Ghetto Bitches 52003

[first lines]

Host:
Ya'll stand there for my man, my good man, Rob Fontana. You know Rob Fontana, man. It have... see he do this thang he called Ghetto B*tches, you know what I mean, them black hole porch monkey motherf***er n*gger. I'm telling you man, he did this things that was right on righteous baby, like this Sierra chick here, you remember that? You saw that sh*t where she got painted white, and den dat other ho in there, what that b*tch's name, dat b*tch was all up in there good. But you know what? I goin' to show you sumpin' that's going to be good, mmm, cuz you know what? Hold on, let me tell you about it. Doo-rag off, let me get my chain off here, let me just uh, let's see, have a seat, what I'm going to do, if you'll indulge me and bear with me, is I'm going to basically show you how wrong your perceptions are. Because, see, you fools who was buying Ghetto B*tches, because you thought that we were making fun of black folk, well, you're so wrong. If you really looked at the underlying message behind Ghetto B*tches, you saw that it was stereotype-breaking. The Sierra scene? Dumbasses, it showed how stupid white guy crackers can be. There was another scene, remember? with the girl who played Shakespeare? That was really nice. Then there was a scene with a young lady who was in a barber shop, yes! and she did quite a good job as a manicurist. But you know what, if you only saw the implying implications, you missed the whole message. It's all about breaking stereotypes, and it is entertainment, idiot. Now, you're going to see one more scene in this anthology, and I think you're going to like it. And remember, when you see Ghetto B*tches again it won't be called Ghetto B*tches because we're kinder and gentler now. Might be some kinda Porch Monkey N*gger, whatever, but it won't be Ghetto B*tches. Later...