Full Metal Jacket

Full Metal Jacket

Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines and abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murderous half-wit (Vincent D'Onofrio). Matthew Modine gives a smart and savvy performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh

Genre: Drama, War
Production: Warner Bros.
  Nominated for 1 Oscar. Another 7 wins & 11 nominations.
 
IMDB:
8.3
Metacritic:
76
Rotten Tomatoes:
93%
R
Year:
1987
116
43,484 Views
In Vietnam, the wind doesn't blow. It sucks.
Vietnam can kill me, but it can't make me care.

Hartman:
[discovers that Lawrence had his footlocker unlocked during inspection] Jesus H. Christ. Private Pyle! WHY is your footlocker unlocked?

Lawrence:
Sir, I don't know, sir!

Hartman:
Private Pyle, if there is one thing in this world that I hate, it is a unlocked footlocker, you know that, don't you?!

Lawrence:
Sir, yes, sir!

Hartman:
If it wasn't for d*ckheads like you, there wouldn't be any thievery in this world, would there?!

Lawrence:
Sir, no, sir!

Hartman:
GET DOWN! [Lawrence steps down from the footlocker box. Hartman opens the cover with a bang] Well, now, let's just see if there's anything missing! [Hartman angrily begins rummaging through the box, then freezes as he finds a jelly doughnut] Holy Jesus. What is that? What the f*** is that? [He picks the doughnut up with thumb and forefinger of his right hand, and holds it up to Lawrence] WHAT IS THAT, PRIVATE PYLE?!

Lawrence:
Sir, a jelly doughnut, sir!

Hartman:
A jelly doughnut?!

Lawrence:
Sir, yes, sir!

Hartman:
How did it get here?

Lawrence:
Sir, I took it from the mess hall, sir!

Hartman:
Is chow allowed in the barracks, Private Pyle?

Lawrence:
Sir, no, sir!

Hartman:
Are you allowed to eat jelly doughnuts, Private Pyle?

Lawrence:
Sir, no, sir!

Hartman:
Then why not, Private Pyle?

Lawrence:
Sir, because I'm too heavy, sir!

Hartman:
Because you are a disgusting fat body, Private Pyle!

Lawrence:
Sir, yes, sir!

Hartman:
Then why did you hide a jelly doughnut in your footlocker, Private Pyle?

Lawrence:
Sir, because I was hungry, sir!

Hartman:
Because you were hungry. [after Lawrence admits hiding a jelly doughnut due to being hungry; Hartman turns and walks down the line of recruits, still holding the doughnut] Private Pyle has dishonored himself and dishonored the platoon! I have tried to help him, but I have failed! I have failed because you have not helped me! You people have not given Private Pyle the proper motivation! [turns round and marches back the way he has come] So, from now on, whenever Private Pyle fucks up, I will not punish him! I will punish all of you! And the way I see it, ladies, you owe me for one jelly doughnut! Now get on your faces! [to Lawrence] Open your mouth! [Lawrence does so and Hartman shoves the doughnut into his mouth] They're payin' for it, you eat it! [to recruits] Ready, exercise!

Recruits beside Pyle:
[doing push-ups] 1-2-3-4! I love Marine Corps! 1-2-3-4! I love Marine Corps! 1-2-3-4! I love Marine Corps! 1-2-3-4! I love Marine Corps! 1-2-3-4!

Joker:
[narrating] Our last night on the island. I draw fire watch.

[Joker goes into the head to find Private Lawrence sitting on a toilet, loading his rifle]

Lawrence:
[eerily] Hi, Joker.

[Lawrence loads the bullets into the magazine as Joker turns off his flashlight]

Joker:
[worried] Are those... live rounds?

Lawrence:
7.62 millimeter... [loads another bullet into the magazine] Full Metal Jacket.

Joker:
[shaken and alarmed] Leonard... if Hartman comes in here and catches us... we'll both be in a world of sh*t.

Lawrence:
I am... in a world... of sh*t! [loads the last bullet into the magazine and begins drilling loudly] Left shoulder, hut! Right shoulder, hut! Lock and load! [picks up the loaded magazine, inserts it into the rifle and chambers a round] Order, hut! [smartly brings the rifle down to the "order arms" position] This is my rifle! There are many like it but this one is mine! My rifle is my best friend! It is my life!

