Sports Night

Sports Night

Sports Night is an American television series about a fictional sports news show also called Sports Night. It focuses on the friendships, pitfalls and ethical issues the creative talent of the program face while trying to produce a good show under constant network pressure. Created by Aaron Sorkin, the half-hour prime time comedy-drama aired on ABC for two seasons, from 1998 to 2000. The show stars Robert Guillaume as managing editor Isaac Jaffe, Felicity Huffman as executive producer Dana Whitaker, Peter Krause as anchor Casey McCall, Josh Charles as anchor Dan Rydell, Sabrina Lloyd as senior associate producer Natalie Hurley, and Joshua Malina as associate producer Jeremy Goodwin. Regular guest stars included William H. Macy as ratings expert Sam Donovan and Brenda Strong as Sally Sasser, the producer of West Coast Update (a sister show on the same network as Sports Night) and professional and romantic rival of Dana. Other notable guest stars included Paula Marshall and several who later appeared on Sorkin's The West Wing including Janel Moloney, Teri Polo, Ted McGinley, Lisa Edelstein, Clark Gregg, Nina Siemaszko, John DeLancie, Timothy Davis-Reed, Cress Williams, Nadia Dajani, and Spencer Garrett. In addition, both Malina and Huffman also appeared in The West Wing. TV Guide ranked it #10 on their 2013 list of 60 shows that were "Cancelled Too Soon".

Year:
1998
4,653 Views

Sam Donovan:
Take a walk with me, will ya?

J.J.:
Where?

Sam Donovan:
It's a surprise. You guys know who Philo Farnsworth was?

J.J.:
Philo Farnsworth?

Sam Donovan:
Yeah.

J.J.:
What's going on?

Sam Donovan:
He invented television. I don't mean he invented television like Uncle Milty. I mean he invented the television in a little house in Provo, Utah, at a time when the idea of transmitting moving pictures through the air would be like me saying I figured out a way to beam us aboard the starship Enterprise.

J.J.:
Yeah, look, I - I -

Sam Donovan:
He was a visionary. He died broke and without fanfare. The guy I really like though was his brother-in-law, Cliff Gardner. He said, "Philo, I know everyone things you're crazy, but I want to be a part of this. I don't have your head for science, so I'm not going to be able to help much with the design and mechanics of the invention, but it sounds like you're going to need glass tubes."

Femal advisor:
J.J., I-I don't think -

Sam Donovan:
You see, Philo was inventing the cathode receptor, and even though Cliff didn't know what that meant or how it worked, he'd seen Philo's drawing, and he knew that he was gonna need glass tubes. And since television hadn't been invented yet, it's not like you could get them at the local TV repair shop. "I want to be a part of this," Cliff said. "I don't have your head for science. How would it be if I were to teach myself to be a glass blower? And I could set up a little shop in the backyard. And I could make all the tubes you'll need for testing." There ought to be Congressional Medals for people like that.

Male advisor:
Maybe so -

Sam Donovan:
I've looked over the notes you've been giving over the last year or so, and I have to say they exhibit an almost total lack of understanding of how to get the best from talented people.

Femal advisor:
Excuse me, but -

Sam Donovan:
You said before that for whatever reason, I seem to be able to exert some authority around here. I assure you it's not 'cause they like me. It's 'cause they knew two minutes after I walked in the door I'm someone who knows how to do something. I can help. I can make glass tubes. That's what they need. One last thing, the first and last decision-making authority on this show will rest with Isaac Jaffee until Isaac Jaffee says otherwise, and if you disrespect him in my presence again, I will rededicate the rest of my life to ruining the rest of yours. And if you think I'm just mouthing at you, you should ask around about me. I have absolutely no conscience about these things.

J.J.:
Sam, why did you bring us out here?

Sam Donovan:
Because there's the exit. That's it. The meeting's over.

Casey McCall:
Hey, look who's here.

