Blindspot

[first lines]

Jane Doe:
[narrating] Everything just feels so out of control. I don't remember who I am, who I was. Whatever life I had is gone... shattered into a million tiny pieces.

Jane Doe:
[speaking] Sometimes it's hard to breathe.

[Dr. Borden runs a test with Jane Doe]

Dr. Borden:
I have something I'd like to try. It's called a rorschach test, and it's designed to analyze personality characteristics and emotional functioning. But with your amnesia, my hope is that ethereal nature of the images might provoke another memory. So, tell me what you see when you look at these.

Jane Doe:
[Borden flips the projector image] A spider web. Is that right?

Dr. Borden:
There's no right or wrong. Let's try another one, shall we?

Jane Doe:
[Jane has a flashback of herself training from the second image] A target.

[Agent Weller walks Jane Doe into an ammo room with weapons laid out on the table]

Kurt Weller:
Your first memory was triggered by being active. Maybe your muscles might remember something your mind can't.

Kurt Weller:
[Jane picks up one of the assault rifles] That's an M-4. So, if you want to fire that, you're going to...

Kurt Weller:
[Jane holds up the magazine to the rifle] Need to do...

Kurt Weller:
[Jane loads in the magazine to the rifle] Exactly that.

[Agent Patterson talks to Asst. FBI Director Mayfair about Jane Doe's tattoos]

Patterson:
We've captured hundreds of numeric sequences and phrases from Jane's body in over two dozen languages, and we're feeding them into a database that I have designed that'll cross-reference them with every information system we have access to.

Bethany Mayfair:
Like a Google alert for her tattoos?

Patterson:
Well... it's a little more sophisticated than that. But, uh, yes, it's - It's like a Google alert.

[Agent Reade asks Colonel Powers a question about Major Gibson]

Colonel Powers:
Gibson's injury was psychological. He had a mission gone bad. There was collateral damage.

Edgar Reade:
How many civilians died?

Colonel Powers:
I'm afraid that's classified.

Edgar Reade:
So, a lot then?

[Jane Doe asks Agent Weller if people are shaped by their past]

Jane Doe:
So, Gibson couldn't get over killing all of those civilians? That one day, that - that single moment defined the rest of his life.

Kurt Weller:
Some things are harder to forget.

Jane Doe:
Borden says people are shaped by their past. Do you think that's true?

Kurt Weller:
[Weller hesitates] I wish it wasn't.

Jane Doe:
What if I find out who I am and I don't like it?

[Agent Weller discusses his first missing girl case with Asst. FBI Director Mayfair]

Kurt Weller:
I've been thinking about Taylor.

Bethany Mayfair:
Then maybe you should start talking to someone again.

Kurt Weller:
No, I don't wanna talk.

Bethany Mayfair:
Listen to me. That girl's disappearance was not your fault. You were ten years old.

Kurt Weller:
[Weller pauses and tells a story with flashback images] One of my last memories of her... we were climbing a tree in the backyard. And we were up pretty high. She was fearless. I was above her. I stepped on her hand accidentally. She slipped. She fell, cut herself. It left a really big scar, on the back of her neck. Jane has that same scar. Same eyes. She's the right age. I know why it's me. I know why her name is on her back. I think Jane Doe is Taylor Shaw.

[Jane Doe talks to Agent Zapata about Gibson's killing]

Jane Doe:
So, Gibson was a good guy. He just wanted the killing to stop.

Tasha Zapata:
He killed ten innocent people this morning. Good guys don't do that.

Jane Doe:
You don't think good people ever do terrible things?

Tasha Zapata:
I think terrible people do terrible things. And the good people stop them.

[Agent Weller tells Jane Doe that he thinks she's a good person]

Jane Doe:
What if I was a terrible person before all of this?

Kurt Weller:
I don't think you were, Jane. Whoever you were then... that's not who you are now.

Jane Doe:
How do you know?

Kurt Weller:
Your first instinct is to help people, Jane. Battered wife in Chinatown, Reade after the explosion today. You don't hesitate, you act. And you do the right thing. So, I don't know what it is you're remembering or what the context is. But I do think you're a good person.

[Jane Doe thanks Agent Weller for accepting her]

Jane Doe:
Thank you for what you said earlier... about my instincts.

Jane Doe:
[Weller remains quiet] And for everything.

Kurt Weller:
What happened to you was horrible, Jane. Good can come of it.

[Kurt Weller tells his sister Sarah Weller about Taylor Shaw maybe reappearing]

Sarah Weller:
Well, you realize what this - What this could mean, right? I mean, dad's been accused of kidnapping her, of killing her. It didn't matter they couldn't prove it, he's had it hanging over his head since the day she disappeared. Mom left him. Kurt, you spent 25 years convinced dad committed a murder that never even happened. If Jane Doe is Taylor Shaw, then dad is innocent.

Kurt Weller:
Maybe.

Sarah Weller:
No, Kurt, not maybe! You have to go see him.

Kurt Weller:
Sarah...

Sarah Weller:
[Sarah in tears] He's dying. It's lung cancer, he doesn't have long. Please, just go see him. You can fix this before it's too late.

[last lines]

Ruggedly Handsome Man:
[the ruggedly handsome man wraps his arm around Jane Doe in her safe house apartment] Don't - Don't make a sound.

[first lines]

Perry:
[victim Perry Bryne screams as he gets tortured by two unknown killers] Stop, please! I don't know where he is!

Nadya:
He's your brother. Of course you do.

Perry:
I - I don't know! I don't know.

Nadya:
[in Bulgarian] Tighten it.

Perry:
[Perry groans louder] I would tell you! I would tell you, please.

Nadya:
Shh.

Perry:
Please.

Jonathan:
I told you.

Nadya:
We had to try.

Jonathan:
Did we? He's not even close to his brother.

Nadya:
We had to try.

Jonathan:
Now what?

[Nadya pulls out a pistol shooting Perry in the head]

[Agent Zapata sits in a car beside CIA Deputy Director Thomas Carter]

Tasha Zapata:
What's that?

Thomas Carter:
Oh, this is a very expensive... very sensitive surveillance device. If you stick it inside of a lamp or light switch, it can power itself from radial heat, so it continues to broadcast indefinitely.

Tasha Zapata:
So it's a bug?

Thomas Carter:
It's a work of art. And I want it inside Jane's safe house.

Tasha Zapata:
No.

Thomas Carter:
You don't say no to me. See, I want this up and running inside of 24 hours, or you're not gonna like the tone of my voice anymore.

[Agent Patterson finds an anagram of stray letters within Jane's tattoos]

Kurt Weller:
What do you got?

Patterson:
All right, so when we were first imputting these tattoos into the database, I noticed there were a lot of these small, stray letters all over Jane's body. They were hidden in other designs, but they had the same font. So I figured they were an anagram for something. 'A wrenchess leek knell' 'Leech kneel elks wren' There's about 1,000 of them. The rest of them are mostly just nonsense.

Edgar Reade:
And what you said wasn't just nonsense?

[Agent Weller see's Jane Doe in her undercover black dress for the first time]

Jane Doe:
The, um... tattoos sort of ruin the whole undercover thing, so they covered them up with makeup.

Jane Doe:
[Jane clears her throat as Weller keeps staring] I feel ridiculous in this dress.

Kurt Weller:
That is not the word I would use.

Allison Knight:
Stay safe. Don't take your eyes off each other.

[Agent Weller begins to put the wedding ring on Jane Doe's hand as they go undercover]

Kurt Weller:
Now, the couple were wearing wedding rings. So...

Jane Doe:
Oh, right, yeah. Of course.

[Jane starts to have a flashback of wearing a wedding ring before]

[Agent Weller suggests to Jane Doe the two of them should dance to blend in]

Kurt Weller:
We should try to blend in.

Jane Doe:
No, I... I don't think I can dance.

Kurt Weller:
Well... up until this morning... you couldn't speak Bulgarian. Who knows? You could be a tango champion.

[Rich Dotcom meets the undercover Agent Weller and Jane Doe at the party]

Gord Enver:
Sorry to have to put you through all this hassle, to get up here. You know, I gotta play it safe. Hmm. Um, hello. I don't have to tell you. I'm talking to two real-life, actual assassins. I gotta tell you, this is very exciting to me.

Gord Enver:
[Rich Dotcom takes a drink] Mm! Did they pat you down? Not that that matters, 'cause I'm sure you could probably kill somebody with a spoon. Heck, you probably don't even need the spoon.

Gord Enver:
[Rich Dotcom looks and smiles at Weller's stern face] So bad-ass.

