Search results for 'love' Page #1,018

[Tony is "in love," again]

Caitlin 'Kate' Todd:
What's this one's name?

Tony DiNozzo:
She's Swedish.

Caitlin 'Kate' Todd:
You don't know her name. How can you be in love with someone and not... I forgot. It's you we're talking about.

[Tony is in kitchen with mother]

Tony:
Where's Cesca?

Mother Camonte:
Oh, I don't know. She go out.

Tony:
What do you mean? Ain't she comin' home for dinner? Oh. Hey, I don't like that. You tell her I want she should come home for dinner. Understand?

Mother Camonte:
Sure. I tell her lotsa time. "Come home. Come home. Tony no like. " But she don't... [A noise is heard and Tony leaves kitchen to catch Cesca making out with a man in the foyer]

Tony:
That's a nice way I catch ya,

Cesca:
Huh? What do you mean, "catch me"? I wasn't doin' nothin'.

Tony:
You was kissin' him.

Cesca:
Sure. What of it?

Tony:
Well, I don't like it.

Cesca:
You're missin' lots of fun.

Tony:
Listen, I don't want anyone kissin' my sister. Understand?

Cesca:
You're hurtin' my arm!

Tony:
I don't want anybody puttin' their hands on you!

Cesca:
What do you think you're doing?

Tony:
I'm your brother.

Cesca:
You don't act it. You act more like... I don't know. Sometimes I think... I don't care what you think.

Tony:
You do what I say.

Cesca:
Sure, and never have any fun.

Tony:
Oh, "never have any fun. " You call that fun, huh? Runnin' around with guys like that. That's "fun. " Listen, you want real fun, huh? Here. [Gives her cash wad] How's that?

Cesca:
Gee, Tony! Where'd you get it?

Tony:
Never mind where I got it. You just spend it, see?

Cesca:
Tony, you're swell. [She goes upstairs]

Tony:
Go on. Get ready for dinner. And remember, you do what I say. No more fellas, understand?

Mother Camonte:
What for you wanna give her money, huh?

Tony:
Ma, she's just a kid. She wants to have fun.

Mother Camonte:
Yeah? Sometime, I think you crazy.

Tony:
Cesca!

Mother Camonte:
What for you take that money, huh?

Cesca:
Because I want it. That's why.

Mother Camonte:
Give it back. It's bad money. Tony no got it in no good way. It gonna bring you lotsa trouble.

Cesca:
What do I care where he gets it? There's nothing wrong with his giving it to me. Tony wants me to have a good time.

Mother Camonte:
Oh, yes? You listen! Tony no love you like he make you believe. All the time, he smile on top, but what he thinks... Oh, he's got lotsa tricks. He no give money to nobody for nothing. He would to his sister.

Cesca:
Sister. Huh! That make no difference.

Mother Camonte:
To him, you're just another girl. Someday when he need you, he mix you up in his business... just like anyone else, and he's gonna make you bad like him.

Cesca:
He can't make me do anything I don't want to. I'm gonna live my own life. I can take care of myself.

Mother Camonte:
Yeah? All the time, Tony say like that. Afterward, he no belong to me no more. He's-a no good, and now you start to be just like him.

Cesca:
No, I'm not. Don't worry about me. I'll get along all right.

[Top Ten Things Never Before Spoken by a Hockey Player]

Donald Brashear:
Instead of fighting, why don't we work things out over brunch?

Dan Girardi:
Between you and me, I have no idea what the hell "icing" is.

Marian Gaborik:
What this team needs is a skating kitty!

Brandon Dubinsky:
I really wish these fans would watch their language.

Chris Drury:
High scorer gets to pick which Barbra Streisand CD we listen to on the bus.

Marc Staal:
Forget all the goals and the awards, Gordie Howe has one nice looking butt.

Christopher Higgins:
For good luck, I lick the puck.

Ryan Callahan:
My real dream is to work at an insurance company.

Henrik Lundqvist:
Who can concentrate on hockey when Jennifer Aniston still hasn't found love?

Sean Avery:
I wish Letterman was on at ten.

[Topanga is interviewing Shawn about love]

Shawn Hunter:
Well, love is the most rare and precious thing in the whole world.

Topanga:
Have you ever fallen in love?

Shawn Hunter:
About five times a day.

[tormenting Marsha in her nightmare]

Freddy Krueger:
I love screamers.

[Travis unexpectedly encounters Lisa again in the Artaud Theatre]

Travis Grady:
What are you doing in here, Lisa?

