her over.Once she became aware of the connection between them, it seemed impossible that she'd missed it before.On a hunch, Kathy dropped her fork in the hopes thatwhile retrieving it, she would catch Sarah and Brad playing footsie.But she was mistaken.
– Little Children
Brad Adamson: You have a nice place.Sarah Pierce: You think? Richard, does pretty well for himself.Brad Adamson: Oh, yeah? What's he do?Sarah Pierce: He lies.
Fleabag: I met someone.Claire: What? really?Fleabag: Yeah.Claire: Oh my God, that's amazing. What does he do?Fleabag: He's a Priest.
– Fleabag
Claire: Tell the truth.Fleabag: It's horrendous.Claire: It's horrendous.Fleabag: It's modern.Claire: Don't lie.Fleabag: I'm not.Claire: I look like a pencil.Fleabag: You...(laughing)...don't look...Claire: Don't laugh!Fleabag: It's OK.Claire: It's not OK. I'm gonna lose my job.Fleabag: You're not gonna lose your job. It's cool.Claire: it's not cool.Fleabag: It's edgy.Claire: Oh, fuck off!Fleabag: No, it's chic.Claire: It's unsalvage
Susana: Si quieres hacer reír a Dios, cuéntale tus planes.
– Amores perros
Lance: You're going to give her an injection of adrenaline directly to her heart. But she's got, uh, breastplates...Lance: You've got to pierce through that. So what you have to do is, you have to bring the needle down in a stabbing motion.Vincent: I-I gotta stab her three times?Lance: No, you don't gotta fucking stab her three times! You gotta stab her once, but it's gotta be hard enough to break through her breastplate into her heart, and then once you do that, you pres
– Pulp Fiction
Lance: Look, you brought her here, and that means that you're giving her the shot. The day that I bring an OD-ing bitch over to your house, then I'll give her the shot. Give her the shot.
Mia: I should probably tell you something now, just to get it out of the way. Sebastian: Mm-hmm? Mia: I hate jazz Sebastian: What do you mean you hate jazz? Mia: It just means that when I listen to it, I don't like it.
– La La Land
Vincent: I gotta know what a $5.00 shake tastes like.Mia: You can use my straw. I don't have cooties.Vincent: Yeah, but maybe I do. Mia: Cooties, I can handle.Vincent: All right...Goddamn, that's a pretty fuckin' good milk shake.
Lance: If you're all right, then say something. Mia: Something.
Celine: I don't think we should sleep together. I mean, I want to, but since we're never gonna see each other again, it will make me feel bad. I'll wonder who else you're with. I'll miss you. [Pause] I know. It's not very adult. Maybe it's a female thing. I can't help it.Jesse: Let's see each other again.
– Before Sunrise
Celine: You know what I want? Jesse: What? Celine: To be kissed. Jesse: Well I can do that.
Mia: Vincent, do you still want to hear my Fox Force Five joke?Vincent: Sure, but I think I'm still a little too petrified to laugh.Mia: No, you wont laugh, 'cos it's not funny. But if you still wanna hear it, I'll tell it.Vincent: I can't wait.Mia: Three tomatoes are walking down the street: a poppa tomato, a momma tomato, and a little baby tomato. Baby tomato starts lagging behind. Poppa tomato gets angry, goes over to the baby tomato, and smooshes him...and say
Mia: I'll be there in two shakes of a lamb's tail.
Mia: Don't you just love it when you come back from the bathroom and find your food waiting for you? Vincent: We're lucky we got anything at all. I don't think Buddy Holly's much of a waiter.
Mia: Don't you hate that?Vincent: What?Mia: Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?Vincent: I don't know. That's a good question.Mia: That's when you know you've found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.
Mia: I do believe Marsellus Wallace, my husband, your boss, told you to take ME out and do WHATEVER I WANTED. Now I wanna dance, I wanna win. I want that trophy, so dance good.
Jesse: You want to know why I wrote that stupid book?Celine: Why?Jesse: So that you might come to a reading in Paris and I could walk up to you and ask, "Where the fuck were you?"Celine: [Laughing] No - you thought I'd be here today?Jesse: I'm serious. I think I wrote it, in a way, to try to find you.Celine: Okay, that's– I know that's not true, but that's sweet of you to say.Jesse: I think it is true. What do you think were the chances o
– Before Sunset
Celine: I was fine, until I read your fucking book! It stirred shit up, you know? It reminded me how genuinely romantic I was, how I had so much hope in things, and now it's like, I don't believe in anything that relates to love. I don't feel things for people anymore. In a way, I put all my romanticism into that one night, and I was never able to feel all this again. Like, somehow this night took things away from me and I expressed them to you, and you took them with you! It made me feel cold, like if love wasn't for me!<
Celine: Baby, you are gonna miss that plane. Jesse: I know.
Celine: Do I look any different? Celine: I do? Jesse: I'd have to see you naked.
Jesse: In the months leading up to my wedding, I was thinking about you all the time. I mean, even on my way there; I'm in the car, a buddy of mine is driving me downtown and I'm staring out the window, and I think I see you, not far from the church, right? Folding up an umbrella and walking into a deli on the corner of 13th and Broadway. And I thought I was going crazy, but now I think it probably was you. Celine: I lived on 11th and Broadway. Jesse: You see?