[the FBI team goes over Rich Dotcom's background]

Patterson:
Born Gord Enver. Pretty decent programmer. Knocked around, he made a reasonable living as a tech mercenary. But here's the thing. He was one of the first guys in the world to realize that the Bitcoin was going to be a big deal. Put everything he had into it, and within a couple years, he was worth 1/2 billion dollars.

Tasha Zapata:
Smart guy.

Patterson:
After that, he changed his name to Rich Dotcom.

Tasha Zapata:
I take it back.

[while dancing Jane Doe asks Agent Weller about being married]

Jane Doe:
Have you... ever been married?

Kurt Weller:
No. Never married. I'm too choosey.

[Jane smiles with her head down]

[Rich Dotcom hits on Jane Doe about her and her supposed husband, Agent Weller]

Gord Enver:
I mean, what's the deal with you and Stubbles over there? Are you guys really... open, or is it a committed thing? 'Cause if it's the latter, I mean... I'm okay to just watch, you know? It's something that I've discovered I really actually like doing. I don't know where it comes from, but it really just turns me on, you know? It's just sort of part of this journey, so... do you think he'd be cool with that? Do you think he'd be open to that sort of thing? Do you think he's an open person?

Kurt Weller:
[Weller walks between the two] We doing this or what?

Gord Enver:
[in Bulgarian] You like the jealous type?

Jane Doe:
[in Bulgarian back] I like all types.

[Rich Dotcom tells Jane Doe and Agent Weller about checking out the necklace]

Gord Enver:
Now, you just can't leave the party until the necklace checks out. And if it doesn't you're both dead. I'm kidding. Or am I? Sometimes, I don't even know.

[Rich Dotcom tells Agent Weller to lighten up]

Gord Enver:
I got $100,000 worth of caviar downstairs, and some wine that's older than the First World War. So... enjoy yourselves. This guy in particular. Look at that stern mug on your face. You need to let loose, man. I mean, it's Friday night, for cryin' out loud.

Kurt Weller:
It's Tuesday.

Gord Enver:
Well, it's Friday somewhere.

[Jane Doe confirms Rich Dotcom's name again]

Jane Doe:
I - I'm sorry, you said your name is Rich Dotcom?

Gord Enver:
Yeah, my mom was a big fan of the internet.

Gord Enver:
[Weller and Jane remain silent] That's a joke.

Gord Enver:
[Weller and Jane look at each other] You guys are as funny as I thought you'd be.

[Rich Dotcom catches Jane Doe and Agent Weller wrestling with the other buyer downstairs]

Gord Enver:
Trying to throw a fun party for my best friend Carl, then I hear somebody's broken into my office and destroyed a very expensive Dutch surveillance system. Then I see my favorite couple down here playing grab-ass with a valued customer. I gotta admit I'm a little upset. Is someone gonna start talking because otherwise my imagination is gonna start to go. And I tend to err on the side of scary and paranoid.

[Agent Weller and Jane Doe walk Rich Dotcom out to the helicopter to leave Dotcom's island property]

Kurt Weller:
I want you to ask these two to bring back the chopper.

Gord Enver:
Gotcha.

Gord Enver:
[the three approach the two guards] Hey, guys! Crazy night tonight. Um, can you do me a favor and kill these two, please?

[the guards pull their guns on Agent Weller and Jane Doe as Weller holds Dotcom as a human shield]

Gord Enver:
Hey, shouldn't I be dead already?

[Agent Weller holds Rich Dotcom hostage in front of his two armed guards]

Gord Enver:
Yeah, okay. You're cops. Feds, right? Mm-hmm. Yeah, if you were mercenaries you wouldn't have bothered to recover the second list. I'm right, aren't I? Yeah. And, see, cops don't shoot the suspects they have in custody - it's against the law. So, now that my men have their guns out, why don't you put yours down and we can call it a night. Or you could kill me, and then they'll kill you. I'm sure you've done the math on that.

[Agent Weller and Jane Doe fire and kill the two guards]

Gord Enver:
Or there's that.

[last lines]

Kurt Weller:
[Agent Weller takes off the fake wedding ring Jane had to wear undercover] We should probably take those things off.

Jane Doe:
Oh. Right, heh.

[Jane see's a flashback of the man with a tree tattoo, who she takes off a ring for, handing it to him]

Man with Tree Tattoo:
You don't have to do that.

Jane Doe:
Yes... I do.

[first lines]

Dr. Walter Tunnel:
[in a flashback, two CDC lab technicians are introduced while working on viruses in hazmat suits] Hey, Juliet, how's it going?

Juliet Chang:
Just out of the substrate, they're ready to go.

Dr. Walter Tunnel:
Great, put it in the incubator for 42 degrees.

Juliet Chang:
[Dr. Tunnel walks but begins to stumble] Walter...

Dr. Walter Tunnel:
[Dr. Tunnel starts to cough up blood from under his suit] Juliet?

Juliet Chang:
[Dr. Tunnel collapses to the ground as Juliet runs to his aid] Walter? Walter! Walter, it's okay! Walter, stay awake! Stay with me, okay. Walter? Oh, my God.

[Agent Reade comments on Agent Zapata's taste in men]

Edgar Reade:
I'm just glad to see you with a skinny dude for once.

Tasha Zapata:
What are you talking about?

Edgar Reade:
Oh, come on. Your usual types are mixed between Gladiator and Viking.

Tasha Zapata:
I do not have a type.

Edgar Reade:
I catch bad guys for a living, all right? The last two dudes you dated scared me.

Tasha Zapata:
Then you scare easily, 'cause they were a loan officer and a soccer coach.

[Agent Zapata comments on Agent Reade's taste in women]

Tasha Zapata:
If you would stop paying attention to the way people looked, maybe you'd get out of that rut.

Edgar Reade:
Rut? Who's in a rut?

Tasha Zapata:
Oh, I see you... wiping that phone.

Edgar Reade:
It's a numbers game.

Tasha Zapata:
[Zapata shrugs her head] Last of the romantics.

[Agent Patterson tells the team of CDC Deputy Director Rebecca Fine's viral activity]

Kurt Weller:
Any idea what she's up to?

Patterson:
Nothing good, but according to CDC records, one of the missing vials contains a rare strain of viral hemorrhagic fever. Essentially the deadlier cousin of Ebola with no known cure.

Bethany Mayfair:
What would happen if that was released into the population?

Patterson:
An outbreak like we've never seen. Possibly millions of casualties.

[CDC Deputy Director Rebecca Fine is on the run with her unsuspecting husband, when the two are pulled over by police]

Ben Fine:
[Ben pulls over hearing the police speaker phones] What the hell is going on?

Rebecca Fine:
[Rebecca leans to her husband] Look, I love you. Please understand. I am trying to save the world

Ben Fine:
What are you talking about?

Rebecca Fine:
I'm so sorry. But this will be faster.

Ben Fine:
[Rebecca pulls out a pistol and aims it to her husband's chest] Rebecca, what are you...

[Rebecca pulls the trigger and then aims the gun up under her chin, pulling the trigger]

[Jane Doe tries to talk to Agent Weller about when she first went missing 25 years ago]

Jane Doe:
You blame yourself, don't you?

Kurt Weller:
For what?

Jane Doe:
The night I went missing. You think it was your fault. You know, ever since you told me I'm Taylor, I've... been focusing on what that means for me, but... you've been living with this for 25 years. Have you talked to your dad about me?

Kurt Weller:
My dad and I... it's not that simple. I can't talk about it right now, Jane.

[Doctor Suri talks to Agent Weller about his reason for needing to release the virus]

Frank Suri:
Rebecca and I spent our entire lives studying viruses. Do you know what the greatest threat to mankind is? Modern medicine.

Kurt Weller:
[Agent Weller tries to reach for his gun but can't with the hazmat suit on] Stop! Don't move!

Frank Suri:
We create all these vaccines, antibiotics... cures for diseases that should never be cured. This planet was not designed to support 8 billion people.

Kurt Weller:
You're a doctor. You work for the CDC. Your job is to save lives.

Frank Suri:
No, my job is to save the human race. If we do nothing, our destruction is guaranteed.

Kurt Weller:
That is insane.

Frank Suri:
No. It's already spiraling out of control. In your lifetime, we're going to see famine, drought, poverty, on an unimaginable scale. Somebody's got to have the courage to do what has to be done to save the human species.

[Agent Zapata talks to Agent Weller about Jane Doe]

Tasha Zapata:
Why would they do this to her? Why kidnap a woman, wipe her memory, then tattoo her entire body with puzzles for us to solve?

Kurt Weller:
It makes her pretty hard to ignore.

