His Girl Friday

His Girl Friday

The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original. Howard Hawks had the inspired notion of making Hildy Johnson--the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married--a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment--a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply. His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang--Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others--the kind of ensemble work that gets character actors onto Parnassus. --Richard T. Jameson

Genre: Comedy, Drama, Romance
Director(s): Howard Hawks
Production: Columbia Pictures
  2 wins.
 
IMDB:
8.0
Rotten Tomatoes:
98%
Unrated
Year:
1940
92
2,372 Views
She learned about men from him!
The Year's Wildest, Wittiest Whirlwind of a Love Battle... Outrageously Racy... Sparkling... Gay!

Hildy:
Listen to me, you great big bumble-headed baboon.

Walter:
I'll make it thirty-five bucks and not a cent more.

Hildy:
Walter, are you gonna listen?

Walter:
But good grief, how much is that other paper gonna pay you?

Hildy:
There isn't any other paper.

Walter:
Oh! Well in that case, the raise is off. You go back to your old salary...

Hildy:
Walter, I want to show you something. It's here. It's a ring. Take a good look at it. Do you know what it is? It's an engagement ring. I tried to tell you right away, but you would start reminiscing. I'm getting married, Walter, and I'm also getting as far away from the newspaper business as I can get.

Walter:
What?

Hildy:
I am through.

Walter:
You can marry all you want to, Hildy, but you can't quit the newspaper business.

Hildy:
Oh! Why not?

Walter:
I know you, Hildy. I know what quitting would mean to you.

Hildy:
And what would it mean?

Walter:
It would kill ya.

Hildy:
You can't sell me that, Walter Burns.

Walter:
Who says I can't? You're a newspaperman.

Hildy:
That's why I'm quitting. I want to go someplace where I can be a woman.

Walter:
You mean be a traitor.

Hildy:
A traitor? A traitor to what?

Walter:
A traitor to journalism. You're a journalist, Hildy.

Hildy:
A journalist? Hell, what does that mean? Peeking through keyholes? Chasing after fire engines? Waking people up in the middle of the night to ask them if Hitler's gonna start another war? Stealing pictures off old ladies? I know all about reporters, Walter. A lot of daffy buttinskis running around without a nickel in their pockets and for what? So a million hired girls and motormen's wives'll know what's going on. Why-... Golly, what's the use? Walter, you-you wouldn't know what it means to want to be respectable and live a half-way normal life. The point is, I-I'm through.


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