Return of the Secaucus Seven1979

Jeff Andrews:
My problem is the repetitiveness. Y'know... wine, women, and whiteline fever, over and over. Whereas, progressive is existential. You got these chromatic melodies, right? To use for, like, a springboard into all kinds of experiments. Even the backbeat is full of nuances. You know that there's a central rhythmic idea going on, but you're never quite sure when it's going to pop up. Now, you-you put your, ah, your-your counterpoint on top of that, your passing tones, your arpeggios, your polyrhythms, your parallel scales, your focal harmonies... and it's uncertain, right? It's exploratory. It's like life.

Lee:
Right. Exactly. I mean, with country, it's like you're being told a story that you've heard before. But with progressive, it's like you're going into unknown territory. Exactly.

Amy:
[to Jeff] Are you in music, too?

Jeff Andrews:
Drugs.