[Agent Reade talks to Jane Doe about Agent Weller]

Edgar Reade:
Look, I know you think I'm the bad guy because I didn't welcome you with open arms.

Jane Doe:
You think I'm a liability. I don't know what more I can do to...

Edgar Reade:
I'm not worried about you. All of us depend on Weller. He's got better judgment than anybody I've worked with my whole career. He's made split-second decisions that have saved our lives more times than I can count.

Jane Doe:
I don't understand.

Edgar Reade:
When he's around you, the guy I lean on, the guy I know... isn't there. And that scares the hell out of me.

Jane Doe:
There's nothing I can do about that.

Edgar Reade:
I know. That's the problem.

[Asst. FBI Director Bethany Mayfair disagrees with the unknown CIA Agent about what Jane Doe knows]

Thomas Carter:
Time is the last thing that we have. See, if your girl knows about Daylight, then who else does? And what do they know about us? What, you think it's a coincidence that she was gift-wrapped and delivered to your team? See, I don't like the proximity, and I don't like the question marks.

Bethany Mayfair:
Her mind was wiped. She's just a vessel for this information, that's all.

Thomas Carter:
What are you basing that on? What, a lie detector test and some psych evals? Just let me talk to her.

Bethany Mayfair:
I'm not handing her over to you so you can throw her in some cell and do whatever the CIA does to find things out.

Thomas Carter:
This doesn't have to be a straight favor. What do you need from me? Let's make a deal here.

Bethany Mayfair:
I need for you to get out of my office.

Thomas Carter:
So be it. Just remember this later... when everything's falling apart and you're asking yourself why, that I came to you first and tried to play nice. 'Cause the rest is on you.

[Agent Weller gives Jane Doe a compliment]

Kurt Weller:
[Weller walks into the room] You were very brave today. Stupid... but brave.

Jane Doe:
I think there was a compliment in there somewhere.

Kurt Weller:
[Weller smiles and mutters] Yeah.

[Agent Weller tells Jane Doe a story about his childhood with Taylor Swift]

Kurt Weller:
[Weller sits beside Jane who's looking at a photo of the younger Taylor Shaw] We had a creek at the back of our house. Just out there. Used to go fishing there with my dad. We didn't - We didn't catch much, but, uh... I loved being out there. My sister, she was always inside playing with her dolls, but, uh... you were a tomboy. Anytime I was outside, you'd run out of your house and try to tag along.

Kurt Weller:
[Weller chuckles continuing with the story] We... we had this little wooden fort. I haven't thought about that for a long time.

Patterson:
[Agent Patterson interrupts by walking into the office room] Sorry. Weller, can I steal you for a second?

Kurt Weller:
Okay.

Kurt Weller:
[Weller stands up with a light smile] It's really nice... to have you back.

[Agent Patterson tells Agent Weller about having one of Jane's teeth]

Kurt Weller:
All right, what am I looking at?

Patterson:
Molecules of coltan, which is short for columbite-tantalite.

Kurt Weller:
[Weller makes a joke] My favorite of all the tantalites.

Patterson:
They're trace isotopic elements I found in Jane's tooth.

Kurt Weller:
You pulled one of Jane's teeth?

Patterson:
Well, I-I-I took the one that was knocked out in the fight at the safe house.

Kurt Weller:
Right.

Patterson:
I mean, it was too good to resist. The human tooth is - Is a goldmine of genetic information. Besides, it's not like she can put it back in.

[last lines]

Kurt Weller:
[Agent Patterson tells Agent Weller about the test results to Jane Doe's teeth] Your DNA tests confirmed that she's Taylor Shaw. So what are you saying? That's not true?

Patterson:
All I know is the DNA results directly contradict the isotope test.

Kurt Weller:
Is she Taylor Shaw, or not?

Patterson:
Both tests are conclusive, but both can't be true. I don't know who she is.

[Agent Patterson finds the Trakzer code for the team]

Patterson:
I checked the signature elements in Trakzer's source code against our malware database.

Jane Doe:
[Jane responds with] I understood the word 'database'.

[the FBI team searches for the allusive guy named Shawn Palmer, who's using software to track and kill government agents]

Tasha Zapata:
Palmer's security firm is a front. Outstanding warrants for unauthorized computer access, wire fraud, identity theft. And, ladies, he is single.

Kurt Weller:
And invisible. Cyber Division couldn't even find a photo, let alone an address.

Patterson:
I could find his username with DARPA's deep Web crawler. Or, track his Bitcoin usage in the Blockchain.

Kurt Weller:
Or Ana could just tell us where he lives. She's been to his house.

Patterson:
Oh, sure, I mean, it's a little analog, but...

[Jane tries to make another connection to Ana Montes]

Jane Doe:
Listen, if you - if you want... If you ever want somebody to grab a coffee with...

Ana Montes:
I don't drink coffee.

Jane Doe:
Right. I just mean, if you ever wanna talk. Or we could catch a movie. I can almost promise you I won't have seen it.

Ana Montes:
Maybe.

[Agent Patterson tells the team what she finds with the Steganography tattoo]

Patterson:
It's a classic puzzle trick. The dead space is always a clue.

Bethany Mayfair:
Do you know what it means yet?

Patterson:
I mean, it looks like a turtle shell, but that's not very helpful. I mean, maybe it's a substitution cypher using grid fragments, but that could take days to decode, or longer.

Bethany Mayfair:
So, no?

Patterson:
Not yet. But we're on it.

Jane Doe:
You're saying every one of these tattoos could have a double meaning?

Patterson:
Or triple. Or more.

[first lines]

Sarah Weller:
[Agent Weller's sister Sarah drops off some of his stuff at work] Okay, got your stuff. Clothes, toothbrush. You slept here?

Kurt Weller:
Yeah.

[Jane Doe talks to Dr. Borden about her first dream]

Jane Doe:
A breakthrough? It was a dream.

Dr. Borden:
Your first dream, which you considered significant enough to mention to me. A sex dream.

Jane Doe:
So what does it mean?

Dr. Borden:
Well, that depends on who you ask. Most people believe that dreams are the brain's ways of processing how we feel about things. So, who do you think it was, this dream man?

Jane Doe:
Um, something tells me you have a theory.

Jane Doe:
[Dr. Borden remains quiet] What, you think it's Weller?

Dr. Borden:
You said that, not me.

[Jane Doe talks to Dr. Borden about the tree she see's in her sex dream]

Jane Doe:
No. No, I just - No, I - That guy had a tattoo of a tree on his arm, and Weller doesn't have that.

Dr. Borden:
Dreams aren't literal, they're impressionistic. Your body is covered in tattoos, symbols you don't understand. Now, you described it as a tree with deep roots. Maybe you're searching for stability, strength. Those are certainly qualities that Agent Weller seems to project.

[Jane Doe takes advice from Dr. Borden about how to handle her contact with Agent Weller]

Dr. Borden:
Your relationship with Agent Weller is... complicated. He's your colleague, your protector, your childhood friend.

Jane Doe:
Yeah, and now he's in my dreams. He's everywhere.

Dr. Borden:
Maybe you need to establish clearer boundaries.

Jane Doe:
How do I do that?

Dr. Borden:
To start... try keeping your interactions with him limited to a professional context. At least for now.

Jane Doe:
Right.

[the FBI team learns about the TRAKZER App and the Dark Web]

Patterson:
One of the shooters had a mobile app I never heard of called TRAKZER. It hacks into the GPS signals from 'Blue Force trackers' on government vehicles and maps their exact location.

Bethany Mayfair:
Where'd they get this and who else has it?

Patterson:
The transactions are untraceable. Probably done through the Dark Web.

Jane Doe:
The Dark Web? That doesn't sound good, what is that?

Tasha Zapata:
95% of the internet is an index on commercial search engines.

Edgar Reade:
Yeah, the Dark Web is like the Wild West. Everything from weapons to sex trafficking.

[the FBI team discusses on whether or not the hacker Ana Montes is telling the truth]

Tasha Zapata:
She's got a healthy imagination, I'll give her that.

Patterson:
She could be telling the truth. I mean, federal agencies hire hackers to red-team them all the time, it's how they find vulnerabilities in their security systems.

Edgar Reade:
She's 17.

Patterson:
Yeah, for a hacker, she's in her prime.

[Jane Doe questions Ana Montes about her life at home]

Jane Doe:
So, the owl is just a personal thing? It didn't come from anywhere else? Because we can't find it referenced anywhere. Did you design it?

Ana Montes:
No.

Jane Doe:
Well, do you know who did?

Ana Montes:
My brother.

