Search results for 'love' Page #963

[first lines]

Roger Bailey Jnr.:
Hello, all. I come bearing kiwi!

Susan:
Thank you. I love kiwi.

Roger Bailey Jnr.:
[holding one out] Do you like kiwi, Abi?

Abi:
That's why they can't fly.

[first lines]

Russo:
What do you think?

David Flowers:
It's a professional job. Who did this had imagination.

Russo:
Come on, you don't need an imagination to kill people.

David Flowers:
Oh yes you do. I mean, they come to their job just like a plumber or a carpenter. I mean, have you ever seen a plumber look in your eye when he's on the job?

Russo:
No.

David Flowers:
Why? Because he doesn't give a shit who you are. He's just a service man; he's in love with his tool, just like a killer. And killing is just a job like any other job. Except for at some point you need to become creative, or life starts to suck.

[first lines]

Sam Axe:
[close on Sam] Mike, I'm tellin' ya, don't do it.

Michael Westen:
[across the room] What, you don't like the belt buckle?

Sam Axe:
I'm not kidding around here. You gotta put a kibosh on this.

Michael Westen:
Sam, we talked about this.

Sam Axe:
[getting up] Well, maybe we didn't talk about it enough! You're workin' for the same sons of bitches that burned you, Mike, and you're gonna meet with this... Vince guy?

Michael Westen:
Vaughn?

Sam Axe:
Vaughn. Good name for a vampire. I'm just sayin', I don't think you thought this through.

Michael Westen:
I don't love working with him, but what we're doing is important.

Sam Axe:
Why? Because Simon got out? OK, he was a bad guy.

[Michael shoots Sam a look like, "Remember the hotel bomb you and Fi had to defuse?"]

Sam Axe:
OK, a very bad guy! But he's stuck in a dungeon somewhere! Problem solved.

Michael Westen:
If it was just about Simon, maybe, but the guy who helped him escape has bigger plans.

Sam Axe:
I know you feel this is on your shoulders, but it's not your job to solve everything. Just walk away.

Michael Westen:
[softly] I got an innocent man burned for looking into this. If I stop now, I'll have ruined Jesse Porter's life for nothing.

Sam Axe:
[reluctantly] OK, fine.

[Michael moves to leave]

Sam Axe:
But I still think Vaughn is a vampire name!

[first lines]

Sam Davis:
[reading for children's book] He would not take no for an answer. Our young hero traveled a great many leagues beneath the ocean's surface to find his shackled mermaid. And he had no intention of leaving without her. However, the evil Sea King had other plans. Like a mad man driven by love and revenge, he unsheathed his spear gun and fired!

[first lines]

Sarah Connor:
Midnight is the witching hour - if you believe that kind of thing, and most people won't admit it if they do. Midnight is the time when a door opens from our world into the next, and we are visited by dark spirits of the shadowlands. The incubus, the succubus, the old hag. Visitors are known by many names, but each story bears the same marks. The demons come after midnight in the first three hours of the new day, when we are alone and vulnerable, deep asleep and helpless, when we cannot move. They lay on us, press on us, suffocate us, take from us what is most precious: our lives, our love, our sanity - our sleep. If you believe in that kind of thing.

[first lines]

Sarah Jane McKinney:
[narrating] For a long time I'd walk into work convinced they all knew, they saw right through me. Me and my innocent act. Which never used to be an act, it's who I really was. I'd never do anything bad. Ever! I always imagined myself having a simple life. Find a nice guy, settle down, live happily ever after. Who would have thought looking for love would be so tricky? But like mom always said, Sarah Jane, ambition will put you in an early grave.

[first lines]

Sarah Kay:
You don't need his approval, you just want it.

Kevin McSwain:
What's the difference?

Sarah Kay:
Well, most of what we call "needs" are desires. We need air to breathe, water, warmth, food to eat.

