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Bend It Like Beckham [248 BC btw skibi]

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Roswell [1999]

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Tenkû no shiro Rapyuta [1986]

[In the morning, Mimi is lounging on balcony watching a French woman feeding pigeons]

French woman:
My little darlings. Ah. Ooh. Are your little bellies empty? Oh. Bonjour. Ah. Bonjour. We are all so happy today, n'est-ce pas? [Mimi shoots a pigeon out of the French woman's hand]

Michael:
What's goin' on up here? [To Mimi] Did you... [Brings Mimi inside]

French woman:
Go, go, go, go, go, go, go! Go! Go!

Michael:
Mimi, you can't do this! You do not kill birds around here for breakfast! If you're hungry, ask me. I bought some stuff for yah! This is what kids love! [Holds up cereal box] Cap'n Crunch.

Mimi:
What is?

Michael:
This is cereal! [Reading the ingredients on side of cereal box] It's just corn, brown sugar, yellow #5 and zinc oxide? They've added a sunblock to it. You pour this on this, and that's your breakfast. Enjoy yourself. [In Charlotte's bedroom] Charlie. Come on. Wake up, sweetheart. Wake up. Charlie. Bloomingdale's burned down.

Charlotte:
[Abruptly wakes up with a start] What?!

Michael:
Mimi's having breakfast out in the kitchen. I will be home before lunch. Bye.

Charlotte:
Wait. I can't watch him. Women's Wear is coming to the loft.

Michael:
You don't need to baby-sit him. He'll be fine. Now go back to sleep.

Charlotte:
Mmm.

Michael:
Mimi, I gotta get goin' here. [Mimi has poured the cereal and milk on the counter] No. No! This isn't.. No. No, it's not your fault. I didn't mention that you usually put this in a bowl.

Mimi:
When we go to Statue of Liberty ?

Michael:
Uh, tomorrow.

Mimi:
Tomorrow?

Michael:
I know I told you we were going today, but I can't today. I-I.. The Baboon's makin' some very big trades today.

Mimi:
Me go trade with Baboon.

Michael:
Baboon go alone. I'd like to be around you, but, but I'm obligated to go.

Mimi:
What means "obligated"?

Michael:
Obligated. It means... when you do something that you don't really wanna do.

Mimi:
Okay. Baboon obligated.

Michael:
And will you promise Baboon one thing? You won't shoot any more animals? And don't eat the cat. I'll bring food home.

...

Mimi:
[Searching for Myteka] Myteka? [Lifts up Charlotte's bedspread] Nice pushibushi.

Charlotte:
[Gets up with bedspread wrapped around her and runs out room] That is the last pushibushi you're gonna see around here, you little savage!

Answering machine Charlotte:
Hi, we're not here right now. Leave a message. We'll call you right back.

Michael:
Charlie. Pick up. It's me. You're probably in the bathroom, making yourself look beautiful. Um, I don't want you feelin' trapped by Mimi. Try to open up to him. Just don't leave him alone with the cat. I'll see you soon. I love you. Bye.

Charlotte:
[Charlotte spots Myteks crawling on a door and screams] Michael, don't hang up! Don't hang up! There's a spider! [Fighting off Myteka from under door with toothbrush] This can't be happening! This is a penthouse apartment!

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Jungle 2 Jungle [1997]

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The Matrix Revolutions [2003]

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No Ordinary Family [2010]

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The Miracle Woman [1931]

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Indiana Jones and the Temple of Doom [1984]

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Indiana Jones and the Temple of Doom [1984]

[Inside Didi's room. Apparently, the room she has chosen is the usual, ordinary birthing room. Didi's rhythmic breathing continues, though it's now at a faster pace. The staff work on Didi while Dr. Lucy gives orders]

Lucy Carmichael:
All right, Didi, you can do it. Push now! [to the staff] Have we got a good reading on the EFM?

