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Jeff Andrews: My problem is the repetitiveness. Y'know... wine, women, and whiteline fever, over and over. Whereas, progressive is existential. You got these chromatic melodies, right? To use for, like, a springboard into all kinds of experiments. Even the backbeat is full of nuances. You know that there's a central rhythmic idea going on, but you're never quite sure when it's going to pop up. Now, you-you put your, ah, your-your counterpoint on top of that, your passing tones, your arpeggios, your polyrhythms, your parallel scales, your focal harmonies... and it's uncertain, right? It's exploratory. It's like life.Lee: Right. Exactly. I mean, with country, it's like you're being told a story that you've heard before. But with progressive, it's like you're going into unknown territory. Exactly.Amy: [to Jeff] Are you in music, too?Jeff Andrews: Drugs.

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    In which movie does this quote appear: "Long live the King" ?
    A The King and Four Queens
    B The Lion King
    C Four Kings
    D Arthur the King