Search results for 'love' Page #58

Tate:
Something has changed in you. Towards me. You're distant, cold. I don't know what I've done, but I'll leave you alone from now on if that's what you want. Is that what you want? You know why I'd leave you alone? Because I care about your feelings more than mine. I love you. There I said it, not just on some chalkboard. I would never let anybody or anything hurt you. I've never felt that way about anyone.

Violet Harmon:
Come here.

[Tate climbs into the bed]

Tate:
I'm tired.

Violet Harmon:
Me too.

Mitchell Stephens:
Well, enough rage and helplessness and your love turns to something else.

Alison:
What... does it turn to?

Mitchell Stephens:
It turns to steaming piss.

Princess Fiona:
By night one way, by day another / This shall be the norm / Until you find true love's first kiss / Then... take love's true form.

Leon Phelps:
What is love? What is this longing in our hearts for togetherness? Is it not the sweetest flower? Does not this flower of love have the fragrant aroma of fine, fine diamonds? Does not the wind love the dirt? Is not love not unlike the unlikely not it is unlikened to? Are you with someone tonight? Do not question your love. Take your lover by the hand. Release the power within yourself. Your heard me, release the power. Tame the wild cosmos with a whisper. Conquer heaven with one intimate caress. That's right don't be shy. Whip out everything you got and do it in the butt. By Leon Phelps

Rick:
I hate to break it to you, but what people call "love" is just a chemical reaction that compels animals to breed. It hits hard Morty then it slowly fades leaving you stranded in a failing marriage. I did it. Your parents are going to do it. Break the cycle Morty, rise above, focus on science.

Trinity:
Neo, I'm not afraid anymore. The Oracle told me that I would fall in love and that that man... the man that I loved would be The One. So you see, you can't be dead. You can't be... because I love you. You hear me? I love you.

Trinity:
Now get up!

Arlen Bitterbuck:
Do you believe that if a man repents enough for what he done wrong, than he'll get to go back to the time that was happiest for him and live there forever? Could that be what heaven's like?

Paul Edgecomb:
I just about believe that very thing.

Arlen Bitterbuck:
I had a young wife when I was eighteen. We spent the summer in the mountains, made love every night. After we would talk sometimes till the sun came up, and she'd lay there, bare breasted in the fire light... that was my best time.

Chuck Bass:
I'm not here to apologize about what happened tonight.

Blair Waldorf:
Then what are you here to apologize for?

Chuck Bass:
Everything else... I'm sorry for losing my temper the night you told me Louis proposed to you... I'm sorry for not waiting longer at the Empire State Building... I'm sorry for treating you like property... And I'm sorry *sigh* I didn't tell you I loved you when I knew I did... Most of all, I'm sorry that I gave up on us, and you never did.

Blair Waldorf:
[sighs] Thank you.

[pause]

Blair Waldorf:
I hope never giving up on people isn't going to be my downfall.

Chuck Bass:
That's why you're going to be an amazing mother. You're always there for the people you love, even when they don't deserve it.

Damon Salvatore:
You want a love that consumes you. You want passion and adventure, and even a little danger... I want you to get everything you're looking for.

Karras:
Why her? Why this girl?

Merrin:
I think the point is to make us despair. To see ourselves as... animal and ugly. To make us reject the possibility that God could love us.

Li Mu Bai:
[to Yu Shu Lien] I've already wasted my whole life. I want to tell you with my last breath that I have always loved you. I would rather be a ghost, drifting by your side as a condemned soul, than enter heaven without you. Because of your love, I will never be a lonely spirit.

Maggie Hart:
You drop Jen at home?

Rustin Cohle:
Yeah. I walked her to the door.

Maggie Hart:
You didn't go in? You don't have to fall in love at first sight, you know.

Rustin Cohle:
Yeah. I know. Look. She's nice, pretty.

Maggie Hart:
There's comfort there, Rust. I think you guys would be good together if you gave it a chance. You guys don't give things chances. I don't know why that is.

Rustin Cohle:
That's because we know what we want and we don't mind being alone.

Marge Simpson:
I wrote a poem for you this afternoon, Homer. It's called, 'To a Husband'.

Homer Simpson:
Okay, okay.

Marge Simpson:
The blackened clouds are forming.

Homer Simpson:
[saddened] Oh, give me a break, Marge.

Marge Simpson:
Soon the rain will fall. My dear one is departing. But first, please heed this call. That always will I love you, My one, my love, my all.

Mattie Ross:
You never told me you had a wife.

