Search results for 'love' Page #999

[Mr. Clare talks with Vanessa about sharing his name with the dead poet John Clare]

John Clare:
I've always been moved by John Clare's story. By all accounts he was only five feet tall, so... considered freakish. Perhaps due to this, he felt a singular affinity with... the outcasts and the unloved... the ugly animals... the broken things.

John Clare:
[Mr. Clare begins quoting a John Clare poem, 'I Am'] I am yet what I am none care or knows. My friends forsake me like a memory lost. I am a self-consumer of my woes. They rise and vanish in oblivious host, like shadows in love's frenzied stifled throes. And yet I am, and live...

John Clare:
[Mr. Clare continues as Vanessa joins in] Like vapors tossed...

Vanessa Ives:
[Vanessa continues quoting the poem] I long for scenes where man hath never trout. A place where woman has never smiled or wept. There to abide with my creator, God. And sleep as I in childhood sweetly slept. Untroubling and untroubled where I lie.

Vanessa Ives:
[Vanessa continues as Mr. Clare joins in] The grass below, above the vaulted sky.

[Mr. Clare talks with Vanessa about what love is between two people]

John Clare:
[Mr. Clare describes it as] The kind touch of a hand.

Vanessa Ives:
I saw it earlier. I was having coffee with a friend. He's in love with someone, though I don't know if he knows it. But... she touched his hand. And his face... something I had never seen before. A kind of peace, anyway.

John Clare:
The cruelest kind. It's lethal, that touch... for it leaves your heart at the mercy of another. You're so unprotected.

Vanessa Ives:
We're all awkward in love. Mine has always gone awry. When I have opened myself to it in the past, it's left me... damaged. The consequences are too grave.

John Clare:
And what is our recompense? We who cannot cast out boats on that sea.

Vanessa Ives:
[Vanessa smiles] And how are we to navigate the waters when they are so alien?

[Mr. Gold tries to find a way to bring back Belle's memories]

Regina Mills:
Finding a way isn't the problem, dear. We both know what is.

Mr. Gold:
Yeah, true love's kiss.

Regina Mills:
And I don't think our new resident feels the same way about you as you do her.

Mr. Gold:
Then I'll make her!

Regina Mills:
Well, there's the charm that should easily woo a lovely young lady. She'll most certainly fall in love with you at first sight. Oh, wait, that didn't happen, did it?

Mr. Gold:
She will, or I promise you, there will be suffering.

Regina Mills:
Finally something we both can agree on.

[Mr. Neighbor gets back to the couch with Buddy after talking about lies]

Buddy:
A lie is a lie no matter--

Mr. Neighbor:
No, Bu-Buddy. We're-We're pass that.

Buddy:
Oh.

Mr. Neighbor:
But I learned an important lesson.

Buddy:
[gasps] A lesson? Oh, boy! What did you learn, Mr. Neighbor?

Mr. Neighbor:
That you should always tell the truth, and when you hurt the people you love, you need to...

Buddy:
Give them a band-aid!

Mr. Neighbor:
NO, APOLOGIZE! [goes back to his positive self] You have to apologize.

[Mrs Forrester and Miss Pole were soaking some lace in buttermilk to improve its colour but Mrs Forrester's cat has just swallowed the lace while drinking the milk. Mrs Jamieson follows the women as they race through the street with the cat in a basket]

Mrs. Jamieson:
[shouting from her sedan chair] Mrs Forrester! Whatever has occurred?

Mrs. Forrester:
[frantically] It's my lace, Mrs Jamieson! My best lace!

Miss Pole:
[even more frantically] Which was made by nuns, last century, and you cannot get its like for love nor money any more, even though they have emancipated the Catholics!

Mrs. Jamieson:
What's happened to it?

Mrs. Forrester:
It's in the basket. In pussy's insides.

Miss Pole:
We are on our way to purchase "a compound".

[Mrs. Bhamra is watching an Indian karaoke show]

Mr. Bhamra:
Can you change the channel, please?

Mrs. Bhamra:
It's nearly the end.

Pinky:
Mum, she's back!

Mrs. Bhamra:
You've been gone all day for two pairs of shoes! Come here!

