Holby City

Holby City

Holby City (styled as HOLBY CI+Y) is a British medical drama television series that airs weekly on BBC One. The series was created by Tony McHale and Mal Young as a spin-off from the established BBC medical drama Casualty, and premiered on 12 January 1999. It is set in the same hospital as Casualty, in the fictional city of Holby, and featured occasional crossovers of characters and plots with both Casualty (which featured dedicated episodes broadcast as Casualty@Holby City) and the show's 2007 police procedural spin-off HolbyBlue. Its first executive producers were Young and Johnathan Young, who were succeeded by Kathleen Hutchison from 2002 to 2004, Richard Stokes from 2004 to 2006, McHale from 2006 to 2010, Belinda Campbell from 2010 to 2011, Johnathan Young from 2011 to 2013, Oliver Kent from 2013 to 2017 and Simon Harper from 2017. Since the show's initial development, it has become a weekly fixture in the schedule. Holby City airs once a week, all year round, and each series now contains 52 episodes. The show follows the lives of medical and ancillary staff at the fictional Holby City Hospital. It began with eleven main characters in its first series, all of whom have since left the show. New main characters have been both written in and out of the series since, with a core of around fifteen main actors employed on the serial at any given time. In casting the first series, Young sought out actors who were already well known in the television industry, something which has continued throughout the show's history, with cast members including Patsy Kensit, Jane Asher, Robert Powell, Ade Edmondson and John Michie. McHale was the show's lead writer for several years, and was the first British writer ever to become the showrunner of a major prime time drama. Under his tenure as executive producer, attempts were made at modernising the programme and appealing to a younger audience by taking on the filmizing technique and introducing musical montage segments into each episode. Nineteen series of Holby City have aired, and the twentieth began airing from 2 January 2018. The show has run for over 800 hour-long episodes. It is filmed at the BBC Elstree Centre in Hertfordshire, and has featured special episodes filmed on location abroad. From October 2010, Holby City moved to high definition broadcasting. Holby City has attracted comparisons to other medical dramas, often unfavourable, and figures within the television and entertainment industry including Broadcasting Standards Commission director Paul Bolt have accused the BBC of squandering the television licence fee on the programme. The series employs a team of researchers to ensure medical accuracy, and utilises surgeons from different disciplines to check scripts. Cast members are taught to perform basic medical procedures, and given the opportunity to spend time on real hospital wards for research. Holby City has, however, been criticised for its lack of realism, with the British Medical Association denouncing its portrayal of organ donation and unrealistic impression of resuscitation, and an accident and emergency nurse at the 2008 Royal College of Nursing conference accusing the show of fostering unrealistic expectations of the NHS and fuelling compensation culture. Holby City has been nominated for over 100 television awards, of which it has won ten: the 2008 British Academy Television Award for Best Continuing Drama, one BEFFTA Award, two Ethnic Multicultural Media Awards, two Music Video and Screen Awards, and four Screen Nation Awards. The show's first series averaged 9. 27 million viewers, but apart from a rise in its fifth series, ratings declined year-on-year until 2009, with the eleventh series averaging 5. 44 million viewers. The twelfth series saw a small rise to 5. 62 million. Later series have consistently drawn over 4 million viewers per week.

Year:
1999
2,267 Views

[Malik confronts a patient who has been beating up his wife and burning her with cigarettes, and is now in hospital because she tried to kill him in retaliation]

Malcolm Johnson:
How long before I can go home?

Antoine Malick:
End of the week, with a bit of luck.

Malcolm Johnson:
And Susan?

Antoine Malick:
She might be detained a bit longer.

Malcolm Johnson:
I'm going to book her a holiday when she's recovered. It'll do us both good.

Antoine Malick:
Well, don't forget your duty-free fags - for all those long evenings of torture. I know what you are.

Malcolm Johnson:
Susan been talking, has she?

Antoine Malick:
She didn't have to.

Malcolm Johnson:
She's *very* convincing, isn't she?

Antoine Malick:
You can't fake the look I saw on her face. What do you get off on? The smell of burning skin? The begging for mercy?

Malcolm Johnson:
You do realise that I could have your balls for this.

Antoine Malick:
For telling you what a spineless bullying monster you are?

Malcolm Johnson:
Well it takes one to know one. You really, really want to hurt me, don't you? Look at the blind rage behind your eyes.

Antoine Malick:
Shut it!

Malcolm Johnson:
Well you'll never get a better chance.

[Malik is furious and clenches fists, itching to hit Johnson]

Antoine Malick:
[menacingly] Believe me, I'm tempted.