Jane Doe:
I saw in your file that he was killed last year. I'm sorry. Do you live alone now?

Jane Doe:
[Montes remains silent] Me too. It's hard, all that quiet.

Ana Montes:
I'm used to it.

Jane Doe:
I'm not.

[Jane Doe questions Ana Montes about the Horned Owl logo]

Ana Montes:
My brother was older. He mostly worked nights, I was alone a lot. So he drew that owl above my bed, so I wouldn't be scared.

Jane Doe:
That thing was supposed to make you less scared?

Ana Montes:
[Montes laughs] Well, owls are nocturnal so he said it would keep away the bad guys.

Jane Doe:
Did it work?

Ana Montes:
No.

[hacker Ana Montes attempts to help Agent Patterson break through Shawn Palmer's firewall]

Patterson:
Don't touch my keyboard!

Ana Montes:
Okay.

Patterson:
You are a hacker. This computer is behind the FBI firewall. No way you're touching this, kid.

Ana Montes:
Was just gonna suggest entering through the emergency cell backup on his smart-home control...

Patterson:
Yes, and accessing his cameras and the alarms. I was just gonna do that, if you would just... let me type.

[hacker Ana Montes comments on Agent Patterson's Perl language program]

Ana Montes:
Maybe if you were writing in Python instead of Perl, you'd move faster.

Patterson:
What's wrong with Perl?

Ana Montes:
Nothing... if you're designing a website in the late 90's.

Patterson:
Whatever.

Ana Montes:
[Patterson changes the Perl programming language to Python] I see you switching.

Patterson:
I was gonna switch anyway.

[Agent Weller gives Jane Doe a lecture about interrogating Ana Montes]

Jane Doe:
I was talking to her.

Kurt Weller:
And now, you're emotionally invested in that girl.

Jane Doe:
So, what if I am? She is a scared, lonely kid.

Kurt Weller:
Who is the subject of an investigation. FBI agents are trained to maintain their distance.

Jane Doe:
I'm not an FBI agent.

Kurt Weller:
And yet you want to be treated like one. You wanted a weapon, so you got...

Jane Doe:
Which you agreed to, because it was too dangerous for me to be in the field without one. What's changed all of a sudden?

Kurt Weller:
In this job you have to remain objective.

Jane Doe:
Really? Is that what you've done with me? Stayed objective?

Kurt Weller:
I'm working on it.

[Agent Weller tries to help Jane Doe feel comfortable by asking her to go out with the team]

Kurt Weller:
Jane... Jane, if you ever wanna come and have a drink with the team...

Jane Doe:
No, I... it's a little hard to relax when everybody at the table has been staring at photos of your tattooed body, all day.

Kurt Weller:
What about Sarah?

Jane Doe:
Your sister? Her last name is on my back. Look, I appreciate everything that you've done for me, everything that you're doing. But I just... I don't know, I... I need room to breathe.

[Agent Patterson talks to her boyfriend David on the phone, who recently cleaned her apartment]

Patterson:
Did you touch my board games?

David:
Yes. I alphabetized them.

Patterson:
Wait... they were alphabetized, by game designer!

David:
Oh. Um... well, I think I can remember...

Patterson:
No, no, it - It - It's fine, I can just do it when I get home.

[Jane Doe talks to Dr. Borden about feeling pushed away by Agent Weller]

Dr. Borden:
It sounds to me like you articulated your desire for space.

Jane Doe:
It didn't go very well.

Dr. Borden:
Well, setting boundaries is challenging. Even in more conventional relationships, people struggle to balance intimacy and autonomy. You and Agent Weller have an...

Jane Doe:
Unconventional relationship, yeah. You didn't tell Weller what we talked about this morning, did you?

Dr. Borden:
Jane, our sessions are confidential. Whatever you share, it stays here. What makes you ask that?

Jane Doe:
Because he's pushing me away.

Dr. Borden:
And that upsets you? Perhaps Agent Weller is feeling the same need for boundaries.

[Agent Weller talks to Jane Doe while getting in the elevator to go home]

Kurt Weller:
Do you want a new lead agent?

Jane Doe:
What?

Kurt Weller:
On your case.

Jane Doe:
I shouldn't have said that. I was upset.

Kurt Weller:
You might be right. Maybe there's too much baggage between us.

Jane Doe:
Or maybe the baggage makes you the right guy for the job. Who else is more invested?

[Agent Weller asks to give Jane Doe a lift home]

Kurt Weller:
Do you want me to give you a lift home?

Jane Doe:
Uh, my security detail's downstairs.

Kurt Weller:
It's no big deal, it is on my way home.

Jane Doe:
Better not.

[last lines]

Jane Doe:
[Jane nervously asks the FBI agents out for a beer who dropped her off at home] Um... do you guys want to go out somewhere. Grab a beer, maybe?

Jane's Guard #1:
Sorry, Ma'am, we're not permitted to take you to an unsecured location.

Jane Doe:
Right, um, well, what about coming in for a drink? Just one.

Jane's Guard #1:
Sorry, Ma'am. But we can have a bottle sent up if you'd like?

Jane Doe:
No, that's, um... thanks anyways.

[first lines]

Ruggedly Handsome Man:
[the ruggedly handsome man wraps his arm around Jane Doe in her safe house apartment] Don't make a sound. Now, I'm gonna take my hand away, but I need you...

Ruggedly Handsome Man:
[Jane begins fighting the ruggedly handsome man] Stop! Stop! I don't wanna hurt you.

Ruggedly Handsome Man:
[Jane now wraps her arm around the ruggedly handsome man's neck] I came here to help!

Jane Doe:
How did you get in here?

Ruggedly Handsome Man:
We... we avoid detection. It's part of our training.

Jane Doe:
[in a flashback, Jane see's herself smiling while she helps bandage the ruggedly handsome man's hand] You'll be fine.

[Dr. Borden talks to Jane about her safe house apartment break-in]

Dr. Borden:
A break-in is an intimate violation. But this is a real chance for us to...

Jane Doe:
I've been drugged. My memory has been erased. My entire body has been tattooed without my consent. A break-in at my safe house is the least intimate of my violations.

Dr. Borden:
And feelings of anger, feelings of resentment are all completely natural. Do you feel safe, Jane?

Jane Doe:
I can handle myself.

Dr. Borden:
I can see that. It's not what I asked. Do you trust the FBI to keep you safe?

[Agent Reade discusses the case of the masked thieves with Agent Zapata]

Edgar Reade:
They're known as the Candymen.

Tasha Zapata:
What?

Edgar Reade:
Because of their brightly-colored masks. They're an international heist crew. Interpol has a file on them that's like three inches thick. They've hit jewelry stores all over the States, Paris, Monaco, Dubai, Hong Kong. The past two years, they've walked off with over $70 million dollars in gems and precious metals.

Tasha Zapata:
This three-inch file... does it happen to mention who they are?

Edgar Reade:
No, they're good. Masks, in and out under a minute every time. Until today.

[Agent Patterson helps Agent Reade and Agent Zapata with the license plates]

Patterson:
You guys familiar with ALPR?

Edgar Reade:
Like the dog food?

Patterson:
No, not... A-L-P-R-, Automatic License Plate Recognition. It tracks feeds from toll booth and road rule enforcement cameras. It's a mountain of data.

[Jane Doe sits in the vehicle with the other Agents ready to look for the Robek brothers]

Jane Doe:
[Jane notices the Agents wiring themselves with ear pieces] Should I get one of those?

Kurt Weller:
You got one. It's there.

Jane Doe:
[Weller points, Jane see's the radio at the dashboard of the car] It's attached to the car.

Kurt Weller:
Yeah, so are you.

[Agent Patterson talks to Jane Doe about being a piece of a puzzle]

Patterson:
Do you know what a tangram is?

Jane Doe:
No.

Patterson:
It's a... it's a dissection puzzle consisting of flat geometric pieces, known as tans, which are put together to form elaborate shapes. This team has been one shape for a very long time. And you're a new piece. And we're just trying to figure out how you fit into all of this. But we're gonna find our new shape. It's just gonna take a second.

[Agent Weller gives Jane Doe his gun while in the hospital]

Jane Doe:
What are you doing?

Kurt Weller:
You're right, you need a gun.

Jane Doe:
What about you?

Kurt Weller:
Don't worry about me. I'll get another one.

[Agent Weller opens up to Jane Doe about who she might be]

Kurt Weller:
[Weller outside the hospital tells Jane] We have a theory... about who you might be. And we wanted to wait for DNA results before we told you.

Jane Doe:
Who?