Jess:
It's not that late. I was looking at other things like... handbags, too.

Mrs. Bhamra:
Let's see 'em!

Jess:
Not yet. I'll try them with the suits. [Jess starts to run up the stairs and Pinky follows her, grabs shopping bags and dumps it besides their mother with their father raising hands to somewhat chastise, and their mother has grabbed Jess' shirt collar]

Mrs. Bhamra:
Cigarette? Have you been smoking?

Jess:
No!

Mrs. Bhamra:
Chi chi chi, Cigarette! [Smacks Jess' face]

Jess:
I needed the loo so I went into a pub with my friend. I had a coke. Smell my breath!

Mr. Bhamra:
[Smells Jess] She might be right.

Mrs. Bhamra:
[Looks at black shoes] These don't have a heel! How will they fall nicely with your sari?

Jess:
I'll take them back.

Mrs. Bhamra:
[Discovers footballs shoes] Football shoes!

...

[Jess is doing situps with the team for practice]

Jules:
But you can't give 'em back.

Jess:
I need shoes for the wedding now.

Jules:
Come over to mine. I'll sort you out.

Joe:
Come on, girls! Wake up!

Jess:
God! My mum had a fit when she saw the boots! And I smelt like a bleedin' ashtray! I had to clean all the big saucepans.

Joes:
Yak, yak, yak, yak! Jess! Is everything all right?

Jess:
Yes, coach.

Joes:
Am I interrupting your cosy little conversation?

Jess:
No, coach.

Joe:
Good. Than I want five more laps round the pitch! Elbows to knees as you go!

Jules:
Joe, that is totally out of order!

Joes:
Hey! I don't remember telling the rest of you to stop!

Joe:
Move it! You're doing very well. Keep it up for another two minutes. Good, Mackie! Good, Sally! Excellent! Excellent!

...

Joe:
[Calling across the field] Jess! You can stop now! Stop! You're doing yourself an injury!

Jess:
I'm ok. I've just got one more lap.

Joe:
I said stop! Let's have a look at you.

Jess:
It's nothing!

Joe:
Sit down. Let me decide if it's nothing. Why didn't you tell me you'd twisted it?

Jess:
I didn't want you to think I'm not as strong as the others.

Joe:
That's stupid, Jess. Look, my dad was my coach. Scouts told him that I was too slight to play, so he kept pushing me. That's how I screwed my knee.

Jess:
Your dad made you?

Joe:
I wanted to show him I wasn't soft, so I tried to play injured. He was a bit of a bastard anyway.

Jess:
You shouldn't say that about your dad.

Joe:
You don't know my dad. All right. Come on. Good. Now put your weight on me. There you are.

...

[Jules presents shoes to Jess]

Jess:
Oh, my God!

Jules:
Just give 'em back after the wedding. My mum loves them. She stuck the bows on herself.

Jess:
Thanks. You sure she won't miss 'em?

Jules:
Nah. Listen... I hope Joe wasn't too hard on you. Some of the girls think he's too strict.

Jess:
No, he was really nice, just really professional.

Jules:
I love that picture. It was after we beat Millwall last year. You got to see this. It's wicked!

[Turns on TV]

TV announcer:
W.U.S.A. soccer!

Jess:
Wow! W.U.S.A.

Jules:
Incredible! We've nothing like that over here.

...

Jules:
When are you going to tell your parents about your game?

Jess:
I don't know.

Jules:
You can't keep lying. You're too good.

Mrs. Paxton:
Cooey!

Jules:
Hide the shoes!

Mrs. Paxton:
Sweetheart!

Jules:
Up here, Mum.

Mrs. Paxton:
Oh, it's hot out there! Oh! Got company! Hello, love.

Jules:
Mum, this is Jess.

Mrs. Paxton:
Jess? Is that Indian?

Jess:
It's really Jesminder, but only my mum calls me that.

Mrs. Paxton:
Oh, that's nice. Jesmin-dah. Lovely! Well, Jesmin-dah, I bet your room at home doesn't look like this! Great big butch women on the wall!

Jules:
Thank you, Mum, I'm not old like you!