Kevin McSwain:
Speaking of which... [reaching for menu]

Sarah Kay:
But the rest - love, approval, recognition, praise, whatever - they're desires.

Kevin McSwain:
So, what's sex? Is that a need or a desire?

Sarah Kay:
Hmm... Well, both if you're doing it right! [big smile]

[first lines]

Scat:
Marketing 101: if you live in any major city, you see 800 ads a day. In most of them, models are going to be looking at you like they want to f*** you. You're so used to this that you don't even notice it. But your body does. Your heart rate increases, you pupils dilate, you breathe faster, you become more alert. You've been tapped. Looking at billboards is supposed to feel like love at first sight. But it's not real love, it's just marketing. And without that, you wouldn't even know who you are.

[first lines]

Sharon Abbott:
[voice-over] Maybe if we could've grieved Cassie together, it would've been different. I still can't accept this is where we are. So much has changed. I think I've finally grown up. But even now, there is one constant that defines my life. I'm the girl who fell in love with you. And all these years later, I'm still in love with you, Nicholas. I know this is unfair as hell, but if I don't tell you, I'll regret it for the rest of my days, and always wonder if there was any chance that you and I could be together again.

[first lines]

Sherry:
I pretty much have all my stuff.

[picks up mail]

Sherry:
Looks like you got a love letter from one of your other girlfriends.

[first lines]

Shrek:
[bursts out of the cinema] For the love of Gingy, make it stop! I can't get it out of my head!

Donkey:
Yo-ho, yodelei-yodelei! Yodelei!

Puss in Boots:
Ole!

[first lines]

Skyler Dayton:
Ah. Morning.

Katrina:
Well, hey, Sky. Want coffee?

Skyler Dayton:
Sure. thanks. You know what, Kat? I love you.

Katrina:
Are you drunk?

Skyler Dayton:
No, no. I really love you. I wanted to tell you that.

Katrina:
Oh. Why?

Skyler Dayton:
No reason. I just walked in here and I looked at you and I thought, "Kat is so great. I love her." So I said it. People don't say it enough. I *love* you, Kat.

Katrina:
Wow. That's three times. You just tied my mother.

Skyler Dayton:
See, that's one of the reasons I love you; you always make me laugh.

Katrina:
I don't know where I come up with this stuff.

[first lines]

Son House:
Ain't but one kind of blues. And that consisted between male and female that's in love. In love, just like I sung one of them songs a while ago and I put a verse in there saying that love hide all fault and make you do things you don't wanna do. Love sometimes will leave you feeling sad and blue. I'm talking about the blues! I ain't talking about monkey junk. And it consisted between male and female. And that means two people, supposed to be in love, when one or the other deceives the other through their love.

[first lines]

Spider-Man:
Hey! It's me, Peter Parker. Your friendly neighborhood... you know. I've come a long way after being bit by a spider. Before, nothing went right for me. Now, people really like me. I keep the city safe, I'm at the top of my class, and I'm even in love with the girl of my dream.

Little Boy:
Spider-Man, will you stop narrating please.

Spider-Man:
What?

Little Boy:
You're narrating. It's kind of unnecessary.

Spider-Man:
Unnecessary? But how are people gonna know what I've been up to all this time?

Little Boy:
Spider-Man, we're not idiots. Just go and do your thing.

Spider-Man:
Oh... well, alright then. But what if I need to tell the audience something about the...

Little Boy:
No narrating!

[first lines]

Stephane:
?Un, dos, tres, cuatro!

[St?phane plays the drums, then the piano, then moves the cameras. "St?phane TV"]

Stephane:
Hi, and welcome back to another episode of "T?l?vision Educative". Tonight, I'll show you how dreams are prepared. People think it's a very simple and easy process but it's a bit more complicated than that. As you can see, a very delicate combination of complex ingredients is the key. First, we put in some random thoughts. And then, we add a little bit of reminiscences of the day... mixed with some memories from the past.