Kurt Weller:
[Weller tells Jane with slight tears in his eyes] When I was ten... my next-door neighbor went missing. She was never found. Her name was Taylor Shaw. You're the same age. You got the same eyes. The same scar on your neck. And my name... tattooed on your back.

Jane Doe:
You think I'm Taylor?

Kurt Weller:
[Weller doesn't answer] You can trust me, Jane. I've been looking for you all my life.

[Asst. FBI Director Mayfair welcomes Jane Doe to the team]

Bethany Mayfair:
You'll need pass field certifications, of course. But, from what I hear, it won't be a problem.

Jane Doe:
Um... I'm on the team?

Bethany Mayfair:
Special Agents Weller, Zapata, and Reade, insisted. We still don't understand what's happening to you, but... we think you need to be part of figuring it out.

Jane Doe:
I don't know what to say.

Bethany Mayfair:
They trust you. So, I trust you.

[Agent Patterson reads the blood results to Jane Doe having a match to Taylor Shaw's DNA]

Patterson:
They're a match. I ran it three times with three different samples. You are Taylor Shaw.

[Jane Doe and Kurt Weller freeze in silence]

[last lines]

Thomas Carter:
[Asst. FBI Director Mayfair meets with the unknown Thomas Carter] Look, if the girl knows about Daylight, she needs to disappear.

Bethany Mayfair:
You don't get it. She doesn't know anything. It's the people who did this to her, created this insane treasure map - They're the ones I'm worried about.

Thomas Carter:
Do we have any idea who they are?

Bethany Mayfair:
Not yet.

Thomas Carter:
Then we need to take out the liability that we do know.

Bethany Mayfair:
No.

Thomas Carter:
[Asst. FBI Director Mayfair meets an unknown man by the name of Thomas Carter] See, I've always been a 'better safe than sorry' guy myself.

Bethany Mayfair:
The tattoos are already in the system. Killing her won't undo that. It'll only make it worse, draw more attention to it. I'm managing the situation. I just thought you needed to know.

Thomas Carter:
You thought right. If that girl has information about Daylight on her body, then we are in very serious trouble. There's only four people in the world who knew about that operation, and one of them is already dead. Don't manage the situation. Make it go away.

[first lines]

Patterson:
[Agent Patterson talks to Dr. Borden about David's murder] Cause of death, exsanguination from laceration to the jugular vein. So, according to the report, she used a piece of glass from a broken bottle.

Dr. Borden:
Moving away from David's case file for just a moment...

Patterson:
The fact that she used a found object indicates that it wasn't premeditated.

Dr. Borden:
Have you spoken to your family since last night?

Patterson:
Just my mom. She wanted to fly up but I told her that I was okay.

Dr. Borden:
Perhaps you should reconsider?

[Dr. Borden tells Agent Patterson he's recommending her to take some time off]

Dr. Borden:
I'm going to recommend you take some time.

Patterson:
No, please - Please don't sign that paper. I can't go back to my apartment. Everything there reminds me of him. His... Firefly DVD's, my board games. He didn't pick up the last of his clothes I think because he thought...

Dr. Borden:
Agent Patterson, I just can't...

Patterson:
Please, just... give me one day so I can be here with my team, because I know I that I can help.

Dr. Borden:
One day, then we'll take it from there.

[FBI Deputy Director Carter and Asst. FBI Deputy Director Mayfair meet after Guerrero's suspicious murder]

Bethany Mayfair:
You are out of control.

Thomas Carter:
Well, good morning to you, too.

[Agent Weller and Jane Doe talk in the evidence room about David's death]

Kurt Weller:
[Weller holds both of Jane's arms up] Jane, these tattoo's, they've saved a lot of lives.

Jane Doe:
Not this time. This wasn't some terrorist or criminal that died. It was Patterson's boyfriend. How is she gonna move on from this? I've never lost anyone before. At least, not anyone I can remember.

Kurt Weller:
You're lucky. It takes time.

[Jane Doe attempts to speak to the Russian spy Olivia Delidio in questioning]

Jane Doe:
[in Russian] Let me help you. I know what it feels like to be alone and afraid. I was an orphan, too. The worst thing that can happen is not to have a home.

Jane Doe:
[in English] I know you love your children, and they mean more than any promise you could have made to Russia.

Olivia Delidio:
My... children are my world.

Jane Doe:
Then do the right thing. Tell us everything.

[Agent Patterson confronts Jane Doe thanking her for catching David's killer]

Patterson:
Thank you.

Jane Doe:
I wish that there was more that I could do.

Patterson:
I thought that if - If I... solved this, and if I found his killer, I would feel, uh... I... But I feel the same. Just... empty. Like solving this didn't change anything. Is that what it's like for you? With the tattoos?

Patterson:
[Jane nods her head yes] That's awful.

[Agent Patterson talks to Jane Doe about how much she loved David]

Patterson:
I just wish I could relive the last few weeks.

Jane Doe:
Hey. You can't think like that.

Patterson:
I mean, David was right. We were... we were great together. And I was just scared.

Jane Doe:
You had no idea any of this was gonna happen.

Patterson:
I wasted so much energy on why it wouldn't work, when I could've been... I loved him. And - And I - He was right in front of me, and I should've just held onto him. Instead, I just pushed him away. And now, he's gone.

Jane Doe:
[Jane holds Patterson to her chest] Here.

Patterson:
[Patterson cries into Jane's shoulder] I don't know how I could've gotten through today without all of you.

[Jane Doe shows up outside of Agent Weller's home]

Kurt Weller:
Where's your detail?

Jane Doe:
Um, I snuck out.

Kurt Weller:
All right. That is crazy. Their job is to be with you the whole time, to look after you when you get home.

Jane Doe:
I just needed to see you.

Kurt Weller:
Is everything okay?

[Jane puts her hands around Weller's neck, kissing his lips]

Jane Doe:
I just, um... I wanted a moment that was just... us.

[Jane holds her hands on Weller's face, kissing his lips again]

[CIA Deputy Director Carter questions Jane Doe who's tied down to a table]

Thomas Carter:
So that there is clarity in, uh, in this situation, you are hours away from being put on a plane and sent down a dark hole that only I will know about. How open you are in our brief time together can radically affect on how nice that hole is going to be. So, if I were you, I would, um... well, I'd tell the truth. Okay? Understood? So, first things first, who are you?

Jane Doe:
I don't know who I am.

[last lines]

Jane Doe:
[Oscar walks up to Jane holding up his phone] What is this? Who are you? What is that?

Jane Doe:
[a video begins to play of Jane herself speaking] If you're watching this, the mission is going as planned. You can trust the man who is showing you this video. His name is Oscar, and he is here to help you. I know that you're scared. I know that you're confused. And I know you want to find out who did this to you. The answer is you. The tattoos, the memory wipe, sending you to Kurt Weller. This was all your idea. Your plan. You did this to yourself. You... did this... to yourself.

[Captain Rossi tells Asst. FBI Deputy Director Mayfair about officers Costello and Johnson]

Captain Rossi:
It's no secret what they do to cops behind bars. Costello and Johnson are gonna do anything they have to stay out of prison. You go in there, be ready for war.

[Jane Doe gives Agent Weller some advice]

Jane Doe:
You scared the hell out of me. When that door closed and I heard those shots, I thought they...

Kurt Weller:
[Jane gasps] Jane. They didn't, okay? I'm fine.

Jane Doe:
Then talk to Mayfair.

Kurt Weller:
You never stop, do you?

Jane Doe:
[Weller smiles] I guess I don't.

[Captain Rossi pushes to want to see officer Costello in the hospital]

Bethany Mayfair:
Johnson's dead. And Costello is being transported to a hospital in Queens. Also, we found their burner phones, and it looks like you were gonna be targeted next.

Captain Rossi:
I want to talk to Costello.

Bethany Mayfair:
You're a little close to this. Captain, why don't you let us handle...

Captain Rossi:
She killed three of my people. I want to talk to her. I wanna look her in the eye. I'm owed that much.

[Agent Weller arrives home to find his dad still at the apartment]

Kurt's Dad:
Sarah's just putting Sawyer to bed. She wasn't expecting you home yet. I'll just say my goodbyes.

Kurt Weller:
[Weller see's the Scotch bottle and glass on the table] You wanna pour me one of those?

[the two sit down, as Kurt's dad pours his son a drink]

Kurt's Dad:
Rough day at the office?

Kurt Weller:
Yeah. Seems like they all are these days.

[first lines]

Bethany Mayfair:
[in a flashback, the three deputies meet for the first time] I was told to meet here.

Thomas Carter:
Yeah, so were we.