Lisa Garland:
Sorry if I scared you. I thought I was the only one in here.

Travis Grady:
It's dangerous.

Lisa Garland:
Dangerous? You're kidding! The door was open, so I let myself in. I just love the theater, Travis. I want to be an actress. But mom was a nurse, and her mom was a nurse... So I'm going to be a nurse. I've got what it takes though. [moves toward Travis and speaks in a sultry voice] I can't stop thinking about you, Travis. I want you. You're all I think about. Let's get the hell out of this crazy town... Run off - the two of us. We could be so good together... [laughs and moves away] See? I could be a star!

[Trelaina is treating Venture]

Trelaina:
You will live, Mark. Dear Mark, you must live. My life force will bring you back. Mark, come back. My love for you is strong, strong enough to bring you back. My life force will always be a bond between us. No matter what happens, we'll always be together.

Trelaina:
[whimpering] Mark!

[to Trelaina's surprise, Venture's fingers twitch. His lips move a bit]

Trelaina:
You're alive! You're going to live again! My life force is working, Mark. It's bringing you back to me!

[Trelaina places her head on Venture's chest]

Trelaina:
No, not to me, my darling. To life, to love, to be, to your Earth. Your dear Earth that must be saved!

Trelaina:
[smiles sadly] You must return to Earth, and I cannot go with you, my darling. But our love will always be.

[Trelaina looks at the burning Argo]

Trelaina:
Star Force! Mark, it's the Star Force, and it's in danger!

[Tristan and Isolde look out to sea.]

Tristan:
You're promised?

Isolde:
Yes.

Tristan:
What’s he like?

Isolde:
Dark. Tall. Nearly twice your size. An absolute gentleman.

Tristan:
I thought... earlier when you spoke of wanting something you can’t have.

Isolde:
I didn’t know what I was talking about.

[They leave the shore and go inside the hut, Isolde is crying.]

Isolde:
Outside, just past that bluff there is a boat. That’s how you should go when you leave. You should go soon.

[Isolde leaves but Tristan goes after her. They kiss. Inside the hut they make love.]

Tristan:
How do you feel?

Isolde:
I don’t know.

[Tristan and Isolde look out to sea.]

Tristan:
You're promised?

Isolde:
Yes.

Tristan:
What's he like?

Isolde:
Dark. Tall. Nearly twice your size. An absolute gentleman.

Tristan:
I thought... earlier when you spoke of wanting something you can't have.

Isolde:
I didn't know what I was talking about.

[They leave the shore and go inside the hut, Isolde is crying.]

Isolde:
Outside, just past that bluff there is a boat. That's how you should go when you leave. You should go soon.

[Isolde leaves but Tristan goes after her. They kiss. Inside the hut they make love.]

Tristan:
How do you feel?

Isolde:
I don't know

[trying to sneak into the rated R movie "Vesuvious:
The Eruption"]

Gordo:
[whispers to Lizzie and Miranda] Talk like you've just seen the movie.

Gordo:
The critics were right! Vesuvious explodes off the screen!

Miranda:
Another triumph for Affleck! His love scenes are hotter than lava! Don't hail Ceasar, hail Oscar!

Lizzie:
I liked the volcano!

Lizzie:
[to Gordo and Miranda] What? I like volcanos!

[trying to sneak Lana out of the house, Clark bumps into his parents]

Jonathan Kent:
Lana, this is about a whole lot more than just you, so if you don't mind, I'd like to speak to my son alone, please.

[Lana hurries out of the house]

Jonathan Kent:
You sit down.

Clark Kent:
Just... just remember I am eighteen, and I've been in love with Lana since I was, like, seven, so it's not like we just rushed into something here.

Martha Kent:
Please tell me you were at least... safe.

Clark Kent:
Yeah, mom.

Jonathan Kent:
Safe? Safe has got nothing to do with this. You shouldn't be doing anything like this, especially not under our roof.

Clark Kent:
Oh, like you didn't do it?

Jonathan Kent:
Clark, there's a lot of conversations I never had with you, because I didn't think I needed to have 'em.

[trying to talk a mother out of shooting her daughter's molester]

Tony Scali:
You've got to decide, right now, if you love her more than you hate him.

[Tucker is indulging in reminiscences about a long lost love]

Commander Tucker:
Ah, Ruby... Whatever happened to you?

Lt. Reed:
Ruby? You don't mean the waitress Ruby?