[adds two bunchs of pasta]

Stephane:
That's for two people. Love, friendships, relationships... and all those "ships", together with songs you heard during the day, things you saw, and also, uh... personal... Okay, I think it's one.

[Red smoke comes out of the pot]

Stephane:
There it goes. Yes! Yes.

[coughs]

Stephane:
Okay, we have to run.

[first lines]

Stephanie Forrester:
If I didn't know better, I'd think you were threatening me.

Rick Forrester:
Stephanie, there's not a person in this building that didn't love Phoebe. Like I said before, we are all working together to - to get over this, to get past it. Everybody except for you. You are using this to your advantage. You're trying to gain some leverage.

Stephanie Forrester:
Of course you want to move on. Why cry over spilled blood?

[first lines]

Stephanie Forrester:
[voice-over] Oh, God, Caroline. To tell me you were in love with Ridge. I knew I could tell by the tone of your voice you were relieved, as though you've been holding this back for weeks and for months. I should have seen this coming. I should have seen it. I should never have allowed it to get this far.

[first lines]

Steve Bright:
Cheese!

Lionel Bell:
Get out of the way; I'm trying to photograph this tree.

Steve Bright:
So am I, so you'll just have to wait.

[snaps a shot]

Steve Bright:
Oh yes, got a real cracker here, Lionel. One for the annual exhibition, I reckon. Your heap of junk hasn't got a prayer up against this baby.

Lionel Bell:
Get out of my way!

Steve Bright:
God, I'd love to give you a good thumping.

Lionel Bell:
Help yourself. Why don't you finish me off while you're about it! After all, you're the one who ruined my life, aren't you?

Steve Bright:
Don't be pathetic.

Lionel Bell:
Well, you can forget about the annual exhibition. The committee has decided not to accept digital images this year.

Steve Bright:
What? What!

[first lines]

Sunni Gummi:
It's springtime! And love is in the air.

Tummi Gummi:
It is? I don't see it.

[first lines]

Talk Show Host:
[on radio] Hello, who's this?

Julie - caller on radio:
It's Julie.

Talk Show Host:
Hello, Julie, how are you?

Julie - caller on radio:
I'm fine, thanks. How are you?

Talk Show Host:
I'm very well, thank you, and thanks for calling us.

Sam Nelms:
Hello!

Talk Show Host:
And I suppose you want a dedication or a request.

Julie - caller on radio:
I would love one, yes.

Sam Nelms:
Hello! [enters house] Stan? Nesta!

[first lines]

Taxi Driver:
Four fifty, love. Sorry about the hold-up. Students seem to do more demonstrating than studying these days.

Jean:
Well at least they care.

Taxi Driver:
Oh yes, they care for the whole world; every bit of it except their own bit. What about their own people? There are old people like you and me sleeping rough. They don't care about them, do they?

Jean:
Keep the change.

[first lines]

Taylor Fowler:
Remember at the Botox party, how she was going around behind my back telling everyone I was a bitch? So I called her on it. Today at lunch. Ha! She flat-out denied it. Can you believe it?

Woman on Phone:
[the woman on the phone] Oh, my God! What did you do?

Taylor Fowler:
[Taylor sighs] I threw my drink in her face and I walked out. I mean, I love that woman but she is too much drama.

[the doorbell rings]

[first lines]

Ted Demme:
I think Morty is a visionary.

Roger Corman:
I think Morty was and is an artist.

Ron Howard:
He's an innovator.

Karen Black:
Very persistent. And you have to love him for that.

Peter Bogdanovich:
Morty would try things, and then 2 years later someone would copy it and win an Oscar for it.

Fred Williamson:
This is the only man that I've ever worked with that I feel I can't take.

[first lines]

Ted Osborne:
I hate bringing you to a place like this, Carol.

Carole Lane:
Don't be silly, Ted. I've been in worse places in New York and I had to pay a cover charge too. Only there, it's called Slumming. I'll survive and love it.