Gordon:
Hey Casey.

Casey McCall:
Hey Gordon. Look, Dana told me you were a little down about the verdict in your trial, so I just wanted you to know I'm not gonna do any jokes. I'm not gonna give you a hard time.

Gordon:
I appreciate it.

Casey McCall:
So, this party at Gracie Mansion, must be going pretty late.

Gordon:
Yeah, we'll catch the tail end of it.

Casey McCall:
Do you think the Mayor's gonna chew you out for so spectacularly blundering the case?

Gordon:
I don't actually work for the Mayor. I work for the US Department of Justice.

Casey McCall:
And a hell of a year you guys have been having.

Gordon:
You know Casey, I really won't deny this hasn't been my finest hour. But there's really nothing you can say that's gonna rattle me. I'm just happy to be here, happy to be talking to you, happy to be having sex with Dana every night.

Casey McCall:
You know, it really wasn't my intention to discuss any Dana related matters, no. I was just reading this New York Times Piece on the forensic evidence, the ballistics match, the eyewitnesses, and the seventy eight hours worth of wiretaps, a portion of which included the defendant saying, "I killed him. I killed him. I killed him dead." And was wondering what the heck a fella has to do to get thrown in jail on your watch.

Gordon:
Well, about I run you through an IRS audit and we find out?

Casey McCall:
You got nothing on me, counselor. I live my life clean as my mother's kitchen floor.

Gordon:
Is that your name up on a Monday Night Football office pool?

Casey McCall:
Yeah.

Gordon:
Are you familiar with Federal Section Code 4 of the Rico Act?

Casey McCall:
No.

Gordon:
Then before I decide to subpoena your whole family, why don't you go write your television show and leave the smarty-boy remarks to those of us with postgraduate degrees?

Casey McCall:
Ok.

Jeremy Goodwin:
We shot a deer. In the woods near Lake Mattatuck on the second day. There was a special vest they had me wear so that they could distinguish me from things they wanted to shoot, and I was pretty grateful for that. Almost the whole day had gone by, and we hadn't gotten anything. Eddie was getting frustrated and Bob Shoemaker was getting embarrassed. My camera guy needed to re-load so I told everybody to take a ten minute break. There was a stream nearby and I walked over with this care-package Natalie made me. I sat down and when I looked up I saw three of them; small, bigger, biggest. Recognizable to any species on the face of the planet as a child, a mother and a father. Now, the trick in shooting deer is you gotta get 'em out in the open. And it's tough with deer, 'cause these are clever, cagey animals with an intuitive sense of danger. You know what you have to do to get a deer out in the open? You hold out a twinkie. That animal clopped up to me like we were at a party. She seemed to be pretty interested in the twinkie, so I gave it to her. Looking back, she'd have been better off if I'd given her the damn vest. And Bob kind of screamed at me in whisper, "Move away!" The camera had been re-loaded and it looked like the day wasn't gonna be a washout after all. So I backed away, a couple of steps at a time, and I closed my eyes when I heard the shot. Look, I know these are animals, and they don't play bridge and go to the prom, but you can't tell me that the little one didn't know who his mother was. That's gotta mean something. And later, at the hospital, Bob Shoemaker was telling me about the nobility and tradition of hunting and how it related to the native American Indians. And I nodded and I said that was interesting while I was thinking about what a load of crap it was. Hunting was part of Indian culture. It was food and it was clothes and it was shelter. They sang and danced and offered prayers to the gods for a successful hunt so that they could survive just one more unimaginably brutal winter. The things they had to kill held the highest place of respect for them, and to kill for fun was a sin. And they knew the gods wouldn't be so generous next time. What we did wasn't food and it wasn't shelter and it sure wasn't sports! It was just mean!