[Didi screams. We cut to what seems to be a graphic representation of a baby being born, from a baby's point of view inside Didi's body. In order, we see a blast of blue light, a group of planets, a school of fish mingling in aquatic plant life, frogs, dinosaurs, dolphins and monkeys, stonehenge, the Sphinx, and pyramids, atoms and finally, bright light, all of them rendered in CGI. These items zoom by while the baby is born. A grand version of the "Rugrats" theme song plays under, and here we cut back to still inside Didi's body, still looking from the baby's point of view, which starts out as out of focus]

Lucy Carmichael:
Here it comes. Gorgeous!

Stu Pickles:
Deed, she's so beautiful. She's...She's a boy!

[The baby's eyes are now in focus, as he is handed to Didi. He starts crying very softly, and kind of adorably]

Didi Pickles:
Hello, my wonderful, sweet baby boy.

[Switch back to audience's point of view, where we now see the new baby in Didi's arms softly crying and hiccuping. He's wrapped in a blue blanket. Stu wipes the tears from his eyes as Didi lets him grab her finger]

Stu Pickles:
Well, I guess we won't be naming him after my mother.

Didi Pickles:
He doesn't look much like a Trixie. What about my cousin Dylan?

Stu Pickles:
Dylan Prescott Pickles. Hmm.

[The nurse is writing down the name, as the baby is sucking on Didi's finger]

Nurse:
Dil Pickles.

[Stu and Didi hear what the nurse said, and realize what a great name it is]

Stu Pickles:
Yeah...I like it.

[Stu and Didi look at their new son Dil, who looks up at his father and smiles at him. Grandpa takes Tommy into Didi's room. After being placed next to Dr. Lucy, Tommy gives her his chocolate coin]

Lou Pickles:
Here you go, sprout. [gently puts down Tommy next to Didi]

Didi Pickles:
Tommy, I want you to meet someone very special. This is your brother, Dylan. Dil, this is Tommy.

[Dil, sucking on a pacifier, looks at Tommy]

Tommy Pickles:
[gasps in wonder] Baby... [reaches his hand out]

Didi Pickles:
See? They already love each other.

[Dil hiccups before he pulls Tommy's nose. Tommy shakes his head until Dil lets go of him. Tommy starts wailing. This in turn causes Dil to start crying and wailing]

Betty DeVille:
Well, that's a start.

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The Rugrats Movie [1998]

[Inside Dr. Marshall's office, there is knocking at the door]

Dr. Rick Marshall:
[groans]

Holly Cantrell:
Dr. Marshall? [Opens the door and sees Marshall lying on the floor surrounded by wrappers of junk food] Oh God! Are you alright? [Helps him up from the ground and lays him against a cabinet] Hey, up you get. Here, just lean against... [Struggling the keep him up, he spits out a piece of food from his mouth] Oh dear.

Dr. Rick Marshall:
I'm fine. I'm okay, I just... worked late. Then, I got hungry and I... had several meals and lapsed into a food coma. I've had issues with food in the past. I don't know, you know, just with the stress with everything I just over did it... but I'm in control. Now, I don't have to go back to Phoenix.

Holly Cantrell:
I just wanted, I wanted to um, come apologize for yesterday Michael. My behavior was just... [she stares in shock as finds Marshall's completely built Tachyon Amplifier]

Dr. Rick Marshall:
No, no, no.

Holly Cantrell:
You've finished the Tachyon Amplifier!

Dr. Rick Marshall:
No, no, I mean yes. I, I don't know, I finished building it, yes, but... I didn't have the nerve to test it out. So, I thought a trip to Arby's might give me some courage, but no dice. [Sticks an old fry in his mouth] Then, I hit Popeye's, Del Taco. 14,000 calories later, I found myself down at Subway... powering through a 12 inch veggie on whole wheat babbling to a cut-out of Jared. Still didn't give me the strength to turn that thing on. I'm a coward.

Holly Cantrell:
You are not a coward, you're a visionary. This is probably the greatest work of genius in the last hundred years. [Turns on the amplifier to the music of A Chorus Line singing I Hope I Get It; Turns it off] Is that A Chorus Line?

Dr. Rick Marshall:
It, it's left over data from the drive. What a piece of crap! [Slams foot against desk shaking the amplifier on for a second] The machine, I mean, not A Chorus Line. I love showtunes, they really tell the story of the human condition.

Holly Cantrell:
It's a bit gay.

Dr. Rick Marshall:
It IS great.

