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[Luke is attempting to keep an injured Noah conscious]Luke Snyder: Noah. Noah, y-you have to wake up, I have a question for you. Do you remember that film we watched a couple nights ago, you know, the one from your-from your film class? The uh, the four hours of Light on the Seer's Tower. You told me that it was a masterpiece, but I didn't get it so, so you have to explain to me what-what I missed.Noah Mayer: [Slurring] Uh... the film is light, it's uh... it's the emotional palette of the artist and it's used to, um... [coughs]Luke Snyder: To what? To what? It's the emotional palette of the artist, it's used to what?Noah Mayer: Uh... to express... his vision. And the broader the spectrum, the broader... [Begins to lose consciousness]Luke Snyder: [Tittering] Come on! Hey, hey! Hey, I'm about to fall asleep, too! Come on! I just insulted existential film making! You gonna let me get away with it? Noah? Noah, come on!

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