Isaac:
Exaudio, Comperio, Conloquor. That's a Latin phrase that translates: To Listen, To Learn, To Speak. Those words are carved into the stone arches that form the entrance to the undergraduate library at Tennessee Western University. This afternoon, an extraordinary young man named Roland Shepard made what had to have been an excruciating decision. He said he wasn't playing football under a Confederate flag. Six of his teammates then chose not to let Shepard stand alone. And I choose to join them at this moment. In the history of the South, there's much to celebrate. And that flag is a desecration of all of it. It's a banner of hatred and seperatism. It's a banner of ignorance and violence and a war that pitted brother against brother, and to ask young black men and women, young Jewish men and women, Asians, Native Americans, to ask Americans to walk beneath its shadow is a humiliation of irreducible proportions. And we all know it. Tennessee Western has produced some outstanding alumni in the last hundred years. People of wisdom and vision. Strength and compassion. One of them is Luther Sachs. Luther Sachs owns Continental Corp, which owns the Continental Sports Channel, which you're watching right now. Luther Sachs is a generous alumni contributor to Tennessee Western with a considerable influence over its Chancellor, Davis Blake, and its Board of Trustees. Luther, you've got a phone call to make. You've got to call Chancellor Blake and tell him to take down that flag or he can stop looking for your checks in the mail. You've got to put these young men back in a classroom, and I mean pronto. These boys are gonna make you proud one day, Luther. I challenge you to do the right thing. Not an unreasonable request to make of a man whose alma mater declares Exaudio, Comperio, Conloquor. To Listen, To Learn, To Speak. In the meantime, God go with you, Roland Shepard and you six Southern Gentlemen of Tennessee. God's not done with any of you yet.

Monica Brazelton:
Excuse me, Mr McCall.

Casey McCall:
Yeah.

Monica Brazelton:
I'm sorry. Is this a bad time ?

Casey McCall:
For what ?

Monica Brazelton:
I'd like to ask you a question, but if you're preparing the show, if this is a bad time, I can come back.

Casey McCall:
What's your question ?

Monica Brazelton:
What's my name ?

Casey McCall:
What's your name ?

Monica Brazelton:
Yes.

Casey McCall:
Uh. What are we doing right now ?

Monica Brazelton:
If this is a bad time I can just come...

Casey McCall:
I'm sorry. I'm not very good at remembering names.

Monica Brazelton:
Who was the number two man on the Boston Red Sox staff in 1977 ?

Casey McCall:
That was Ferguson Jenkins.

Monica Brazelton:
My name is Monica. I'm the assistant wardrobe supervisor for Sports Night as well as two other shows here at CSC. I think you hurt the feelings of the woman I work for. Her name is Maureen and she's been working here since the day you started.

Casey McCall:
I know Maureen.

Monica Brazelton:
Can I ask you another question ?

Casey McCall:
I'm sorry I didn't know your name.

Monica Brazelton:
Do you know what color this is ?

Casey McCall:
It's grey.

Monica Brazelton:
It's called gun-metal. Grey has more ivory in it, gun-metal has more blue. Can you tell me which if these shirts you should wear it with ?

Casey McCall:
I dunno.

Monica Brazelton:
No you don't. There's no reason why you should. You're not expected to know what shirt goes with what suit or how a color and a neck tie can pick up your eyes. You're not expected to know what's going to clash with what Dan's wearing or what pattern's going to bleed when Dave changes the lighting. Mr McCall, you get so much attention and so much praise for what you actually do and all of it's deserved. When you go on a talk show and get complimented on something you didn't, how hard would it be to say, "That's not me. That's a woman named Maureen who's been working for us since the first day. It's Maureen who dresses me every night and without Maureen I wouldn't know gun-metal from a hole in the ground." Do you have any idea what that would have meant to her ? Do you have any idea how many time sshe would have played that tape for her husband and her kids ? I know this is when it starts to get busy for you. I hope I didn't take up too much of your time. Please don't tell Maureen I spoke to you. She would be pretty mad at me.

Casey McCall:
I won't. Monica.


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