Ninotchka

Ninotchka

Who was Greta Garbo? For a while the greatest of all movie stars, then a celebrated recluse, always "the mysterious lady," Garbo purred, "I want to be alone," and people took her at her word. Of course, the real Garbo is actually the "reel" Garbo, the silvery, suffering creature on the movie screen--the way the light caught her eyes, and the way she slithered around in silk. There are other Garbo films to be seen, but Garbo: The Signature Collection is the essential Garbo, the alpha and omega for fans and beginners. This 10-disc package collects seven of her MGM sound pictures, three silents, and the Turner Classic Movies documentary Garbo, which gives a good career overview and warm testimony from friends and relatives (although more critical perspective on her talent would have been welcome). Some extras and commentaries are mixed in. The Garbo Silents disc features Flesh and the Devil, one of her sizzling box-office duets with John Gilbert; The Temptress, a wild number with Garbo as a man-killer who follows Antonio Moreno to the plains of Argentina; and The Mysterious Lady, a tight spy picture with Garbo as a Russian agent seducing the susceptible Conrad Nagel. When Garbo finally talked it was headline news, and if Anna Christie has aged a bit, the star's sultry enunciation of "Gimme a visky" retains its historic punch. (The disc includes a German-language version of the film shot at the same time.) Mata Hari continues the exotic storytelling of Garbo's silent years, as she does an eye-popping turn as the famous German spy. Grand Hotel casts her as a tired, tired ballet dancer, in a star-studded MGM project that played on her public image as aloof and mysterious. The movie was a box-office smash and took the Best Picture Oscar for 1932, and still stands as a glittery gem of the studio system. Under the sympathetic direction of Rouben Mamoulian in Queen Christina, Garbo flourishes in a tale of a Swedish royal who escapes the grind by disguising herself as a boy. She insisted that John Gilbert--his career in tatters and his life near its end--be her leading man. Garbo rarely seemed more spot-on, and the film's final grand adoration of her is justifiably famous. Anna Karenina is Garbo's second crack at the Tolstoy heroine, after the silent Love. It's a throbbing performance, even if the movie itself is one of those MGM productions that seems to doze under all its finery and respectability. Camille is scrumptious costume tragedy, with Robert Taylor as co-star and George Cukor as director. Finally, Ernst Lubitsch's Ninotchka (you know--"Garbo Laughs") is a bubbly comedy of frosty Sovietism meeting the champagne pleasures of Paris. Garbo retired two years, ending her reign but keeping the enigma intact. --Robert Horton

Genre: Comedy, Romance
Director(s): Ernst Lubitsch
Production: Warner Bros. Pictures
  Nominated for 4 Oscars. Another 3 wins & 2 nominations.
 
IMDB:
8.0
Rotten Tomatoes:
97%
NR (Not Rated)
Year:
1939
110
1,014 Views
M-G-M's Laugh Riot!
Don't Pronounce It . . . See It !
In Moscow they planted medals on her bosom . . . in Paris they planted kisses on her cheek . . .
"It's only human to kiss!"
Garbo laughs
The picture that kids the commissars!

Ninotchka:
[looking at a map] Correct me if I'm wrong. We are facing north, aren't we?

Leon:
Facing north? Well now, I'd have to commit myself without my compass. Pardon me, are you an explorer?

Ninotchka:
No, I am looking for the Eiffel Tower.

Leon:
Good heavens, is that thing lost again? Oh, are you interested in a view?

Ninotchka:
I'm interested in the Eiffel Tower from a technical standpoint.

Leon:
Technical? No, no, I'm afraid I couldn't be of much help from that angle. You see, a Parisian only goes to the Tower in moments of despair to jump off.

Ninotchka:
How long does it take a man to land?

Leon:
Now isn't that too bad. The last time I jumped, I forgot to time it. Let me see now, the Eiffel Tower - ah, your finger please?

Ninotchka:
Why do you need my finger?

Leon:
It's bad manners to point with your own. There, the Eiffel Tower.

Ninotchka:
And where are we?

Leon:
Where are we? Let me see. Where are we? Ah, here we are. There you are, and here am I. Feel it?

Ninotchka:
I am interested only in the shortest distance between these two points. Must you flirt?

Leon:
Well, I don't have to, but I find it natural.

Ninotchka:
Suppress it!

Leon:
I'll try.

Ninotchka:
For my own information, would you call your approach toward me typical of the local morale?

Leon:
Mademoiselle, it is that approach which has made Paris what it is.

Ninotchka:
You're very sure of yourself, aren't you?

Leon:
Well, nothing's happened recently to shake my self-confidence.

Ninotchka:
I have heard of the arrogant male in capitalistic society. It is having a superior earning power that makes you that way.

Leon:
A Russian! I love Russians! Comrade. I've been fascinated by your Five-Year Plan for the last fifteen years.

Ninotchka:
Your type will soon be extinct.


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