Mrs. Paxton:
Jess, I hope you can teach my daughter a bit about your culture, [grabs Jules knees and starts shaking her] including respect for elders and the like, eh? Cheeky madam! Well, Jess... I expect your parents are fixing you up with a handsome young doctor soon. Pretty girl like you...

Jules:
Mum! Stop embarrassing yourself!

Mrs. Paxton:
What? Just being friendly! You don't mind, do you, love? Of course not! Now, are you a friend from school or work?

Jules:
She's a footballer. She's on the team with me. [Mrs. Paxton's face becomes intimidated]

...

Jules:
"Jesmin-dah"!

Jess:
Did you see her face, though?!

Jules:
Juliet!

Jess:
Jesmin-dah! What WAS that? Ooh!

Jules:
Are you all right?

Jess:
Oh, Jesus! Jules... You know Joe, do you like him? Nah, he'd get sacked if he was caught shagging one of his players.

Jess:
Really?

Jules:
I wish I could find a bloke like him. You know, that wasn't off limits. Everyone I know's a prat. They think girls can't play as well as them, except Joe, of course.

Jess:
Yeah, I hope I marry an Indian boy like him, too. [Jules bursts out laughing] What?

Jules:
I'm sorry!

Jess:
Shut up!

...

[Jess walks into house with family sitting in living room looking offended at Jess]

Teetu's father:
We're not trying to cause trouble. We felt it our duty to tell you.

Mr. Bhamra:
You know how hard it is for our children here. Sometimes they misjudge and start behaving like the kids here.

Teetu's mother:
All I know is that children are a map of their parents.

Pinky:
You stupid flippin' cow!

Mrs. Bhamra:
You've ruined your sister's life! Happy now?

Pinky:
The wedding's off 'cause of you!

Jess:
Me? Why?

Mrs. Bhamra:
They saw you being filthy with an English boy!

Jess:
I wasn't with any English boy!

Pinky:
They saw you at a bus stop kissing him! Why couldn't you do it in secret like everyone else?

Jess:
Kissing? Me? A boy?! You're all bloody mad!

Mr. Bhamra:
Jesminder, don't you use those swearing words!

Jess:
I was at the 120 bus stop today but with Juliet. My friend. She's a girl, and we weren't kissing or anything for God's sake!

Mr. Bhamra:
[Points to painting on living room wall] Do you swear on Babaji's name?

Jess:
I swear on Babaji's name.

Mrs. Bhamra:
Sometimes these English girls have such short hair... You just can't tell.

Mr. Bhamra:
They must have made a mistake.

Mrs. Bhamra:
His parents are just making an excuse. We were never good enough for them.

Pinky:
No, I bet she was with some dykey girl from her football team! She's still been playing you know! She ain't got no job! She's been lying!

Mrs. Bhamra:
Why have I two deceiving daughters? What did I do wrong in my past life?

Pinky:
But she's ruined my life!

Mrs. Bhamra:
Don't think I didn't knew you were sneaking out with that good-for-nothing Teetu as well! [Laments in Punjabi]

[Mump is dressed like Kimmy under Nitz's window]

Mump:
Oh Nitz. It's me, Kimmy Burton, the love of your life! Please come out of your room and make sweet love to me!

Nitz:
No, Mump!

Gimpy:
Damn it!

[Murdock has just crashed the plane with B.A. tied up on board and awake]

B.A. Baracus:
Hannibal, you gonna look worse than this plane if you don't let me outta here!

Hannibal Smith:
Well, [sighs] it's time to let B.A. out.

Face:
This, I'm gonna love.

B.A. Baracus:
Pretty soon, I'm gonna be really mad, Hannibal.

Face:
[groans] I'd rather sit naked with a king cobra than let him outta that plane.

Hannibal Smith:
Face, relax. Once I explain to him the circumstances under which he got aboard the plane, he's gonna be very understanding.

Face:
Hm. You don't really believe that, do you?

Hannibal Smith:
[smiling] Of course not.

B.A. Baracus:
That's it, Hannibal. Now I'm really mad. Let me loose! I'm gonna get even with you!

Hannibal Smith:
Now, uh, just take it easy, B.A.

