Catwoman
For a certain segment of the population, the vision of Halle Berry in shredded skin-tight leather is reason enough to see Catwoman. As Patience Philips, Berry plays a mousy graphic designer for a cosmetics company who learns a little too much about her employer's new beauty cream and gets flushed down a waste-disposal pipe. A supernatural cat brings Patience back to life and brings up a new persona from the depths of her psyche; soon she's bounding around fire escapes, cracking a whip, and getting framed for a couple of murders by a villainous ex-supermodel (Sharon Stone, Total Recall, Basic Instinct). If you're hoping for a Catwoman with bite, this is not your movie--this Catwoman rescues children from malfunctioning ferris wheels and apologizes for stealing jewels. The movie's script and visual style are as fresh as used kitty litter. Also featuring Benjamin Bratt (Miss Congeniality), and Frances Conroy (Six Feet Under). --Bret Fetzer The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Robert Downey Jr. (as Berry's colleague)--in the dark about just where the nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff Shannon
CATch Her In IMAX
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