Malcolm Johnson:
But you're a man of honour, aren't you. You've come to warn me off. Come to tell me to let Susan go. That's never going to happen, my friend, because she's my wife and she's married to me. I *will* take her home and life *will* just rattle on.

[Oliver bursts in as Malik is about to hit Johnson. Malik steps back, having regained control of his temper]

Antoine Malick:
You're wrong. I'm not trying to save your wife. She's saving herself. She's out there now there talking to someone from CID.

Malcolm Johnson:
And do you *really* think she's going to press charges?

Antoine Malick:
She's confessing to your attempted murder. She'd rather be safe locked up in jail than out there knowing that you're looking for her.

Malcolm Johnson:
I'll just deny everything.

Antoine Malick:
They don't need you. With bad behaviour she's looking at seven, eight years of freedom.

Connie Beauchamp:
Stop being so superior. Just because you're seven feet seven doesn't mean you can...

Henrik Hanssen:
Pressurising the donor family, telling the donor family about the recipient, ignoring the protocol of waiting list eligibility, failng to contact UK Transplant - it's like you *want* a tribunal.

Connie Beauchamp:
No, it's like I want to resign. In fact that's it - I'm resigning. Consider that my resignation.

Henrik Hanssen:
Oh really!

Connie Beauchamp:
Don't "oh really" me, you depressing giant Swede. I will *not* be part of it - the cuts, the redundancies. Or "firings" as I like to call them. I can't do it. It goes against *everything* I believe in.

Henrik Hanssen:
Not prepared to play the villain?

Connie Beauchamp:
No, that's not it, and you know it. Listen, from one to another, you really have it down to an art form. Do you know what they call you? "Horrid Henrik", "Henrik the Herring", "Henrik Hitler", "Bjorn the Slasher". Shall I go on?

Henrik Hanssen:
If *we* don't do it, someone else will.

Connie Beauchamp:
Huh! Yes, well that's exactly the kind of tosh people like us say to salve our consciences. You *know* that I'm making the harder decision.

Henrik Hanssen:
Then you are the toughest of all cookies, and I merely crumble in your presence. What I *actually* came to talk about was to say I've spoken to UK Transplant on your behalf. Given the uniqueness of our situation and the geographical imperative, they've verbally okayed the procedure. So now that I've saved you from a GMC hearing, do you still want to resign?

Connie Beauchamp:
Yes I do.

[Henrik looks gobsmacked]

Henrik Hanssen:
Right. And do you have anything to add before I cascade the email, or will the smorgasbord of Swedish jibes suffice?

Connie Beauchamp:
Elliot Hope is a genius.

Henrik Hanssen:
The question of his health remains.

Connie Beauchamp:
It would be a *huge* mistake to get rid of him.

Henrik Hanssen:
You're stepping aside for him.

Connie Beauchamp:
No. Yes. D'you know what. This, everything, it's wrong. *You* know it and *I* know it. Happy Christmas.

[Connie walks away]

[Connie comes into the office that she shares with Elliot]

Elliot Hope:
Connie. I've just got the email. It's not *true*, is it? I mean, why on earth would you... ?

Connie Beauchamp:
My dad - he needs my full attention. And I need a break.

Elliot Hope:
But your work. Everything. Darwin. We need you.

Connie Beauchamp:
I'm sure you'll find another bossy woman.

Elliot Hope:
Who are you going to find to give you fashion tips?

Connie Beauchamp:
Or financial advice.

Elliot Hope:
Or guidance on rearing children. Who's going to scatter your papers exactly as like them scattered?

[Connie is struggling to hold back tears]

Connie Beauchamp:
I'm really sorry if I behaved badly recently.

Elliot Hope:
I'm sorry. I have, of late, wherefore I know not, lost something of my mirth.

Connie Beauchamp:
I suppose the angina can't have helped.

Elliot Hope:
Oh the angina's fine.

Connie Beauchamp:
Do you not think you could do with a mid-cap?

Elliot Hope:
Possibly.

Connie Beauchamp:
I you keep it quiet, I'll do it for you.

Elliot Hope:
I would like to get back in the groove. Regain my mojo. D'you think it would work?

Connie Beauchamp:
Oh I think we'll get you through the assessment for occupational health. That's if you stick to the lifestyle changes.

[Connie points to a slice of cake. Elliot picks it up and eats it]

Elliot Hope:
Call me old-fashioned, but I love stollen. So did you stick it to him? Give him one from all of us?

Connie Beauchamp:
I insulted his height and listed his nicknames.

Elliot Hope:
So you took no prisoners, then!


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