Search results for 'love' Page #1,017

[to Chanel]

Chad Radwell:
I love boning girls all over this great land. But really, at the end of the day I just kinda wanna bone one girl. Like that one special girl. I don't know, I just didn't think that girl was you because, obviously there's so much wrong with you. But then I think about the good things about you, like... like how gullible you are, how rich your dad is, and when I think about that girl - the really rich one who's easy to trick - I think she's pretty special too.

[to Charlie Pearce, a local villain]

Det. Insp. Jack Regan:
[menacingly] You don't know what it's like in the nick do you? You can't breathe for the stink of sweaty bodies, stale food and slop-outs. It's horrible, Charlie. And then there's the noise: doors slamming, keys rattling, yard boots on the cat-walk, the tannoy blaring out all day, every day, Charlie. And when they bang you up for the night, there's some hairy great con wanting you to be "nice" to him. You'll love that, Charlie. And when you come out you've got form. No-one wants to know you, Charlie. You can't get a job. No one will give you a room. You're a social leper. Villains use you. Coppers put you in the frame. You're usually back inside within a 12-month.

[to Cruz]

Lt. Swersky:
Shut-up! All you do is talk! Now I want you to listen!

[to herself]

Yokas:
I love that man.

[to Garibaldi, who is depressed]

Ambassador Londo Mollari:
...Suddenly, I looked up and this beautiful dancer is leaning down over the stage, and looking right into my eyes. And she said, "Whatever it is, it can't be that bad." And then she kissed me, right here.

[Londo indicates the center of his forehead]

Ambassador Londo Mollari:
Mr. Garibaldi! Whatever it is, it can't be that bad.

[long pause as Londo giggles until a smile creeps onto Garibaldi's face]

Michael Garibaldi:
[cheerfully] You try and kiss me and I'll break your arm.

Ambassador Londo Mollari:
[laughs loudly] We're not that close, Mr. Garibaldi!

Michael Garibaldi:
And the dancer?

Ambassador Londo Mollari:
Oh, I married her.

Michael Garibaldi:
No!

Ambassador Londo Mollari:
Yes! That day! The next day I woke up, I saw her in the light of day, sleeping against my arm and I decided I would rather chew off my arm than wake her up.

Michael Garibaldi:
Oh that's sweet.

Ambassador Londo Mollari:
No, no! She had a voice that could curdle fresh milk.

Ambassador Londo Mollari:
[imitating a shrill voice] "Lon-DO?"

Ambassador Londo Mollari:
[timidly] "Yes, my darling?"

Ambassador Londo Mollari:
[imitating] "LON-do!"

Ambassador Londo Mollari:
[timidly] "Coming, my darling."

Ambassador Londo Mollari:
[giggling] "I'll be right there, my little love bug."

[to Gwyn]

Robin O'Locksley:
You know your mother fell in love with a robber and a thief. A prince is just as bad if not worse.

[to Harashima]

Konosuke Shimodaira:
What man treats the woman he loves like whore? Is it because she's poor, do you think she went with you for your money? Rubbish... Hey I maybe poor and my friends and Kaori maybe poor too, but she has had a much richer life then you have had. You say love will only get you hurt. Kaori's been in love, been hurt... But she's still cheerful! I'll tell you something, being poor is just a state of mind, but if you respect the three wells of my logic - Trust, friendship and love - then I truly am a rich person.

[pauses]

Konosuke Shimodaira:
I don't need money, and Kaori doesn't need your money. She's a very rich woman, she loves you, she's your friend and until now she trusted you. You don't deserve your love. *You* sir, are the *poor* man. *I* am the rich one!

[to Holly, as his blood is being transfused into Brad]

Sebastian:
If he should make love well after this, pay no attention - it will be me.

[to J.D. and Elliot]

Dr. Cox:
Ah, damn. I missed the annual sleep-over, didn't I? That wonderful time of the year when you two crazy kids throw all caution to the wind and make sweet, ellbowy love to each other. Don't you be shy. You can tell Uncle Coxy about the naughtay.

Elliot:
Dr. Cox, I lost my apartment and I was just needing a place to stay...

Dr. Cox:
...so you went over to your friend's house and cried on his shoulder - boo-hoo-wah - and you of course comforted her because she was weak and vulnerable and blah, blah, blah, nerdy sex, the end. Dear lord, Laverne, how in God's name do you listen to this crap all day long?

Nurse Roberts:
Are you kidding? If he turns out to be her brother, this is better than my stories.

[to Jade]

Tori Vega:
Love me? Love me now? Yeah you do. Come on, give Tori a squeeze.

[to Lawrence]

Lily Bart:
Love me. But don't tell me so.

[to Lindsay]

Helen:
If you're in love with the guy, be a woman about it and claw my eyes out. I'd do it to you.

