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About: In bringing this book [The Price of Salt ] to the screen in his gorgeous new movie "Carol," Todd Haynes has, as filmmakers will, changed a few details, characters and plot points. (Therese is now an aspiring photographer, though still temporarily employed at the doll counter of a department store.) But Mr. Haynes and the screenwriter, Phyllis Nagy, have also done something more radical. In [Patricia] Highsmith's prose, desire is a one-way street. For Mr. Haynes, it's a two-way mirror. At once ardent and analytical, cerebral and swooning, "Carol" is a study in human magnetism, in the physics and optics of eros. With sparse dialogue and restrained drama, the film is a symphony of angles and glances, of colors and shadows. It gives emotional and philosophical weight to what might be a perfectly banal question: What do these women see each in each other?

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