B.A. Baracus:
Take it easy? I'm gonna hit you so hard, I'm gonna knock you into next week!

[Murphy is riding the mine train through the cave]

Devil's Pit Announcer:
Welcome aboard the Devil's Pit historic mine train with stops and Hillside Station and the Superstition Caverns. Please keep your hands and arms inside the train at all times and remain seated until the train comes to a full and complete stop. Failing to comply with safety regulations can result in severe injury or death. Enjoy your ride and please, no flash photography. Before it became the charming resort town we know and love today, Silent Hill was once a center of trade and commerce thanks to its rich seams of coal and iron ore. You are riding aboard a fully-restored mine train originally owned and operated by the Gillespie Coal and Iron Company, which first began extract ore from the Devil's Pit in 1860. This subterranean railroad was built to in order to haul men and equipment as far and 1200 meter below the surface, making it the deepest coal mine of its day. [as the lights flicker, Murphy sees horrifying images of miners coming for him in the dark] Long before the discovery of its rich coal seams, this labyrinth of limestone caves and grottos were used by the local indigenous tribes for religious ceremonies, particularly as a gateway to the spirit realm and for communicating with the dead. [as the ride continues, the cave degenerates it a nightmarish hellscape] We are now descending into the Superstition Caverns, an area of the cave steeped in mystery and folklore. According to local legend, in 1911, miners discovered mysterious symbols carved into the walls of a limestone grotto, leading to wild speculations about witchcraft and the occult. Soon after, a series of unfortunate accidents and reports of mysterious creatures forced the company to suspend mining operations along this seam. [a hideous monster jumps onto the train and attacks Murphy] Today, visitors to the Superstition Caverns occasionally reports seeing ghosts and other strange phenomenon... [the guide voice begins to break up as the train speeds through a monster infested nightmare until leading to a hideous, monstrous face stretched across the tracks]

Evil Face:
Did you enjoy the ride, Murphy? [the train suddenly shoots backward along the track]

[Murphy meets a man at the Devil's Pit observation deck]

Sater:
Pretty impressive, ain't it? You might not guess by looking at it, but this place used to be filled with all kinds of visitors. Moms and dads and little kids and... Yeah, it was a really nice place.

Murphy:
I'm sorry. You are - ?

Sater:
Name's JP and that sir is the Devil's Pit: four hundred ninety meters straight down to the blackest soul of the earth, the deepest limestone sinkhole north of...

Murphy:
Look, that's fascinating, but-Sorry... someone, some thing tried to kill me back there. You haven't seen anything, I mean strange wandering around here, have you?

Sater:
[turns back to the Devils Pit] First time visitor, huh?

Murphy:
Listen, if there's a quick way out of here, I'd really appreciate it if you'd just tell me...

Sater:
Way out? What good would that do? Sorry, we don't get too many visitors these days.

Murphy:
Right. Well, I'll be seeing you.

Sater:
If you head through the cavern, there's a train, can take you to Hillside. Boy, I'll tell ya... all the kids, they just love that little train.

Murphy:
How 'bout you show me?

Sater:
Sorry. Someplace I gotta be.

Murphy:
Thanks for the tip.

[Music box is playing the song 'Masquerade' softly; Christine wakes and sits up; she stands and walks out]

Christine:
[sings] I remember there was mist, swirling mist upon a vast glassy lake. There were candles all around, and on the lake there was a boat. And in the boat, there was a man...

[pauses and looks over at the Phantom, at his organ, and walks over]

Christine:
Who was that shape in the shadows? Whose is that face in the mask?

[touches his face and pulls off mask]

The Phantom:
[jerks away and covers face] Damn you! You little prying Pandora! You little demon! Is this what you wanted to see? Curse you, you little lying Delilah! You little viper! Now you cannot ever be free! Damn you! Curse you!

[Now sad]

The Phantom:
[sings as he walks back] Stranger than you dreamt it, Can you even bear to look, or bear to think of me? This lonesome gargoyle who burns in hell, but secretly yearns for heaven, secretly, secretly, but Christine... Fear can turn to love, you'll learn to see, To find the man behind the monster this... repulsive carcass who seems a beast but secretly dreams of beauty, secretly, secretly...

