Babe: Pig in the City

Babe: Pig in the City

Deservedly acclaimed as one of 1998's best films, this sequel to the beloved 1995 live-action fantasy proved a commercial catastrophe and a source of dismay to parents expecting another bucolic, sweet-natured fable. Every bit as sly and visually stunning as its predecessor, Babe: Pig in the City is otherwise a jolting ride beyond the Hoggetts' farm into a no less vivid but far darker world--the allegorical city of the title, which for the diminutive "sheep pig" proves truly nightmarish. Australian filmmaker George Miller (Mad Max, The Road Warrior), who produced and cowrote the first film, this time takes the director's reins, and he ratchets up the pace and the peril as effectively as he did on his influential trilogy of apocalyptic, outback sci-fi thrillers. From the opening scene, Babe: Pig in the City means to disrupt the reassuring calm achieved by the conclusion of the previous film. Babe's prior triumph proves short-lived, and within moments Miller has us literally peering into the depths as he sets up a horrific well accident that nearly kills the taciturn but good-hearted Farmer Hoggett (James Cromwell), Babe's beloved "Boss." Journeying with the equally pink, even plumper Mrs. Hoggett (Magda Szubanski), the young pig finds himself in a city where animals are outcasts, staying in the lone hotel that allows pets. When Mrs. Hoggett is detained, Babe must contend with the suspicions and rivalries of the hotel's other four-legged guests. The film's G status doesn't fully telegraph the shock Miller induces: bad things happen to good animals, and Babe's new acquaintances are a far cry from his colleagues on the farm. In particular, he must contend with a cynical family of chimps given wonderful, dead-pan voice characterizations by Steven Wright and Glenne Headly. Miller's use of effects to transform his animals into "actors" is even more seamlessly integrated than in Babe. The sequel's production design is crucial to the creation of a complete, absorbing world, and purely visual ideas--such as a deluge of blue balloons during the climactic ballroom battle--achieve a splendor and originality that a room full of computer-graphics desktops couldn't muster. Ultimately, though, the film does more than amaze: as Babe's compassion and courage transform those around him, we're moved in ways that purveyors of by-the-numbers family fare can only dream of. --Sam Sutherland

PG (Parental Guidance Suggested)
Year:
1998
96
3,969 Views
This little pig went to the city...
In the heart of the city, a pig with heart.

The mice:
[reading the chapter's title] "Chaos Theory."

Mrs. Hoggett:
[off-camera] PI-IG!! [the scene fades in to show Mrs. Hoggett walking through a crowded street promenade] PI-IG! PI-IG!!! Here, pig-pig-pig-pig-piggy! Here, pig, pig, pig, pig! [sternly] Pig! [her yelling draws the attention of two motorcycle cops] Pig! [wanders toward an alley] Pig! [the two motorcycle cops pull up behind her] Here, pig-pig-pig-pig-piggy!

[Mrs. Hoggett's yelling draws the attention of a gang of hooligans on in-line skates. One skater gets up in her face]

Skater:
[in a gruff voice] Who're you callin' a pig, lady?

Mrs. Hoggett:
[nervously] Not you. Another pig. [the motorcycle cops approach] My husband's pig...

Skater:
What's in the bag? [seizes Mrs. Hoggett's purse, with her trying to pull it back] Give it here! Grrr-rrr-rr! [Mrs. Hoggett swings him and he lets go] WHOOOAAAA!!!! [runs into the motorcycle cops]

[The skater's collision with the motorcycle cops triggers a chain reaction; people trip and fall over one another as Mrs. Hoggett watches in horror. Someone falls on a painter, making him let go of a rope; the rope loosens a very hazardous scaffolding, which two other painters are using to glue a poster onto an overhead billboard. As a result, the scaffolding goes crooked and makes two buckets of glue and one painter slide down, leaving him dangling. In the process, the painter accidentally knocks the other painter off the billboard]

Painter:
Whooa! GAAAAAH!!!! [falls from the billboard, pulling down half the poster. He lands on a wooden board, launching a third bucket of glue, which lands directly on Mrs. Hoggett's head, dousing her in glue]

Mrs. Hoggett:
Oh, dear. [a dwarfed hooligan steals her purse] Oh!


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