Bethany Mayfair:
Bethany May...

Thomas Carter:
Mayfair, yes. Deputy Assistant Director of the FBI. I know who you are. Tom Carter.

Bethany Mayfair:
Deputy Executive Director, CIA, I know you, too.

Sophia Varma:
Sophia Varma.

Bethany Mayfair:
Deputy White House Political Director.

Thomas Carter:
Sounds like somebody's collecting deputies, huh?

[Agent Weller lectures Asst. FBI Deputy Director Mayfair on her lies]

Kurt Weller:
You're the case! So what else do you know that you're not telling me.

Bethany Mayfair:
Nothing.

Kurt Weller:
And why should I believe you? Do you understand what you have done.

Bethany Mayfair:
Believe me, right or wrong, I understand.

[Agent Weller and Jane Doe talk about trust]

Jane Doe:
Are we friends?

Kurt Weller:
Of course.

Jane Doe:
Well, you know everything there is to know about me, but... you hardly ever... I wanna help.

Kurt Weller:
I can't really talk about it.

Kurt Weller:
[Weller pauses] What do you do if someone you trusted lets you down?

Jane Doe:
Well, if it's forgivable,, I think you forgive her.

Kurt Weller:
What if you can't?

Jane Doe:
I'm not sure. None of you have ever let me down.

[Agent Weller tells Asst. FBI Deputy Director Mayfair he can no longer trust her]

Kurt Weller:
[Weller stands in Mayfair's office] The first time I came in here, remember what you did? You showed me that letter from the Bureau threatening Martin Luther King back in the corrupt Hoover days. A reminder not to abuse our authority.

Bethany Mayfair:
Weller...

Kurt Weller:
You taught me how to do this job. Everyone here looks to me for what to do. I used to look at you. That's gone. I can't trust you anymore.

[Jane Doe teases Agent Reade for the first time]

Tasha Zapata:
Hey, you guys wanna grab a drink with us?

Edgar Reade:
Nope. I got a date tonight.

Tasha Zapata:
With who?

Edgar Reade:
None of your business.

Jane Doe:
If you don't want to come, just say so. You don't have to lie.

Tasha Zapata:
[Zapata laughs] Ooh!

Edgar Reade:
Really? The both of you now?

[Jane Doe goes out for drinks with Agent Zapata and Agent Patterson]

Jane Doe:
[Jane downs a drink] Hmm! Ugh, that was too sweet.

Patterson:
We are gonna find your drink if it kills us.

Jane Doe:
Can we just stop trying to solve puzzles for one night.

Jane Doe:
[the girls chuckle] It is nice to drink with people for a change.

Patterson:
That went really dark.

[Asst. FBI Deputy Director Mayfair remembers the last time she tried to reach out to Deputy White House Political Director Sophia Varma, her secret lover]

Sophia Varma:
[in a flashback, we see Varma look at the incoming call but let's it go to voicemail] Hi, this is Sophia Varma. Please leave a message.

Bethany Mayfair:
Hi, it's me again. I... I know you don't want to talk right now, but, I just wanted to know that you're okay. I'm worried about you. Call me. Bye.

[We see Mayfair cry at her computer as she reads about the suicide of Sophia Varma]

[Agent Zapata drops off Jane Doe at her safe house]

Jane Doe:
It's nice hanging with you guys. It almost makes me feel normal.

Tasha Zapata:
You're a lot of things, Jane. Normal isn't one of them.

[last lines]

Tasha Zapata:
[CIA Deputy Director Tom Carter approaches Agent Zapata on the street] I gave you the file, that was the deal. This is over.

Thomas Carter:
[Tom Carter chuckles] But, little lady. But you already took my money. You already sold out your friends. If I tell the FBI what you've done... you won't just be fired, you'll be indicted. This is over when I say it's over. You're mine now, Agent Zapata. So you take care.

[Dr. Borden interviews Jane Doe for the first time]

Jane Doe:
I didn't even dream last night. I was really hoping I would, you know? I thought maybe it would... I just... Someone did this to me, took away my whole life, and I can't do anything.

Dr. Borden:
I got you a coffee and a tea this morning. Which would you prefer? Well, go ahead. Try them.

Jane Doe:
[Jane takes a drink from the left cup of coffee and then the right cup of tea] Uh, I like this one. This one tastes like grass trimmings.

Dr. Borden:
There you go. Number one, you remember what grass trimmings taste like. And two, you figured out you're a coffee person. You're not helpless. We're defined by our choices. You just don't remember yours. So, keep trying new things. See what your body remembers. Or make new choices. The more you make, the less helpless you'll feel. Even if nothing ever comes back you can still find yourself.

[Agent Weller holds a meeting for the FBI team to solve the questions surrounding Jane Doe]

Kurt Weller:
Who is Jane Doe? And why was she dropped in Times Square for us to find? And why the hell is my name tattooed on her back? All right, Reade, Zapata, you're on my case histories. Now, you find out if anyone that I put away got out of prison recently. I don't recall any similar M.O's, but I could be missing something. As for this Jane Doe, let's try to squeeze some blood out of that stone.

[Asst FBI Deputy Director tells Agent Weller that they think Jane Doe may have been a Navy SEAL]

Bethany Mayfair:
You were right. The black sqaure was obscuring another tattoo. An eagle holding a trident and anchor. We think she might have been a SEAL.

Kurt Weller:
[Weller looks over to Jane sitting beside him] That'd explain a few things.

[first lines]

Beat Cop:
[a beat cop notices a bag lying on the sidewalk in the middle of Times Square] Do you know whose bag this is?

Pedestrian:
No clue.

Beat Cop:
Ma'am, do you know whose bag this is? Excuse me, is this yours?

[the beat cop notices the tag left on the bag, it reads:
Call The FBI]

[a bomb tech approaches the bag on the ground with a radiation meter in an empty Times Square]

Bomb Tech:
No signs of radiation. Commencing manual inspection. Nothing anomalous on the exterior. Okay, I'm gonna feel for wires, see what we're dealing with here.

Bomb Tech:
[the bag moves, frightening the bomb tech to take a step back] Aah! There's something in there!

[the bag unzips, as an arm reaches out, a female woman in the nude, covered in tattoos, steps out into the lit street]

Bomb Tech:
[the bomb tech screams] Turn around! On your knees! Hands on your head! Turn around! On your knees! Hands on your head! Are you guys seeing this?

[the unidentified woman turns around, kneels down, with her hands on her head, scared]

[FBI agents Weller, Reade, and Zapata enter into a home of a hostage situation armed in tactical gear]

Edgar Reade:
[Agent Reade holds up the heat sensor to the upstairs floor] Single tango, he's pacing. Three hostages.

Tasha Zapata:
[Agent Zapata looks into the heat sensor] What's that, a cat or a dog?

Kurt Weller:
[Agent Weller hears a cry] It's a baby.

[Dr. Borden tells Asst. FBI Deputy Director and Agent Weller about the drugs in Jane Doe's system]

Dr. Borden:
Are you familiar with the PKM-zeta inhibitor, commonly known as 'ZIP'?

Bethany Mayfair:
Doctor, you and I have very different ideas of what 'commonly' means.

Dr. Borden:
Zeta Interacting Protein. It's an experimental drug being tested with PSD sufferers - Rape victims, soldiers who've seen combat. Used sparingly, it can erase selective memories.

Bethany Mayfair:
And you found traces of it in our girl?

Dr. Borden:
No. Not traces. Her whole system is flooded with it. I - I've never seen anything like it before. It's created a chemically induced state of permanent amnesia. She can't remember who she is, where she came from, nothing... before she crawled out of that bag in Times Square.

Kurt Weller:
So, what does this got to do with me?

[Asst. FBI Deputy Director Mayfair walks Agent Weller over to view Jane Doe through the glass]

Bethany Mayfair:
Do you recognize her?

Kurt Weller:
No. I've never seen that woman before in my life.

Bethany Mayfair:
[Mayfair knocks on the glass, as Jane Doe turns her back to the agents, looking over her shoulder] Then why is your name tattooed on her back?

[Dr. Borden explains Jane's memory to Agent Weller]

Dr. Borden:
Her narrative memory has been obliterated. But her procedural memory still seems to be intact.

Kurt Weller:
So, she can walk, talk, understand the world.

Dr. Borden:
Yeah, conceptually, it all seems to be there, but the specifics are cloudy. For instance, she knows what music is but doesn't remember The Beatles.

Bethany Mayfair:
And she'll never get her memory back?

Dr. Borden:
Honestly, we have never had a case like this before. And when I say 'we', I mean the entirety of medical science. So, it's possible that something familiar could trigger her memory. But there is no way to know for sure.

