Deadwood, Season Three

Deadwood is a HBO television drama that originally aired from March 2004 to August 2006, set in the 1870s in Deadwood, Dakota Territory. It features many historical figures, such as Wild Bill Hickok, Seth Bullock, Sol Star, Calamity Jane, and Al Swearengen.

Al Swearengen:
I did not shame myself. I keep an open mind in that area. Kid yourself about your behavior, you'll never learn a f***in' thing. I knew it was comin' too. F***in' Captain, holdin' me down. I knew what the f*** was next.

Dolly:
When he chopped off your finger?

Al Swearengen:
He didn't chop off my finger! Hearst chopped my f***in' finger off; the other f*** held me down! They hold you down, y-you can't get at 'em to help yourself. F***in' cold in here anyway, isn't it?

Dolly:
You want a blanket?

Al Swearengen:
If I do I'll put it round me, you ain't boss of the f***in' bedclothes! They hold you down from behind. Then you wonder why you're helpless. How the f*** could you not be?

Dolly:
I don't like it either.

Al Swearengen:
Another one that held me down, that f***in' Proctor when I tried to get to that ship. He f***in' held me, f***in' wouldn't let me go. F***in' in my mind, y'see, she was being restrained, couldn't get back off, that had got on the boat to f***in' New Orleans to go suck prick in Georgia. She changed her mind, and I was bein' restrained by that fat, bastard orphanage Proctor! Anyway, that's it, that's the end of it, that's the f***in' conclusion ... CHRIST, I'D'VE WISHED TO- [catches himself] Though probably she'd'a thrown be overboard anyway, but I'd'a wished to get to that f***in' ship. But I was bein' restrained. I couldn't get from where she'd left me. He held me to that bed, her callin' from the ship that had changed her mind.

Dolly:
[quietly] I don't like it either.

Al Swearengen:
No, huh? ...What?

Dolly:
When they hold you down.

Al Swearengen:
I guess I do that, huh, with your f***in' hair?

Dolly:
No.

Al Swearengen:
No? ...Well, bless you for a f***in' fibber.

Al Swearengen:
Where the fuck have you been?

Silas Adams:
I was looking for someone whose name you told me never to say again.

Al Swearengen:
Amongst further instructions including not to look for him when he's fucking disappeared.

Silas Adams:
Well, I held off saying where I was.

Al Swearengen:
I can repose no truth in someone who traffics with that type douche bag.

Silas Adams:
I don't think Hawkeye's a douche bag. [Al slaps him]

Al Swearengen:
Who you believe you can salvage, Adams, is the douche bag you must avoid and no effort of yours can preclude at some point finding past help. And you yourself, being his consort in similar fucking straits. And all the energies I've poured into you gone for naught. I vow on that fucking subject, I find you dead 'cause of him I'll kick your corpse in the ear for the waste of my fucking time.

Silas Adams:
Anyways, what'd you want?

Al Swearengen:
I've named you to represent me in my dealings with fucking Hearst. Tolliver too, in that connection.

Silas Adams:
Tolliver in connection with Hearst?

Al Swearengen:
As he's put us in tandem, fucking Hearst.

Silas Adams:
You and Tolliver?

Al Swearengen:
If I sought an echo, Adams, I'd now be addressing a fucking mountain. I'm in waters I don't know, nor soundings I can take. To bring me the knowledge I need, my second needs to seem capable of disloyalty.

Silas Adams:
If that's supposed to be a compliment, thanks.

Al Swearengen:
Which is to say, being loyal he can forego loyalty's display. Like not searching out a friend who don't want to be found, just hoping he makes his way back, hmm?

Silas Adams:
How's Dan gonna take your choosing me?

Al Swearengen:
That's my fucking problem to deal with.

George Hearst:
These placer acres that you own, Mr. Utter, captured my attention.

Charlie Utter:
Scouts you sent previous made that clear.

George Hearst:
People whose judgment I respect assay this property's market value at $3,500.

Charlie Utter:
Seems I'm the lone holdout on the path of progress. [Charlie motions to other side of stream where men are erecting telephone poles.]

George Hearst:
By way of abbreviating our back and forth and, and maybe generating some good will, I'd go five hundred above. Offer you $4,000 even, cash money.

Charlie Utter:
My father taught his boy, uh, "beat hell into him" might maybe be more accurate... [both men chuckle] how if, uh, early enough on, you credited the settlements was coming, bought acreage reasonable, developed 'em sensible, hung onto 'em until the market come right, of a day you might could wake up and find you made yourself a respectable investment.

George Hearst:
Forward-thinking was your father then. And now, here's his boy to confirm his papa's prediction.

Charlie Utter:
Contrary-wise, man might could come to certain special feelings. Partial, say, to a piece of ground. A river bending through the forest like so. [Charlie motions downstream where both men see Samuel Fields fishing.] I decline your offer, Mr. Hearst, thanking you for your time and attention. [takes swig from flask]

George Hearst:
My experience over time has come to be: Customarily, I am he who starts a negotiation. Names its finish, too.

Charlie Utter:
Maybe getting mother-fucked this morning in the thoroughfare, by a woman in the bargain, has somewhat got your back up. Not the accolade you'd looked for out your return to fuckin' camp.

George Hearst:
Proffering that assessment, sir, is hardly your proper bailiwick.

Charlie Utter:
Far as that, I went and proffered it any fuckin' way.


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