Hartman:
[storms out of his bedroom; angrily, to the other recruits, who have gotten out of bed to see what the noise is] Get back in your bunks! [storms into the head] What is this Mickey Mouse sh*t?! What in the name of Jesus H. Christ are you animals doing in my head?! Why is Private Pyle out of his bunk after lights out?! Why is Private Pyle holding that weapon?! [to Joker] Why aren't you stomping Private Pyle's guts out?!

Joker:
Sir, it is the private's duty to inform the senior drill instructor that Private Pyle has a full magazine and has locked and loaded, sir!

Hartman:
[to Lawrence; slowly, quietly and strictly] Now, you listen to me, Private Pyle, and you listen good. I want that weapon. And I want it now. You will place that rifle on the deck at your feet... and step back away from it.

[Lawrence insanely and eerily smiles, aiming the rifle at Hartman.]

Hartman:
[realizing what's happening; bellowing angrily] WHAT IS YOUR MAJOR MALFUNCTION, NUMBNUTS?! DIDN'T MOMMY AND DADDY SHOW YOU ENOUGH ATTENTION WHEN YOU WERE A CHILD?!

[Lawrence shoots and kills Hartman, then aims at Joker.]

Joker:
[trembled nervously] Easy, Leonard. Go easy, man.

[Lawrence eases off of Joker, sits back down on the toilet, and puts the rifle's muzzle in his own mouth.]

Joker:
[alarmed] NO!!!!

[Lawrence shoots himself and blood splatters on the wall behind him]

Joker:
[under his breath, imitating John Wayne] Is that you, John Wayne? Is this me?

Hartman:
[hearing him] Who said that? Who the f*** said that?! [crossing toward Joker's end of the barracks] Who's the slimy little Communist sh*t twinkle-toed cocksucker down here who just signed his own death warrant? Nobody, huh? The fairy f***ing godmother said it. Out-f***ing-standing. I will PT you all until you f***ing die! I'll PT you until your a**holes are sucking buttermilk! [to Cowboy] Was it you, you scroungy little f***, huh?!

Cowboy:
Sir, no, sir!

Hartman:
You little piece of sh*t, you look like a f***ing worm! I'll bet it was you!

Cowboy:
Sir, no, sir!

Joker:
Sir, I said it, sir!

Hartman:
Well, no sh*t. What have we got here? A f***ing comedian. Private Joker. I admire your honesty. Hell, I like you. You can come over to my house and f*** my sister. [punches Joker in the gut; he falls to his knees] You little scumbag! I got your name! I got your ass! You will not laugh! You will not cry! You will learn by the numbers! I will teach you! Now get up! Get on your feet! [Joker does so] You had best un-f*** yourself, or I will unscrew your head and sh*t down your neck!

Joker:
Sir, yes, sir!

Hartman:
Private Joker, why did you join my beloved Corps?

Joker:
Sir, to kill, sir!

Hartman:
So you're a killer.

Joker:
Sir, yes, sir!

Hartman:
Let me see your war face.

Joker:
Sir?

Hartman:
You got a war face? [gives a fierce yell] That's a war face! Now let me see your war face! [Joker gives one with a not-so-convincingly-fierce yell] Bullshit! You didn't convince me. Let me see your real war face! [Joker gives a louder, more convincing fierce yell, but Hartman is not impressed] You don't scare me. Work on it.

Joker:
Sir, yes, sir!


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1 Comment
  • Carl Swart
    Carl Swart
    Tom Keogh (I assume the one in this byline is the very same Keogh from the Seattle Times) is a blathering idiot, and what he wrote is embarrasingly poor criticism of "Full Metal Jacket." He also speaks of consensus that purely does not exist, as the awards, nominations, aggregate critc scores, and popular opinion of the film over the past three and a half decades since its release have proved. He says the film leaves the audience wondering why Kubrick made at all, but anybody who thinks beyond the superficial levels of masculinity, violence, misogyny, and racism that are portrayed realistically for a narrative surrounding soldiers in the late 60s in Vietnam, would easily find that the film is a critique of those four themes particularly. That, Mr. Keogh, is why "Kubrick kept his steely distance from the material." It is realistically portraying the hell that is war. The waste and tragedy, in particular, of this particular war. That you find the melodrama and incoherent mess of Stone's "Platoon" to be superior speaks volumes about your taste and mental deficiency. 
    LikeReply 34 years ago
    • lysander_o
      So, you're butthurt because some critic didn't like the movie as much as you did? What a crybaby! Get over yourself, man!
      LikeReply2 years ago

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