Commander Tucker:
You knew Ruby?

Lt. Reed:
Uh... I knew her more times than I can remember.

Commander Tucker:
Ouch!

[Twenty years ago, Lady Pat's daughter, Pen, left home to live with a group of gypsies. Lady Pat has just learned that Pen, now calling herself Nib, has died, and seems to be taking the news very calmly]

Jack Boult:
Lady Pat, I'm so sorry.

Lady Patricia Broughall:
Oh it's all right. Pen died a long time ago for me. I've done my grieving. What's the matter, Jack, do you think I'm heartless?

Jack Boult:
No.

Lady Patricia Broughall:
I don't believe in all that church stuff - all those explanations and absolutions - but I *do* believe in life. Penny decided to live her life the way she wanted.

Jack Boult:
And you can just accept it?

Lady Patricia Broughall:
[hesitantly] I think she found more pleasure being with her friends than she did at home. And that's good.

Jack Boult:
But she was your *daughter*...

Lady Patricia Broughall:
She was a free spirit. Like me. Hilly's just the same. You can love people and hope that things turn out all right for them, but in the end, people make their own lives - for better or worse.

Harriet Boult:
Are you going to tell Hilly?

Lady Patricia Broughall:
No I don't think so. Better leave things as they are, really. I can't live in the past. People of my age do all the time. We've got to exorcise our demons. Don't you think Jack? It's not the past, it's the present that's so interesting.

[two noisy people behind him in cinema]

Corinne:
George maybe we should move away.

George Costanza:
That won't be necessary.

[Stands up and turns around to address the noise-makers]

George Costanza:
Shut your traps and stop kicking the seats! We're trying to watch the movie. And if I have to tell you again, I'm gonna take you outside and show you what it's like. Do you understand me? Now, shut your mouths or else I'll shut them for you... and if you think I'm kidding, just try me. Try me. Because, I would LOVE IT!

[Applause]

[two of the Beach Boys visit; Jesse enters with his hair wrapped in cellophane for dying]

Jesse Katsopolis:
Whoa-ho-ho-ho-ho, the Beach Boys!

Mike Love:
Whoa-ho-ho-ho-ho, Miss Clairol!

Jesse Katsopolis:
Dr. Love, how ya doin'? Bruce, how ya doin'? Heh heh, it's the Beach Boys... heh heh, I've got my hair in a... heh heh, heh heh...

Jesse Katsopolis:
[aside to Becky, annoyed] Thanks for the warning.

Rebecca 'Becky' Katsopolis:
Well, how was I supposed to know you'd be dying your hair - why are you dying your hair?

Jesse Katsopolis:
Because I'm worth it.

[two simultaneous, different conversations]

John, Alien Visitor:
I'll try to put this in terms that you commonly use. I'm a scientist. We were all scientists. We came here to learn about your world. Our idea was to find out everything: your history, your biology, everything. We came here to learn. We're not that different from you, genetically, biologically. But what you call evolution has changed us. We see things in you that we no longer recognize in ourselves.

Dr. Chet Wakeman:
What do we know? They're this energy that can manifest itself in different ways: as the beings we've seen, as their crafts, as our thoughts. There's no right or wrong about them.

John, Alien Visitor:
The whole concept of right and wrong was... alien to us. The idea that the things we were doing were cruel...

Dr. Chet Wakeman:
They have no concept of kindness or cruelty. No way of seeing beyond the 'oneness' of all that energy...

John, Alien Visitor:
...to the separateness, the uniqueness, your ability to hate, to love, to feel. You have compassion, as well as cruelty. We-we lack both. Or that is, the traits lie dormant...

Dr. Chet Wakeman:
...in their brains. Like the animal that lives far back inside all of us. But an experience of something basic can awaken that primitive thing.

John, Alien Visitor:
And that's what happened. Your grandmother, Sally. She took me in and showed me a great kindness.

Mary Crawford:
Something could've touched one of them, something small and simple, and awakened this sense of what was missing. Something gone and half-remembered.

John, Alien Visitor:
And so our greatest experiment began.

Mary Crawford:
Could they put it back, this thing that had been bred out of them for eons and eons?

John, Alien Visitor:
Your emotional core, your strength, your feeling, and our more evolved consciousness. Could we bring these two together? If we could do this, we would have the next...

Mary Crawford:
...step in the evolution of life.

John, Alien Visitor:
[Looking at Allie] The experiment was an unqualified success.