[sinks down on the steps below her]

The Phantom:
[whispers brokenly] Oh, Christine.

[Numbly Christine hands him the mask; he takes it and puts it on then stands]

The Phantom:
Come. We must return. Those two fools who run my theater will be missing you.

[Music box is playing the song ‘Masquerade' softly; Christine wakes and sits up; she stands and walks out]

Christine:
[sings] I remember there was mist, swirling mist upon a vast glassy lake. There were candles all around, and on the lake there was a boat. And in the boat, there was a man...

[pauses and looks over at the Phantom, at his organ, and walks over]

Christine:
Who was that shape in the shadows? Whose is that face in the mask?

[touches his face and pulls off mask]

The Phantom:
[jerks away and covers face] Damn you! You little prying Pandora! You little demon! Is this what you wanted to see? Curse you, you little lying Delilah! You little viper! Now you cannot ever be free! Damn you! Curse you!

[Now sad]

The Phantom:
[sings as he walks back] Stranger than you dreamt it, Can you even bear to look, or bear to think of me? This lonesome gargoyle who burns in hell, but secretly yearns for heaven, secretly, secretly, but Christine... Fear can turn to love, you'll learn to see, To find the man behind the monster this... repulsive carcass who seems a beast but secretly dreams of beauty, secretly, secretly...

[sinks down on the steps below her]

The Phantom:
[whispers brokenly] Oh, Christine.

[Numbly Christine hands him the mask; he takes it and puts it on then stands]

The Phantom:
Come. We must return. Those two fools who run my theater will be missing you.

[Music box is quietly playing; the Phantom watches it dully]

The Phantom:
[singing brokenly with the music box] Masquerade... paper faces on parade. Masquerade... hide your face, so the world will never find you...

[Looks up to see Christine watching him with sad face]

The Phantom:
[heartbroken] Christine, I love you...

[Christine walks to his side, presses her ring into his hand and leaves him; the Phantom walks out and watches Christine and Raoul leave in the boat]

Christine:
[singing] Say you'll share with me, one love, one lifetime...

Raoul:
Say the word and I will follow you...

Christine:
Share each day with me each night, each morning...

The Phantom:
You alone can make my song take flight. It's over now, the Music of the Night!

[He breaks the mirrors in his lair and leaves in hidden tunnel behind one; Meg Giry and several others come down to his lair; Meg find music box and sees the Phantom’s mask on a chair]

[Music box is quietly playing; the Phantom watches it dully]

The Phantom:
[singing brokenly with the music box] Masquerade... paper faces on parade. Masquerade... hide your face, so the world will never find you...

[Looks up to see Christine watching him with sad face]

The Phantom:
[heartbroken] Christine, I love you...

[Christine walks to his side, presses her ring into his hand and leaves him; the Phantom walks out and watches Christine and Raoul leave in the boat]

Christine:
[singing] Say you'll share with me, one love, one lifetime...

Raoul:
Say the word and I will follow you...

Christine:
Share each day with me each night, each morning...

The Phantom:
You alone can make my song take flight. It's over now, the Music of the Night!

[He breaks the mirrors in his lair and leaves in hidden tunnel behind one; Meg Giry and several others come down to his lair; Meg find music box and sees the Phantom's mask on a chair]

[My father always say love is a weakness, maybe he was right too... If you want to restart the need to remember their loved ones need to be strong... ]

[Mystery Woman starts shooting at Elwood and Jake]

Elwood:
Who is that girl?

Mystery Woman:
Well, Jake, you look just fine down there, slithering in the mud like vermin.

Jake:
No problem.

Mystery Woman:
You're not gonna get away from me this time.

[Mystery Woman recklessly fires around the tunnel, causing pipes to leak and water to burst out]

Jake:
[gets up, his suit ruined by the mud] It's good to see you, sweetheart.

Mystery Woman:
You contemptible pig! I remained celibate for you. I stood at the back of a cathedral, waiting, in celibacy, for you, with three hundred friends and relatives in attendance. My uncle hired the best Romanian caterers in the state. To obtain the seven limousines for the wedding party, my father used up his last favor with Mad Pete Trullo. So for me, for my mother, my grandmother, my father, my uncle, and for the common good, I must now kill you, and your brother.