[Agent Patterson holds down Jane Doe's hand for finger prints]

Patterson:
[Patterson pushes down as Jane shudders] Does that hurt?

Jane Doe:
Yes, they're - They're all a little sore.

Patterson:
Your tattoos?

Patterson:
[Jane nods her head] I'm going to need to image them.

Jane Doe:
All of them?

[the scene cuts to Jane Doe holding her body open in the nude, being scanned for her tattoos]

[Agent Patterson reads the results for Jane Doe's tattoos]

Patterson:
All of her tattoos - Are brand new - All of them.

Bethany Mayfair:
What? How new?

Patterson:
Judging by the healing, no more than a few weeks.

Bethany Mayfair:
Her entire body was tattooed all at once? And why would they do that?

Kurt Weller:
It's a treasure map.

Bethany Mayfair:
Come again?

Kurt Weller:
Look at it. There's no 'X' that marks the spot. There's hidden letters, random numbers, map pieces without context or names. It's a puzzle. And the first piece couldn't be clearer.

[Jane Doe is questioned by a Polygrapher]

Polygrapher:
Have you ever directly or indirectly been involved with or assisted a terrorist organization?

Jane Doe:
How many more of these are there?

Polygrapher:
Try to limit your answers to 'yes' or 'no'.

Jane Doe:
It's the same answer every time. I don't know. I don't know what's going on. I don't know what's happening to me, and I don't know how else to tell you that.

Polygrapher:
[Jane begins to pull off the wires] Hold on. Wait a second. Miss

Jane Doe:
Miss What? Miss Who? I don't have a name. I let you people poke me, prod me, scan me. I'm done. Okay? I want to speak to someone in charge.

Polygrapher:
Let's just take a deep breath...

Jane Doe:
[Jane yells] I want to speak to someone in charge!

[Agent Weller meets Jane Doe for the first time in questioning]

Kurt Weller:
I'm Special Agent Kurt Weller. I'm the lead agent on your case.

Jane Doe:
Please tell me you know what's going on. Who am I?

Kurt Weller:
We don't know yet.

Jane Doe:
All of these tests and you don't know anything?

Kurt Weller:
We know that you're telling us the truth. We're certain of that now.

Jane Doe:
Of course I am. Why would I...

Kurt Weller:
Ma'am, there is no match to your prints. Or your DNA. And Facial Recognition did not find you in any of our databases.

[Agent Weller tells Jane Doe the two of them might have a connection]

Kurt Weller:
Do you recognize me?

Jane Doe:
Why would I - I don't even recognize me.

Kurt Weller:
Dr. Borden believes if you encounter familiar stimuli, it may trigger a memory.

Jane Doe:
Why would you be familiar?

Kurt Weller:
Because my name - Kurt Weller - Is tattooed on your back.

Jane Doe:
What's happening to me?

Kurt Weller:
I don't who you are, ma'am. But maybe, somehow, you knew me.

Jane Doe:
I don't understand any of this.

Kurt Weller:
I know this is overwhelming. Please try. Something may come back to you.

Kurt Weller:
[Jane raises her left hand over Weller's hand, and her right hand over Weller's face, he waits before lowering her hand down] Anything?

Jane Doe:
[Jane looks into Weller's eyes] No.

[Agent Weller drops Jane Doe off at her safe house]

Kurt Weller:
You should get some sleep, or get something to eat. So, if there's any food you like, tell the security guys and they'll get it for you.

Jane Doe:
I don't - I don't know what I like.

Kurt Weller:
Right, um... I'll get them to get you a bunch of menus, so you can choose.

Kurt Weller:
[Jane looks confused on what to say or do] Good night, ma'am.

[Jane Doe looks at one of her own tattoos with the other agents, noticing the Chinese characters tattooed behind her left ear]

Kurt Weller:
[Jane begins speaking Chinese] So, you speak Chinese.

Jane Doe:
That's an address and a date. Today's date.

Kurt Weller:
[the scene cuts to Weller and the rest of the team investigating the address] That was right under our nose.

Edgar Reade:
Behind her ear, actually.

[Agents Weller, Reade, and Zapata kick down Chao's locked apartment room]

Kurt Weller:
[Weller see's the laptop sitting on the desk] Zapata, can you get us on that computer?

Tasha Zapata:
I'm not gonna lie, I'm a bit hurt you had to ask me that.

[Agent Patterson and Asst. FBI Deputy Director discuss that Jane Doe may be a Navy SEAL]

Patterson:
How's your Latin?

Bethany Mayfair:
Not great, but I know what this is. 'For God and Country'. It's a Navy SEAL tattoo.

Patterson:
There's never been a female Navy SEAL.

Bethany Mayfair:
Do you think they'd advertise it if there were?

Patterson:
No, but her fingerprints came back clean. If she was Navy, she'd be in our database.

Bethany Mayfair:
Not if she was Special Ops.

[Jane Doe asks Agent Weller about why she was chosen for this]

Jane Doe:
How do I know how to do all of this? The Chinese, the fighting?

Kurt Weller:
A lot of people know martial arts, but... what I just saw... you don't learn that at a local dojo.

Jane Doe:
So, is that why they chose me? 'Cause of what I can do. But why me?

Kurt Weller:
I don't know yet, Jane.

[Jane Doe fires a pistol to save Agent Weller's life, at the same time having a flashback]

Ruggedly Handsome Man:
[Jane see's a flashback of herself during a live-fire exercise, as the ruggedly handsome man see's over her training] You missed two. Do it again.

Jane Doe:
[Jane collapses to the floor over finally having her first memory] I remember something.

[the FBI team discuss what their opinion is of who Jane Doe may be]

Kurt Weller:
Director Mayfair, there is no doubt in my mind she's special forces or intelligence trained. Her skill set is way too specialized. High-level language abilities, hand-to-hand proficiency, off the charts, her marksmanship under pressure. She's professional. She saved my life today.

Edgar Reade:
She also recovered her first memory.

Bethany Mayfair:
What is it?

Edgar Reade:
Running an outdoor shooting course. It's just a fragment, but it lines up with what we all saw today.

Bethany Mayfair:
Who is this woman?

Kurt Weller:
I don't know yet. But what I do know is that one of those tattoos helped save the lives of hundreds of people. And she's covered in them. She might be just the most important resource we ever had, and you risked losing her by letting her out in the field today.

Bethany Mayfair:
She saved your life and triggered her first memory. We're one step closer to finding out who she is and who did this to her. I'd say the risk paid off.

Kurt Weller:
I still don't get why. I mean, if our unknown subject is a good guy who wanted us to stop Chao, why not call it in? You know, why go to the trouble of kidnapping Jane. And covering her in those tattoos?

Bethany Mayfair:
These tattoos are as big of a mystery as Jane Doe is. We have no way of knowing where they'll lead.

Kurt Weller:
Yeah. Well, one thing's for sure. Someone likes playing games. And this is just the beginning.

[Agent Weller checks on Jane Doe at her safe house]

Kurt Weller:
How you feeling, Jane?

Jane Doe:
Physically, okay. I'm a little banged up, but they said that my arm's gonna be fine. Um, emotionally, I - I, uh... I don't know. How did you know that I could make that shot?

Kurt Weller:
I didn't know. I took a chance on you.

Jane Doe:
None of this feels real.

Kurt Weller:
Jane... you're gonna be okay. I promise.

Jane Doe:
[Jane tears up from being scared] I don't know what that feels like.

[Weller hugs Jane when he notices a scar on the back of her neck]

[last lines]

Ruggedly Handsome Man:
[in a flashback] Once I insert this, you will be permanently erased. Everything that you have been will cease to exist.

Jane Doe:
I know. But it's my only choice.

[first lines]

Unknown Man:
[in a flashback, two men dig a hole under a cabin and bury a case] Okay. If the wrong people find it...

Mysterious Man:
The right people will.

Unknown Man:
How can you be sure?

Mysterious Man:
Because I have to be.

[Jane Doe gets nervous on the plane while flying to Draclyn with the FBI team]

Tasha Zapata:
So, I guess you weren't a fan of flying in your past life, huh?

Jane Doe:
[Jane gasps] No, I guess not.

Tasha Zapata:
It's okay, a doctor once told me that turbulence can't take down a plane.

Jane Doe:
Well, I'd feel a lot more comfortable if a pilot told you that.

[Agent Zapata wonders why she's out in the field with Agent Weller instead of Jane Doe]

Kurt Weller:
You volunteered for it.

Tasha Zapata:
So did Jane.