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Land of the Lost [2009]

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The L Word [2004]

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Call the Midwife [2012]

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No Night Is Too Long [2002]

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Midnight Run [1988]

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Torchwood [2006]

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Danny Phantom [2004]

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Cedar Cove [2013]

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Sex Secrets of a Mistress [1996]

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Star Trek: Deep Space Nine [1993]

[Jake and Amara arrive at the Shatterdome via airship. They exit the airship.]

Jake Pentecost:
Yeah, look. I didn't have a choice.

Amara Namani:
I know, I get it. But why me? Why do they want me for the program?

Jake Pentecost:
You built and piloted your own Jaeger. These people like that kind of stuff.

Amara Namani:
Okay, so then why am I just a cadet and you get to be a ranger?

[Jake and Amara see Valor Omega walk by.]

Amara Namani:
Valor Omega. Oh, my God. That– That is Valor Omega.

[Two airships airlifting Scrapper appear.]

Amara Namani:
[Sees Scrapper being airlifted] Scrapper!

[The airships release the cables, causing Scrapper to land on the ground. Scrapper tilts forward and falls to the ground face-first.]

Amara Namani:
[Annoyed] Hey!

Nate Lambert:
[Approaches Jake and Amara] You gotta be kidding me. I didn't believe it when they told me you were inbound.

Jake Pentecost:
How you doing, Nate?

Nate Lambert:
It's Ranger Lambert.

Jake Pentecost:
Are you having a laugh?

Nate Lambert:
Well, this is a military base. You remember how that works, Ranger Pentecost.

[Amara turns to look at Jake, realizing who he is.]

Nate Lambert:
[To Amara] You must be Amara Namani.

Amara Namani:
[Turns to Nate] Yes, sir. Ranger, sir.

Nate Lambert:
Well, let's get you squared away. [Walks away] Oh, and, uh, try not to steal anything while you're here.

[Jake and Amara follow Nate.]

Amara Namani:
Did that haircut just call you Pentecost? As in "Badass Stacker Pentecost"? Pilot of Coyote Tango, hero of basically the whole world?

Jake Pentecost:
It's just a name.

Amara Namani:
Yeah, a really cool name.

[Jake, Amara, and Nate head across the hangar.]

Nate Lambert:
SIM training starts at 0600. You're late, you missed the day. You fall behind, you'll be on the next transport back to wherever they found you.

Amara Namani:
[Sees Titan Redeemer] That's Titan Redeemer! [Sees Bracer Phoenix] And Bracer Phoenix! She's a three-man rig! [Sees Saber Athena] Saber Athena! I love Saber Athena! She's the fastest Jaeger in the fleet. Did you know that?

Woman on PA:
Warning. Stand clear of lift.

Amara Namani:
Okay, so which one's yours?

Nate Lambert:
Gipsy.

[Jake and Amara turn to look at Gipsy Avenger.]

Amara Namani:
[To Nate] You pilot Gipsy Avenger?

Jules Reyes:
[Approaches Jake, Amara, and Nate] He used to, until his co-pilot got a better offer in the private sector. [Holds out her hand to Amara] Jules Reyes, J-Tech.

Amara Namani:
[Shakes Jules' hand] Amara, cadet.

[Jules turns to Jake and holds out her hand to him.]

Jake Pentecost:
[Shakes Jules' hand] Jake, ranger, apparently.

Jules Reyes:
Heard a lot about you, Pentecost.

Jake Pentecost:
Yeah?

Jules Reyes:
You know you still hold the record?

Amara Namani:
What record?

Jake Pentecost:
Shut up.

Jules Reyes:
So how'd they lure you back? I mean, it couldn't have been the pay, so–

Jake Pentecost:
Uh, yeah, it's a long story, but if you– if you want to talk about it, we can meet up–

Nate Lambert:
She's busy.

Jules Reyes:
[To Jake] Ranger. [Walks away]

Nate Lambert:
[To Jake] Eyes front, Pentecost.

[Jake, Amara, and Nate walk away.]

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Pacific Rim Uprising [2018]

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You Only Live Twice [1967]

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V/H/S [2012]

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Mad About You [1992]

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