[Jake walks forward a few steps and falls to his knees]

Jake:
Oh, please, don't kill us. Please, please don't kill us. You know I love you, baby. I wouldn't leave ya. It wasn't my fault.

Mystery Woman:
You miserable slug! You think you can talk your way out of this? You betrayed me.

Jake:
No I didn't. Honest... I ran out of gas! I--I had a flat tire! I didn't have enough money for cab fare! My tux didn't come back from the cleaners! An old friend came in from out of town! Someone stole my car! There was an earthquake! A terrible flood! Locusts! IT WASN'T MY FAULT, I SWEAR TO GOD!!!

[Elwood covers his head in anticipation of more gunfire. Jake removes his sunglasses to make a wordless appeal, and the Mystery Woman visibly softens]

Mystery Woman:
Oh, Jake... Jake, honey...

[Jake embraces the Mystery Woman and they kiss]

Jake:
[to Elwood] Let's go.

[He drops the Mystery Woman and walks off]

Elwood:
[to the Mystery Woman as he steps past her] Take it easy.

[Nancy is having a drink in a restaurant with Peter the DEA agent after he has revealed to her that he knows she is a marijuana dealer, but he's OK with it]

Nancy Botwin:
What if this is just all an act you put on to nail dealers...

Peter Scottson:
...Take them to dinner and profess my love? That's how I took down the Santiago brothers.

[Naru is being chased by the angry residents of the Hinata Apartments, who don't realize the perpetrator who made them angry was an imposter of Naru]

Naru Narusegawa:
What's going on here? Somebody help me!

Mitsune 'Kitsune' Konno:
Come back here, Naru!

Shinobu Maehara:
Come back here!

Naru Narusegawa:
Are you kidding? No way, I'm running!

Kaolla Su, Tama:
Get her, get her!

Motoko Aoyama:
Naru must be possessed by an evil spirit, I'm sure of it!

Shinobu Maehara:
I know the Naru that we know and love would never do anything like that to me!

Naru Narusegawa:
[thinking while running] What are they talking about? I just got home and have no idea what they mean!

Motoko Aoyama:
How DARE you try to rob me of my chastity! [strikes with her sword] SECRET TECHNIQUE, DOUBLE-SPLITTING SWORD!

[Everyone including the residents that were chasing Naru are thrown up into the sky by Motoko]

[Nasti is hand-feeding his shackled prisoner in the dungeon]

Kevin Somers:
Mm, boy, I love hamburgers.

Nasti:
Mm-hm.

Kevin Somers:
Mm.

Nasti:
Of course, mind you, though, there is no ham in a hamburger, you know.

Kevin Somers:
I know. There's beef in a hamburger. Everybody knows that.

Nasti:
Yeah, beef in a hamburger and ham in a beefburger.

[Feeds Kevin another bite]

Nasti:
You know, maybe ve shouldn't even, uh, call this, uh, hamburger because there... there really isn't exactly beef in it.

Kevin Somers:
[stops chewing] Uh-oh...

Nasti:
No, no, just to be honest we should call it maybe a... a vurm-burber.

Kevin Somers:
A WORM!

Nasti:
Vait a minute. No-no-no-no-no, you don't undershtand. If dhere vas vurms in it, we vouldn't call it a vurmburger.

Kevin Somers:
No worms? Oh, okay then...

[Takes another bite]

Kevin Somers:
Mm!

Nasti:
A MAGGOT-burger vould have vurms in it. Dis is a WORMburger, because it's got maggots in it.

[Nathaniel arrives in Times Square; the construction workers remove the manhole cover and let him up]

Arty:
Let me guess. You're looking for a beautiful girl, too?

Nathaniel:
No, I'm looking for a prince, actually.

Arty:
Riiiight.

[They hear Edward laughing in triumph, and turn to see him riding on the roof of an MTA New York City Transit bus, under the delusion that it is a steel beast]

Prince Edward:
You've met your match, you foul bellowing beast!