Rooster Cogburn:
Oh, well, I didn't have her long. My friends was a pack of river rats and she didn't crave their society so she up and left me and went back to her first husband who was clerkin' in a hardware store in Paducah. "Goodbye, Reuben," she says, "the love of decency does not abide in you!" That's a dee-vorced woman talkin' for you, about decency. Well, I told her. I said, "Goodbye, Nola, and I hope that nail-sellin' bastard makes you happy this time!"

Mattie Ross:
Did you have any children?

Rooster Cogburn:
There was a boy. Nola taken him with her. He never liked me anyway. A clumsier child you'll never see than Horace; I bet he broke 40 cup.

Michael Scott:
Jim, could you come in here, please?

Harvey:
Hi, Jim. I am Harvey, a computer. Jim sucks.

Michael Scott:
[laughing] I'm sorry. Oh, wow! That's so rude. I'm sorry, I can't control him.

Jim Halpert:
Yeah, you can.

Michael Scott:
You know what? Get Pam.

Jim Halpert:
For this?

Michael Scott:
Pam!

Harvey:
Pam, you look very hot today.

Jim Halpert:
Pam, meet Harvey. This is Michael's new friend.

Pam Beesley:
Great.

Harvey:
Me so horny. Me love you long tim.

Pam Beesley:
Who's "long Tim"?

Harvey:
Long time. Me love youa long time.

Jim Halpert:
Oh, well, maybe "Youa" should bring "long Tim" in one day.

Harvey:
You ruined a funny joke. You get out of my offive.

Pam Beesley:
Okay. Bye, Harvey

Harvey:
[long pause] Boobs.

Mike Howell:
You know what skives me out, Phoebe?

Phoebe:
What?

Mike Howell:
That car down there has moved so much. Like, it was built in a factory, you know, on a production line. And then it was like, shipped here.

Phoebe:
And then, like, this guy drove it all over the place.

Mike Howell:
Yeah, exactly. But all the time, like for years, or really for, like, decades really, this one tree has been sitting in this one place not doing anything until tonight when it, like, stopped the car.

Phoebe:
Yeah?

Mike Howell:
Okay, so this car is always going. And that tree is always just, like, stopping. You know? Like, it's just been stopping there for years until tonight when it met something that it didn't want to keep going, and it was just like, "mmm-mmm! No! You're stopping, too" [crying] And then this tree that has never done anything is f***ing, like, destroying this beautiful, really beautiful fast-moving thing.

Phoebe:
Why are you crying?

Mike Howell:
Because, Phoebe, like... am I that tree?

Phoebe:
No. No!

Mike Howell:
I think I'm that tree. And I think you're the car and I think I'm stopping you.

Phoebe:
You are not the tree.

Mike Howell:
Okay.

Phoebe:
I love you.

Other Mother:
You know I love you.

Coraline:
You...(braces herself) have a very funny way of showing it.

Roger Wesley:
There are three things I love in this world: Kylie Minogue, small dimples just above a woman's buttocks... and the fear in a man's eye who knows I'm about to hurt him.

Sam Wheat:
It's amazing, Molly. The love inside, you take it with you.

Sarah:
A building gets torched; all that is left is ashes. I used to think that was true about everything: families, friends, feelings... But now I know that sometimes, if love proves real, two people who are meant to be together - nothing can keep them apart.

Shrek:
[Castle Duloc has become run-down; to Donkey] Look! It's that little thingy you love so much, remember?

Creepy Clockwork Chorus:
[Shrek pulls the lever on the Information Booth, and the same mechanized marionettes pop out singing, this time looking very deranged] Welcome to Duloc/It's a creepy town/It was once pristine/Now it's all run down. We will chop off your head/And then laugh when you're dead/Duloc is a creepy place.

Creepy Clockwork Chorus:
Come on in with your head,/Come lie down, break your... face/Duloc is... Duloc is... Duloc is a cre-py... place!

Shrek:
[booth takes their picture, captioning it "Get Out"] Ooh! Let's do that again!

Donkey:
NO!

The Grandson:
A book?

Grandpa:
That's right. When I was your age, television was called books. And this is a special book. It was the book my father used to read to me when I was sick, and I used to read it to your father. And today I'm gonna read it to you.

The Grandson:
Has it got any sports in it?

Grandpa:
Are you kidding? Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles...

The Grandson:
Doesn't sound too bad. I'll try to stay awake.

Grandpa:
Oh, well, thank you very much, very nice of you. Your vote of confidence is overwhelming.

William Miller:
So Russell... what do you love about music?

Russell Hammond:
To begin with, everything.

Telly:
When you're young, not much matters. When you find something that you care about, then that's all you got. When you go to sleep at night you dream of pussy. When you wake up it's the same thing. It's there in your face. You can't escape it. Sometimes when you're young the only place to go is inside. That's just it - f***ing is what I love. Take that away from me and I really got nothing.