[Tyreese begins to hallucinate again when he see's Beth playing the guitar]

Beth Greene:
[Beth sings to Tyreese] Every man has a right to live / Love is all we have to give / Together we struggle... by our will to survive / And together we fight just to stay alive / Struggling man has got to move / Struggling man no time to lose / I'm a struggling man / And I've got to move on

Beth Greene:
[Beth talks to Tyreese] It's okay, Tyreese. You got to know that now.

Bob Stookey:
It's okay that you didn't want to be a part of it anymore Ty.

Beth Greene:
You don't have to be a part of it.

Martin:
See, that's your problem right there.

Tyreese Williams:
What's my problem?

Martin:
You don't want to be part of it, but part of it is being now. That's what it is. Open your eyes.

Beth Greene:
You don't have to. Not if you don't want to.

Mika Samuels:
You don't. It's better now.

The Governor:
You told me you'd earn your keep. You had no idea what you were talking about, did you? Did you? Your eyes were open, but you didn't want to see. Even though I made you see it. I showed you. Did you adapt? Did you change? No. That you would sit there in front of a woman who killed someone you loved... and you would forgive her.

Bob Stookey:
That's all there is.

The Governor:
This is all there is. This is it.

Tyreese Williams:
I didn't know who I was talking to. I said I would do what I had to, to earn my keep. But I didn't know you. But I know - I know who I am. I know what happened and what's going on. I know. You didn't show me shit. You, you're dead. Everything that you were is dead. And it's - It's not over. I forgave her because... it's not over.

Tyreese Williams:
[Tyreese begins crying] It's not over. It's not - It's not over. I didn't turn away. I kept listening to the news so I could do what I could to help. I'm not giving up. You hear? I'm not giving up! People like me - People like me, they can live. Ain't nobody got to die today.

The Governor:
You have to pay the bill.

[the Governor pushes Tyreese back to the ground, as Lizzie quietly moves up next to Tyreese with a smile, holding up Tyreese's arm]

[when Tyreese suddenly wakes up out of a hallucination, seeing Rick holding up his arm]

Rick Grimes:
You hold him!

Glenn Rhee:
I got it! Go!

Rick Grimes:
One hit! Clean! Go! [Michonne takes a swing with her samurai sword to Tyreese's arm]

[T]hey who do not love [life] do not deserve it.

[T]hose who do not love [life] are unworthy of it.

[Uncle Walt, a con artist, has been trapped into proposing marriage]

Uncle Walt Guthrie:
I tried to warn you what kind of man I am. But no, you led me along so nice, you drowned me in love and kindness like a tiger in vat of milk!

[upon Aurora awakening from her enchanted sleep]

Diaval:
No truer love.

[upon finding the Dead Man's Chest]

Norrington:
You actually were telling the truth.

Jack:
I do that quite a lot. Yet people are always surprised.

Will:
[suddenly appearing] With good reason!

Elizabeth:
[runs to hug Will] Will! You're all right, thank God! I came to find you. [they kiss]

Jack:
How did you get here?

Will:
Sea turtles, mate. A pair of them strapped to my feet.

Jack:
Not so easy, is it?

Will:
But I do owe you thanks, Jack.

Jack:
You do?

Will:
After you tricked me on that ship to square your debt with Jones...

Elizabeth:
[to Jack] What?

Jack:
[pretends to be confused] What?

Will:
I was reunited with my father.

Jack:
Oh... well, you're welcome then.

Elizabeth:
Everything you said to me; every word was a lie.

Jack:
Pretty much. Time and tide, love. [sees Will attempt to unlock the chest Oy! What're you doing?

Will:
I'm gonna kill Jones.

Jack:
[draws his sword and points it at Will] Can't let you do that, William. 'Cause if Jones is dead, who's to call his terrible beastie off the hunt, eh? Now, if you please. The key.

Will:
[draws Elizabeth's sword and points it at Jack] I keep the promises I make, Jack. I intend to free my father. I hope you're here to see it.

Norrington:
[draws his sword and points it at Will] I can't let you do that, either. So sorry.

Jack:
I knew you'd warm up to me eventually.

Norrington:
[points his sword at Jack] Lord Beckett desires the contents of that chest. I deliver it, and get my life back.

Jack:
Ah. The dark side of ambition.

Norrington:
Oh, I prefer to see it as the promise of redemption.

[upon learning that the children of two feuding ranchers have fallen in love]

Bob Burke:
This business of being a lawman gets more confusing each day!