[He takes his sword and stabs it through the roof of the bus, the blade also ripping open an old lady's bag in the process. The driver stops the bus]

Bus Driver:
Everybody stay on the bus.

Prince Edward:
Giselle? My love?

Pip in New York:
Giselle?

Prince Edward:
Right. [addresses the passengers] The steel beast is dead, peasants! I've set you all free!

Bus Driver:
[steps out the doors to confront Edward] Are you crazy?! Nobody stabs my bus! I'll tear you apart! Do you hear me?! You get down here right now!

[Nathaniel comes up and tries to help out]

Nathaniel:
Madam, allow me...

Prince Edward:
Nathaniel, old friend!

Nathaniel:
Sire, may I suggest that you, uh...

Bus Driver:
You?! A friend a' his?! Crazy tight-wearin'... Are you tryin' to mess up my route?! [Pip jumps onto her forehead and mimics her attitude] I'll tear you both apart! [Nathaniel eyes Pip] Don't you roll your eyes at me, you... [Nathaniel points at Pip, causing the driver to look up] A RAT! GET IT AWAY FROM ME!

[She goes berserk and tries to get Pip off of her]

Prince Edward:
Well, strictly speaking, he's a chipmunk!

Nathaniel:
Sire, may I suggest we seek elsewhere for your bride?

[Natty's been talking on the phone to her imprisoned boyfriend]

Sissy Emerson:
So how are things going at old Rancho Minimum Security?

Natalie Hollingsworth:
You know, Emerson, I can do without the sarcasm.

Sissy Emerson:
Sorry, Natty, I'm just trying to cheer you up. I guess just being in love with your ex-boss-Congressman who's also married and serving time in prison on fraud and bribery charges might be making you, oh I don't know - a little bit blue. But then if you're happy, I'm happy.

[Naveen looking up at the star of Evangeline, after creating a ring for Tiana]

Naveen:
Oh, Evangeline. Why can't I just look Tiana in the eye and say, "I will do whatever it takes to make all your dreams come true because... because I love you."?

Ray:
[mistakingly thinks that Naveen is in love with Evangeline] Whoa, whoa, whoa, Cap! You're making goo-goo eyes at my girl?! That's it, put them up! I'm going to make some shoes out of you!

Naveen:
No, no, Ray, I'm not in love with Evangeline, I am in love with Tiana!

[Neelix is telling Paris about his idea of a romantic evening with his love interest]

Tom Paris:
Sounds like a good strategy.

Neelix:
Do you really think so? I mean... you used to be quite the ladies' man.

Tom Paris:
Used to be?

Neelix:
Well... well, I mean, you're involved now, so of course you won't be availing yourself of all the beautiful, fascinating and very open-minded Mari women.

Tom Paris:
Neelix, are you trying to depress me?

[Newman residence; Max sits on the sofa while his parents scold and punish him for using the drone and destroying the house]

Mr. Newman:
Everything you like is now canceled! Birthdays are canceled. Holidays are canceled. Summer's canceled.

Mrs. Newman:
Winter is coming.

Max:
I'm sorry, Daddy.

Mr. Newman:
No, no, no. You are no longer allowed to call me Daddy. Call me Andrew or Mr. Newman or Warden. Underneath that cherubic face, Devil lives inside you. I will always love you because you are my son, but I no longer like you.

[Thor's house; Thor is playing his keyboard when his mother enters his room after getting a call from Mrs. Newman]

Thor's Mom:
Thorny. I just got off the phone with Max's mom. Did you know he skipped school and biked to the mall by himself?

Thor:
He said that?

Thor's Mom:
He did. Promise me you'll never do something as stupid as that, okay?

Thor:
I promise.

[Lucas' house; Lucas talks to his parents about the events he and his friends went through]

Lucas:
And then we ran across the highway, my arm got ripped out, and a fake woman shot out of a car. But we still got the drugs. Then we traded the drone for it, and Max destroyed his house with it. But it was only because he wanted to marry Brixlee, and now he can't because he's grounded for life. And we got into a huge fight, and the Bean Bag Boys are broken up, and… Am I in trouble?