[to Octavius, weeping]

Maecenas:
But without a crown, they will destroy you... I am sorry, my friend... I love you... But I... I will not watch them destroy you.

[to Rachel, who is asleep]

Dr. Mark Greene:
I love you. Do I tell you that enough? I love you.

[to Sarah after she's come back to work after being dumped by Jason]

Audrey Potter:
Now don't worry, love. There is always a bright side to every situation.

David Platt:
Yeah, maybe Eileen has a son that we don't know about.

[to the frightened umpire and catcher]

Naomi Campbell:
Don't worry, darling, I'll wield this bat with love.

[to Theresa]

Fox:
There's nothing I love more than a woman who knows her own warped mind!

[Todd knocks on Dussander's door]

Kurt Dussander:
Yes? What do you want?

Todd Bowden:
I...

Kurt Dussander:
If you're selling something, I'm not interested.

Todd Bowden:
I have your newspaper.

[Dussander opens the door of his porch to take the newspaper]

Todd Bowden:
I'm not selling anything.

Kurt Dussander:
Then what do you want?

Todd Bowden:
If you could let me in for a minute, I just want to talk.

Kurt Dussander:
Talk? I don't have anything to say to you, boy. Good day to you.

[he shuts the door and turns to go back inside]

Todd Bowden:
[as he speaks, Dussander stops and slowly turns round] Bergen-Belsen, January '43 to June '43. Auschwitz, June '43 to June '44. Then you went to Patin. After that you disappeared, but then in 1965 you were spotted in West Berlin.

Kurt Dussander:
Listen, boy... I don't have time for this game. Now get out of here before I call the police.

Todd Bowden:
Call them if you want. I'm sure they'd love to meet you.

[Tom is being tortured]

Preston Scott:
Time is up. What do you choose?

[Tom mumbles something]

Preston Scott:
What was that?

[Tom smiles]

Tom Newman:
Perfect love casts out fear. [screams] Jesus! Jesus save me! [Tom weeps for joy]

Preston Scott:
That was the wrong choice.

Tom Newman:
I forgive you. I forgive you.

[Tom the Knife begins questioning the real Silver St. Cloud]

Silver St. Cloud:
Touch me, and my uncle will have you gutted. Every person you love will die screaming. I've had enough of this. Let me go. Now!

Tom the Knife:
Well, hello! Nice to meet ya! I knew there was someone hiding in there.

Silver St. Cloud:
Are you deaf as well as ugly? I said... Let me go!

Tom the Knife:
I heard you, princess.

Silver St. Cloud:
[Tom the Knife grabs Silver's hand to cut her finger off] What are you doing? Stop! Malone! It's Malone!

Tom the Knife:
What's that?

Silver St. Cloud:
Malone. That's the name. The man who killed Bruce Wayne's parents.

[Tommy Brock is holding Peter as he stands in front of Mr.Tod's cooking pot]

Mr. Tod:
Oh, I do so love a good barbecue.

Peter Rabbit:
Me too! Oh, I know a really good blackberry bush for dessert. If I can... just show you...

Tommy Brock:
Keep still!

Mr. Tod:
No more tricks today, Peter. [to Tommy Brock] Now, how do you like your rabbit, Mr.Brock? Roasted? Fried?

Tommy Brock:
I'm more of a worms bloke myself.

Mr. Tod:
[appalled] Worms? Oh, so uncivilized. Maybe you should leave the cooking to me.

[Tommy is waiting for Jude, listening to the school band playing her song]

Jude Harrison:
What are you doing here?

Tommy Quincy:
Rescuing you.

Jude Harrison:
What?

Tommy Quincy:
[re: the band] That was great, by the way. Love the tubas.

[Tommy wants Eric to adopt him]

Tommy:
Do you know what Scooby did when Shaggy fell in the well?

Eric:
This isn't a cartoon, Tommy.

Tommy:
He SAVED him. He saved him because he LOVED him.

Eric:
Tommy, you know I love you.

Tommy:
Then why won't you save me?

[Tony and Jane are flying in the air]

Jane Dobson:
Have you ever seen anybody make love in the air?

Tony Farms:
But that's how you make little puma men!

Mike Nelson:
[disgusted] Oh, and he immediately defiles the holy gift given to him.

[Tony and Joan have just made love; in a panic at his forthcoming stage performance, Tony rushes to the toilet, suffering from a sudden attack of diarrhoea]

Tony Hancock:
What am I doing? My arse has exploded and my teeth are chattering.

Joan Le Mesurier:
When I was living in Ramsgate, my friend Sheila worked on the dog track. She said when you see the dogs on parade before the race, if one of them has a hard-on or has just had a crap, put your money on it. I'd back you on both counts tonight.