Kurt Weller:
I trust your training. Jane's still a wild card.

Tasha Zapata:
Is that really why I'm here and she's not?

Kurt Weller:
You got something to say, just say it.

Tasha Zapata:
You're protecting her. She's more than just an FBI asset to you. It is one thing if you won't admit it. It is something else if you don't even know it.

[Jane pulls down her pants in front of Guerrero to match the topography map to the back of her calf]

Sal Guerrero:
Hmm! I was wondering when those tattoos would lead us to the treasure.

Jane Doe:
[Jane looks to Agent Reade] Lay this map over the back of my calf.

Edgar Reade:
It's an exact match. Only there's a red 'X' on your calf that isn't on the map.

[Agent Patterson and her boyfriend David work Jane's tattoo at the library]

David:
You twist your lips when you're writing.

Patterson:
I twist my lips when I'm frustrated.

[David gives some insight to Patterson about her previous boyfriends leaving]

David:
You know why it didn't work out with those other guys? Because it didn't.

Patterson:
That's - Whoo! Insightful.

David:
Hey, just because it hasn't worked out in the past doesn't mean it can't work out in the future. Sometimes you got to take a leap.

Patterson:
I'm just not built that way.

David:
I know. But I am. What a fine-balanced couple we make.

[Agent Patterson laughs covering her mouth]

[Asst. FBI Deputy Director Mayfair catches Agent Patterson and David with Jane's tattoo photos]

Bethany Mayfair:
What the hell is going on here?

Patterson:
[Patterson sighs covering her face] Uh, I'm - I'm so sorry. How did you find me?

Bethany Mayfair:
I'm FBI, that's how. Who is he and what is he doing with that photo?

[Jane Doe talks to Agent Weller on the plane ride home about the two of them]

Jane Doe:
When we were separated in the woods, I... kept thinking about you... and me and Taylor Shaw. We're in this together.

Kurt Weller:
[the plane rattles as Weller holds Jane's hands down] How can you fly a chopper out of a combat zone... and still be scared of a little turbulence?

Jane Doe:
I think it's got something to do with being in control.

[Asst. FBI Deputy Director Mayfair lectures Agent Patterson about breaching FBI security with her boyfriend]

Bethany Mayfair:
Do you have any idea how dangerous your actions were? Those tattoos are not some Sunday morning crossword puzzle. They contain extremely sensitive, classified intelligence, all of which have led us to volatile criminal activity. You put the case, yourself, and a civilian at great risk.

Patterson:
I know. I - We were just trying to solve - I screwed up. I'm so sorry. Is David in trouble?

Bethany Mayfair:
He's in holding. I have to vet him to assess his threat level.

Patterson:
He's not a threat.

Bethany Mayfair:
That's not for you to decide.

Patterson:
Oh, my God. Am I about to be fired?

Bethany Mayfair:
[Mayfair pauses] Everyone gets one mistake. One. This one is yours.

[Agent Patterson tells her boyfriend David that she doesn't want to be in a relationship with him]

Patterson:
I... I can't do this.

David:
You...

Patterson:
I know you're different. Um, but I'm still the same. And I'm the reason that they move out. And this job... I love this job. But it takes all of me. And I can't be...

David:
Happy?

Patterson:
Distracted.

David:
[David sighs before walking out] Well, I'll, uh... I'll leave you to it.

[last lines]

Kurt Weller:
What the hell is going on? Why is that case on her body? Tell me the truth.

Bethany Mayfair:
Only three people in the world know what I'm about to tell you. The truth... it's called Daylight.

[Jane Doe meets CIA Deputy Executive Director Thomas Carter for the first time]

Jane Doe:
I thought we were all on the same team.

Thomas Carter:
[Thomas Carter chuckles] Oh, now that is adorable.

[Agent Weller tells Jane Doe he still believes in hope]

Kurt Weller:
If your coming back has taught me anything, it's to never give up hope.

[first lines]

Dodi Khalil:
[Dodi flags down a taxi cab and gets in] Taxi!

Cab Driver:
Where to?

Dodi Khalil:
Manhattan, Empire State Building, please.

Cab Driver:
From out of town?

Dodi Khalil:
Yes, sir, can we go please?

Dodi Khalil:
[a gas begins to go off inside of the cab] What's going on? Let me out!

Cab Driver:
[the cab driver speaks in Urdu to Dodi] Just relax, Dodi. This is the part that doesn't hurt.

[Jane Doe arrives at Kurt Weller's home for dinner and meets his sister Sarah, when the two smell Sarah's cooking in the background]

Jane Doe:
Smells good.

Kurt Weller:
No. It doesn't.

Jane Doe:
[Jane chuckles] No, it doesn't.

[Agent Zapata and Agent Reade discuss Agent Weller and Jane Doe having dinner together at Weller's place]

Tasha Zapata:
I never even seen his place.

Edgar Reade:
You haven't? I have.

Tasha Zapata:
When?

Edgar Reade:
Dropped a file off over there once. Saw the lobby.

Tasha Zapata:
You two are real close. Dinner.

Edgar Reade:
If it makes you feel any better you can have dinner over at my place.

Tasha Zapata:
I don't wanna eat cold pizza in your weak-ass apartment.

Edgar Reade:
Fine, stay at home with your cats loser.

[Asst. FBI Director Mayfair and Agent Weller disagree about Jane Doe being Taylor Shaw]

Bethany Mayfair:
Look, I know you want Jane to be Taylor Shaw...

Kurt Weller:
This has nothing to do with what I want. Her DNA is Taylor's DNA. End of story.

Bethany Mayfair:
Kurt, you can't pick and choose evidence to suit your preferred narrative. I shouldn't have to tell you that. Have you told her yet?

Kurt Weller:
There's nothing to tell.

[CIA Deputy Director comments on Jane Doe's fighting ability]

Thomas Carter:
I just saw your team mascot take one of my best guys out in less than three seconds. That's quite a weapon.

[Jane Doe tells Kurt Weller about the way he looks at her]

Jane Doe:
I see the way that you look at me... and I don't know how to be this person that you lost.

[Kurt Weller tells Jane Doe about what happened after her disappearance]

Jane Doe:
What happened after I disappeared?

Kurt Weller:
The community imploded.

Jane Doe:
No, I... I mean what happened with you?

Kurt Weller:
We had a secret hiding spot in the woods at the back of our houses. It was your favorite place. I figured... if you ever got away, that's where you'd go. I never gave up on you. I know being Taylor might not be an answer to all of your problems. But it's a starting point. Something to hold onto, something to build from.

[Jane Doe begins to remember herself being taken as a child, Jane begins to cry to Agent Weller uncontrollably]

Kurt Weller:
Jane, Jane. Here...

Kurt Weller:
[Weller holds Jane's hands to his chest] Do you feel that? I'm here. I'm right here with you. You're okay. Keep breathing, Jane. You're okay, just keep breathing.

[CIA Deputy Director Thomas Carter aims a gun to Jane's head when Asst. FBI Director Bethany Mayfair comes behind him]

Thomas Carter:
[Mayfair holds her gun up to Carter's head] You have your shot. Take it.

Bethany Mayfair:
I'm not you. Drop it.

Thomas Carter:
[Carter lowers his weapon] You think you're saving her. All you're doing is killing us.

[Both the CIA and FBI agents aim guns at one another]

Bethany Mayfair:
Go to hell.

Thomas Carter:
You sure you want to start a war with me today?

Bethany Mayfair:
[Mayfair looks at the drawn guns] No... not today.

[Kurt Weller tells Jane Doe about everything being his fault]

Kurt Weller:
You've been through so much. And if I'm making this harder for you, then just tell me, 'cause that's the last thing I want. All of these expectations... I should never have put you in that situation.

Jane Doe:
Kurt...

Kurt Weller:
[Weller begins to have tears in his eyes] I should never have let them take you. I'm... I'm sorry.

Jane Doe:
It wasn't your fault.

Kurt Weller:
[Weller smiles still with tears in his eyes] I've heard that... my whole life.

Jane Doe:
But you haven't heard it from me. It wasn't your fault. You told me Taylor was my starting point. I think you're wrong.

Jane Doe:
[Jane reaches down and holds Weller's hand to her chest] You... you're my starting point.

[last lines]

Thomas Carter:
[CIA Deputy Director looks over to Agent Zapata in the passenger seat of a car] I knew you'd come around.

Thomas Carter:
[FBI Agent Zapata looks into and accepts an envelope full of cash] Let's talk about Jane Doe.

No inglesh , helppp

Zapata:
Reade

Reade:
Don’t Reade Me