Jonathan Livingston Seagull

Jonathan Livingston Seagull

There isn't a lot of middle ground when it comes to Jonathan Livingston Seagull, which comes to DVD in 2007, 34 years after it was released theatrically, 15 years after it appeared in the VHS format, and nearly 40 years after the first publication of Richard Bach's novella. One person's poetic is another's pretentious; while many find inspiration and enlightenment in its allegorical message of self-realization and fulfillment, many others are repelled by its sophomoric, superficial moralizing. There is, however, one aspect of director Hall Bartlett's film that pretty much everyone agrees on: it's beautifully photographed, and richly deserving of its 1974 Oscar nomination for Best Cinematography, with shot after breathtaking shot of the titular bird and his flock on the wing (and done without CGI or other modern technological trickery, other than the use of some radio-controlled models). Still, even an ornithologist would grow weary of endless shots of seagulls soaring and swooping, and when they start to talk, well, that's where the battle lines are drawn. James Franciscus, speaking in a hoarse, urgent whisper, supplies the voice of Jonathan, a young gull obsessed with flying higher, faster, and "without limits." This doesn't sit too well with the conformist stiffs who run the show, and the rebellious Jonathan finds himself an outcast… at least until he hooks up with some other, more evolved birds, who show him an existentially higher place and encourage him to return to his flock (who have names like Kirk Maynard, Judy Lee, and Charles-Roland) and share his profound life lessons with the others. If all of that sounds a bit sententious, that's because it is; while there's no arguing with the film's positive gist (basically, that it's good to be yourself and take a few risks), it's hammered home with all the subtlety of a Thomas Kinkade painting. Neil Diamond's music doesn't help, either, as the songwriter (with collaborator Lee Holdridge) delivers some of the most cloying songs of his career, somehow managing to sound sentimental and grandiose at the same time. In the end, perhaps the best solution is to watch Jonathan Livingston Seagull with the sound off. --Sam Graham

G (General Audience)
Year:
1973
120
1,111 Views
Everyone's Book Is Now Everyone's Motion Picture.
It's a lifestyle. It's the beauty of love, the joy of freedom. It's the best-selling book. It's Neil Diamond. It's a motion picture.

[Jonathan and Fletcher escape being killed by an angry mob of seagulls]

Fletcher:
They wanted to kill us! How did we get away?

Jonathan:
Like everything else, Fletcher, practice.

Fletcher:
I don't understand. The flock was gonna kill us. Our own flock! Why? Remember what you said about loving the flock enough to return to them and help them live? They wanted us dead! They're a mob! They're killers! How can you love them?

Jonathan:
You don't love hatred and evil, of course. You have to practice and see the good in every one of them and help them see it in themselves. That's what we mean by love. It's fun... when you get the idea of it. I remember a fierce young bird, for instance. Fletcher Lynd Seagull, his name. Just been made outcast, ready to fight the flock to the death, getting a start on building his own bitter hell out on the far cliffs. And here he is today, building his own heaven instead and leading the whole flock in that direction.

Fletcher:
Me? Leading? You're the instructor here. You can't leave us.

Jonathan:
Don't you think there might be other flocks, other Fletchers that need an instructor now more than this one?

Fletcher:
But me, Jon? I'm just a plain seagull, and you're...

Jonathan:
Oh, yes, yes, yes, I know. The only Son of the Great Gull, I suppose. Fletcher, you don't need me anymore. All the younger ones in the flock and some of the others too are ready to follow you now. All you need is to keep finding the real, unlimited Fletcher Seagull. He's your instructor. And don't let them spread silly rumors about me or try to make me some sort of a god, will you, Fletcher? I'm a seagull. I like to fly, maybe.

Fletcher:
Jonathan.

Jonathan:
We both have learned what we were meant to learn in our time together, Fletcher. That the way to find perfection and love is within us. Look with your understanding. Find out what you already know. Use it, Fletcher. Teach it, show it forth. And you'll know the way to fly.


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